Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Published to mark the bicentenary of Alfred Tennyson's birth, these essays offer an important revaluation of his achievement and its lasting importance. After several years in which the temper of criticism has been largely political (and often hostile towards Tennyson in particular) a number of influential recent accounts of Victorian poetry have rediscovered the virtues of a closer style of reading and the benefits and pleasures of an approach that, without at all ignoring social and cultural contexts, approaches them through a primary alertness to textual detail and literary history. This volume, including entirely commissioned work by a wide range of critics and scholars from across the profession in both Britain and North America, seeks to bring such forms of attention to bear on the immense variety of Tennyson's career by exploring the complex and multiple connections between Tennyson and other writers - his predecessors, his contemporaries, and his successors. Collectively, the essays describe an intricate network of affiliation and indebtedness, resistance and reconciliation. They provide a unique assessment of Tennyson's origins, work, and imaginative legacy as he enters upon his third century.

The four Valois Dukes of Burgundy created, in little more than a century, a fabulously wealthy and independent state. Their centralised control and chancellery have bequeathed to us a vast treasure trove of documents, including accounts and inventories of the Masters of the artillery under the later Dukes. Although many of these were extracted and transcribed in the late nineteenth century, modern historians have largely ignored their unprecedented insights into fifteenth-century guns and their use. When Charles the Bold, the last Valois Duke, took on the combined Swiss confederate forces in 1476 he lost not just the battles and his personal fortune, but much of his artillerytrain as well. Of the dozens of cannons captured, at least 25 pieces survive in Swiss museums. The documents that survive from the Valois state give us, almost for the first time in medieval Europe, the ability to see the course of history in a period when Europe was undergoing some of the most profound changes before the 20th century. The Artillery of the Dukes of Burgundy is the first attempt to combine all these sources, bringing newand fresh insights into the development and use of artillery in the fifteenth century. Moreover this is the first modern study of medieval cannon, one of the most important discoveries of the post-classical world. KELLY DeVRIES has authored numerous books and articles on medieval warfare. ROBERT DOUGLAS SMITH formerly Head of Conservation in the Royal Armouries, Tower of London, is an acknowledged expert on medieval artillery. This study is thefirst major fruit of their combined researches.

Glasgow 1961. It is ten years since we last visited the close at 18 Dalbeattie Street in Maryhill. The stalwarts are still there...Ella, Drena, Rhea and 'Granny' Thomson (86). Irma the German war bride speaks fluent Scots nowadays. Well, 'Fluent' if you were brought up in the same close as the Broons and Oor Wullie. Glasgow's beloved trams still run on the Maryhill Road. But not for long. There will not be a tramcar left in Glasgow by the end of next year. The new tenant, Frank Galloway knows all about this - he's a driver. The other new arrival is Ruby Baxter who impresses no one with her attitude - as Granny Thomson says 'She's no better than she ought to be, that yin!' Robert Douglas brings his usual blend of laughter and tears to this latest novel and his many fans will not be disappointed.

'you are to understand, Mr. Pip, that the name of the person who is your liberal benefactor remains a profound secret...' Young Pip lives with his sister and her husband the blacksmith, with few prospects for advancement until a mysterious benefaction takes him from the Kent marshes to London. Pip is haunted by figures from his past - the escaped convict Magwitch, the time-withered Miss Havisham and her proud and beautiful ward, Estella - and in time uncovers not just the origins of his great expectations but the mystery of his own heart. A powerful and moving novel, Great Expectations is suffused with Dickens's memories of the past and its grip on the present, and it raises disturbing questions about the extent to which individuals affect each other's lives. This edition includes a lively introduction, Dickens's working notes, the novel's original ending, and an extract from an early theatrical adaptation. It reprints the definitive Clarendon text. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Questions of survival were much discussed during the nineteenth-century, ranging from debates over the likelihood of a personal immortality, to anxieties over the more dispersed and unpredictable aftermath of particular acts and utterances. Some of these questions emerged in the intellectual and stylistic preoccupations of individual writers, such as Dickens, Tennyson, and FitzGerald. Others contributed towards the cultural atmosphere they shared, in which shifty and overlapping ideas of 'influence' (from the seductive touch of the mesmerist to the contagious breath of the poor) became central to attempts to work out how far-reaching were the effects which people had on one another and themselves. Victorian Afterlives sets out to recover this atmosphere, and to explain why its pressures are still being exercised on and in our own ways of thinking. Moving freely between different fields of enquiry (including literary criticism, philosophy, and the history of science), and written in a lively and accessible style, this major new study redraws the map of nineteenth-century culture to show what the Victorians made of one another, and what they might still help us make of ourselves.

We left Robert a long way from home, a sixteen-year-old recruit in the RAF. Now, we follow his escape from the Forces (until National Service a few years later!), his return to Glasgow and life down the pit. Once more, Robert's fantastic memory for people, places and anecdotes, combined with an ear for individual voices and the brilliant ability to evoke a bygone sense of community, will enchant his readers and sometimes appal them with the brutality of conditions he experienced.

"A pitch-perfect memoir: stylish, erudite, touchingly honest and darkly funny." Jacqueline Wilson "We all have trapdoors in our lives. Sometimes we jump off just in time ... But sometimes we are unlucky enough to be on the trapdoor when the lever is pulled. My own trapdoor was hidden in the consulting room of an Oxford neurologist." When the trapdoor opened for Robert Douglas-Fairhurst, he plummeted into a world of MRI scans, a disobedient body and the crushing unpredictability of a multiple sclerosis diagnosis. But, like Alice tumbling into Wonderland, his fall did something else. It took him deep into his own mind: his hopes, his fears, his loves and losses, and the books that would sustain, inform and nourish him as his life began to transform in ways he could never have imagined. From Kafka to Barbellion, this is a literary map of the journey from the kingdom of the well to the land of the sick, and forwards into a hopeful future. It's an ode to great writing, to storytelling, to science and to the power of the imagination. And, above all, it's a darkly comic and moving reflection on what it means to be human in a world where nothing is certain.

'What was merry Christmas to Scrooge? Out upon merry Christmas! What good had it ever done to him?' Ebenezer Scrooge is a bad-tempered skinflint who hates Christmas and all it stands for, but a ghostly visitor foretells three apparitions who will thaw Scrooge's frozen heart. A Christmas Carol has gripped the public imagination since it was first published in 1843, and it is now as much a part of Christmas as mistletoe or plum pudding. This edition reprints the story alongside Dickens's four other Christmas Books: The Chimes, The Cricket on the Hearth, The Battle of Life, and The Haunted Man. All five stories show Dickens at his unpredictable best, jumbling together comedy and melodrama, genial romance and urgent social satire, in pursuit of his aim 'to awaken some loving and forbearing thoughts, never out of season in a Christian land'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'To die will be an awfully big adventure.' Peter Pan, the boy who refused to grow up, is one of the immortals of children's literature. J. M. Barrie first created Peter Pan as a baby, living in secret with the birds and fairies in the middle of London, but as the children for whom he invented the stories grew older, so too did Peter, reappearing in Neverland, where he was aided in his epic battles by the motherly and resourceful Wendy Darling. Since then Peter Pan has become a cultural icon and symbol for escapism and innocence, remaining popular with both children and adults. In this collected edition, Robert Douglas-Fairhurst brings together five of the main versions of the Peter Pan story, from Peter Pan's first appearance in The Little White Bird, to his novelisation of the story, the stage version, and unrealised silent film script. This edition contains an introduction and notes, detailed explanatory notes, original illustrations, and appendices that include Barrie's coda to the play that was only performed once. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'To die will be an awfully big adventure.' Peter Pan, the boy who refused to grow up, is one of the immortals of children's literature. J. M. Barrie first created Peter Pan as a baby, living in secret with the birds and fairies in the middle of London, but as the children for whom he invented the stories grew older, so too did Peter, reappearing in Neverland, where he was aided in his epic battles with Red Indians and pirates by the motherly and resourceful Wendy Darling. Peter Pan has become a cultural icon and symbol for escapism and innocence, remaining popular with both children and adults. In this collected edition, Robert Douglas-Fairhurst brings together five of the main versions of the Peter Pan story, from Peter Pan's first appearance in The Little White Bird, to his novelisation of the story, the stage version, and unrealised silent film script. This edition contains a lively introduction, detailed explanatory notes, original illustrations, and appendices that include Barrie's coda to the play that was only performed once.

This is an utterly charming story about 12 families and their tightly knit street in 1950s Maryhill. Following the end of the war, the close rebuilds its ties and the strong sense of community and friendly neighborhood bonds are soon back in place. There is young love for Rhea and Robert; a surprising new start for James; a change of direction for George; and all overseen by the matriarch of the street--Granny Thompson. And of course, all buoyed up by a big helping of Scottish humor and strength of spirit. Yet it is all not perfect in their world: the families have to deal with poverty, religious bigotry, racism, heartbreak, lies, violence, and death. But the powerful friendships cannot ultimately be broken; the characters have gone through too much together. In Robert Douglas's first novel, he recreates a time and place particular to Glasgow but to which everyone will relate.

The Water-Babies (1863) is one of the strangest and most powerful children's books ever published. Written by an Anglican clergyman with an insatiable love of science, the story combines an uplifting moral about redemption with a crash course in evolutionary theory, and has an imaginative exuberance equalled only by Lewis Carroll. Young Tom is a chimney-sweeper's boy who one day falls into a river and drowns, only to be transformed into a water-baby. Through his encounters with friendly fish, curious lobsters, and characters such as Mrs Doasyouwouldbedoneby, he sloughs off his selfish nature and earns his just reward. Tom's comic adventures are constantly interrupted by Kingsley's sideswipes at contemporary issues such as child labour and the British education system, and they offer a rich satiric take on the great scientific debates of the day. The story's linguistic and narrative oddities make it an unclassifiable fantasy that is both a naturalist's handbook and an aquatic Pilgrim's Progress, and its vibrant symbolism also reveals some of Kingsley's more private obsessions regarding cleanliness and sanitation reform. This new edition reprints the original complete text and illustrations, and includes a lively introduction and notes that reveal the full richness of this bizarre but compelling fairy tale.

A wonderfully colourful and deeply poignant memoir of growing up in a 'single end' - one room in a Glasgow tenement - during and immediately after the Second World War. Although young Robert Douglas's life was blighted by the cruel if sporadic presence of his father, it was equally blessed by the love of his mother, Janet. While the story of their life together is in some ways very sad, it is also filled with humorous and happy memories. NIGHT SONG OF THE LAST TRAM is a superb evocation of childhood and of a Glasgow of trams and tenements that has long since disappeared.

'this is all a fairy tale...and, therefore, you are not to believe a word of it, even if it is true' The Water-Babies (1863) is one of the strangest and most powerful children's stories ever written. In describing the underwater adventures of Tom, a chimney-sweeper's boy who is transformed into a water-baby after he drowns, Charles Kingsley combined comic fantasy and moral fable to extraordinary effect. Tom's encounters with friendly fish, curious lobsters, and characters such as Mrs Doasyouwouldbedoneby are both an exciting fairy tale and a crash course in evolutionary theory. They also reflect the quirky imagination of one of the great Victorian eccentrics. Tom's adventures are constantly interrupted by Kingsley's sideswipes at contemporary issues such as child labour and the British education system, and they offer a rich satiric take on the great scientific debates of the day. This edition reprints the original complete version of the story, and includes a lively introduction, detailed explanatory notes, and an appendix that reprints Kingsley's first attempt to describe the mysterious creatures that live under the sea.

This major study examines a Victorian obsession with 'influence', the often unpredictable after-effects of words and actions, in fields as diverse as mesmerism and theology, literary theory and sanitation reform. For writers such as Tennyson, FitzGerald and Dickens, the idea is both a theoretical and a practical problem.Survival is not only what their writing critically examines, but also what it sets out to achieve.

Becoming Dickens tells the story of how an ambitious young Londoner became England's greatest novelist. In following the twists and turns of Charles Dickens's early career, Robert Douglas-Fairhurst examines a remarkable double transformation: in reinventing himself Dickens reinvented the form of the novel. It was a high-stakes gamble, and Dickens never forgot how differently things could have turned out. Like the hero of Dombey and Son, he remained haunted by "what might have been, and what was not." In his own lifetime, Dickens was without rivals. He styled himself simply "The Inimitable." But he was not always confident about his standing in the world. From his traumatized childhood to the suicide of his first collaborator and the sudden death of the woman who had a good claim to being the love of his life, Dickens faced powerful obstacles. Before settling on the profession of novelist, he tried his hand at the law and journalism, considered a career in acting, and even contemplated emigrating to the West Indies. Yet with The Pickwick Papers, Oliver Twist, and a groundbreaking series of plays, sketches, and articles, he succeeded in turning every potential breakdown into a breakthrough. Douglas-Fairhurst's provocative new biography, focused on the 1830s, portrays a restless and uncertain Dickens who could not decide on the career path he should take and would never feel secure in his considerable achievements.

'What was merry Christmas to Scrooge? Out upon merry Christmas! What good had it ever done to him?' Ebenezer Scrooge is a bad-tempered skinflint who hates Christmas and all it stands for, but a ghostly visitor foretells three apparitions who will thaw Scrooge's frozen heart. A Christmas Carol has gripped the public imagination since it was first published in 1843, and it is now as much a part of Christmas as mistletoe or plum pudding. This edition reprints the story alongside Dickens's four other Christmas Books: The Chimes, The Cricket on the Hearth, The Battle of Life, and The Haunted Man. All five stories show Dickens at his unpredictable best, jumbling together comedy and melodrama, genial romance and urgent social satire, in pursuit of his aim 'to awaken some loving and forbearing thoughts, never out of season in a Christian land'.

SHORTLISTED FOR THE 2015 COSTA BIOGRAPHY AWARD This is the secret history of Alice's Adventures in Wonderland. Wonderland is part of our cultural heritage. But beneath the fairy tale lies the complex history of the author and his subject. Charles Dodgson was a quiet academic but his second self, Lewis Carroll, was a storyteller, innovator and avid collector of 'child-friends'. Carroll's imagination was to give Alice Liddell, his 'dream-child', a fictional alter ego that would never let her grow up. This is a biography that beautifully unravels the magic of Alice. It is a history of love and loss, innocence and ambiguity. It is the story of one man's need to make a Wonderland in a changing world.