"The Post-containment Handbook" is a source-book for anyone concerned about US-Soviet economic relations and the upcoming debate over their normalization. It is filled with original essays and key documents charting the history of trade agreements, diplomatic relations, and human rights issues as they bear on the commerce between the superpowers. Debate on the issues will heat up with the September 1990 expiration of the Export Administration Act - the major instrument by which the United States has regulated exports to the Soviet Union. The terms of the debate are clear - the Soviet Union wants to enter the world economy; President Bush has said that the United States must move beyond containment - and that he wants perestroika to succeed. Top priority is a normal US-Soviet economic and commercial relationship. The handbook contains the text of such documents as the Jackson-Vanik Amendment, the Stevenson and Byrd Amendments, previous trade agreements governing credit, COCOM procedures, and extensive excerpts from the Export Administration Act. Letters, laws, and original essays round out the documentary portrait of this most important economic policy arena.

"The Post-containment Handbook" is a source-book for anyone concerned about US-Soviet economic relations and the upcoming debate over their normalization. It is filled with original essays and key documents charting the history of trade agreements, diplomatic relations, and human rights issues as they bear on the commerce between the superpowers. Debate on the issues will heat up with the September 1990 expiration of the Export Administration Act - the major instrument by which the United States has regulated exports to the Soviet Union. The terms of the debate are clear - the Soviet Union wants to enter the world economy; President Bush has said that the United States must move beyond containment - and that he wants perestroika to succeed. Top priority is a normal US-Soviet economic and commercial relationship. The handbook contains the text of such documents as the Jackson-Vanik Amendment, the Stevenson and Byrd Amendments, previous trade agreements governing credit, COCOM procedures, and extensive excerpts from the Export Administration Act. Letters, laws, and original essays round out the documentary portrait of this most important economic policy arena.

Box set featuring six Shakespeare adaptations starring legendary actor Laurence Olivier. In 'King Lear' (1983), the ageing King Lear (Olivier) decides to split his kingdom between three daughters - Regan, Cordelia and Goneril - with each receiving a share appropriate to the amount of love they feel for him. However, when the faithful Cordelia refuses to protest her devotion, an enraged Lear foolishly cedes complete control to the devious remaining siblings - with terrible results. In 'Henry V' (1944), the young king (Olivier) puts his rakish past behind him and rallies his men to invade France, winning against the enemy's superior numbers. The film was shot in Ireland to avoid the constant bombardment of the Blitz and Olivier was discharged from the Navy to make the film. In 'Hamlet' (1948), Hamlet (Olivier), Prince of Denmark, is still mourning over the death of his father and his mother Gertrude's (Eileen Herlie) subsequent remarriage to Hamlet's despised uncle, Claudius (Basil Sydney), who is now King. When his father's ghost appears to Hamlet and reveals that it was Claudius who murdered him, the young prince vows revenge. However, a fatal flaw in his character - hesitation - mars his efforts, resulting in murder, madness and treachery. In 'The Merchant of Venice' (1974), Jewish moneylender Shylock (Olivier) provides young Antonio (Anthony Nichols) with a loan, stating that if it is not repaid he will claim a pound of flesh. When Antonio's bond defaults, Shylock attempts to claim his grisly compensation in a court of law, but Portia (Joan Plowright) pleads Antonio's case. In 'Richard III' (1955), Olivier stars as the cold and calculating king, a treacherous and untrustworthy fellow who makes plans to kill anyone who threatens his position. Henry Stafford (Ralph Richardson), the Duke of Clarence (John Gielgud) and Lady Anne Neville (Claire Bloom) are just some of those moving in his orbit. 'As You Like It' (1936) was filmed in England in 1936 when Olivier was still considered a promising young actor rather than one of the finest thespians ever, as he would later become, this is his first filmed Shakespeare performance and thus a milestone in film history.