Autonomy, Refusal, and The Black Bloc reinterprets the positioning of critical and radical theory by focusing squarely on the role of class analysis. It also argues that the survivance of The Frankfurt School style of critique is wholly dependent upon the traditions of radical theory that find their same departure point from out of "the great refusals" of the 1960s and 1970s. By linking together the traditions of critical and radical theory through the work of Marcuse and Negri and by demonstrating their conjunctural and historiographical connections, Carley argues that the inventive strategic and organizational contexts that give rise to the black bloc tactic constitute a new political expression of class and, more forcefully, constitute the meaning of class politics for the late 20th and 21st century.

Collectivities, in brief, is a term describing the intellectual and creative potential of groups. Collectivities then mark a position in the connection between disciplinary fields; a position that is simultaneously productive of new knowledge and new politics. In Collectivities: Politics at the Intersections of Disciplines Robert Carley looks at the classical ideas and theorists that have influenced interdisciplinary work in the humanistic and social-scientific disciplines as well as contemporary cases of interdisciplinary meeting points, specifically cultural studies, Chicana/o studies and radical sociology (e.g. critical, liberation, public, and Marxist approaches). He discusses the intellectual, creative, and political potential of these groupings. Noting that interdisciplinary groups often come together to address political or social problems, Carley provides an analysis of these groupings as well as ways of understanding their work. He suggests that we might understand interdisciplinarity as more than merely a constellation of scholarly fields. By looking at the political contexts that inform our understanding of as well as the approaches of interdisciplinary groups Collectivities suggests some new ways to think about the production of knowledge when it occurs between disciplines.

This book is an intervention into cultural studies' theoretical and methodological foundations. It addresses a crisis in conjunctural analysis: that there is no theorized method for conjunctural analysis as it pertains to recognizing a conjunctural shift or the emergence of an organic crisis. This crisis is connected to the belief that the definition of the conjuncture is ambiguous in Gramsci's work, but using a broader range of primary, secondary, and also untranslated sources on the conjuncture, Carley demonstrates that Gramsci has decisively settled that ambiguity. Through a philological approach to Gramsci's original texts, this book alters the debate around conjunctural analysis and offers means to reinterpret cultural studies and its relationship to its founding thinkers.

This book is an intervention into cultural studies' theoretical and methodological foundations. It addresses a crisis in conjunctural analysis: that there is no theorized method for conjunctural analysis as it pertains to recognizing a conjunctural shift or the emergence of an organic crisis. This crisis is connected to the belief that the definition of the conjuncture is ambiguous in Gramsci's work, but using a broader range of primary, secondary, and also untranslated sources on the conjuncture, Carley demonstrates that Gramsci has decisively settled that ambiguity. Through a philological approach to Gramsci's original texts, this book alters the debate around conjunctural analysis and offers means to reinterpret cultural studies and its relationship to its founding thinkers.

This edited volume examines the theoretical versatility of the concept of "borders." The impulse to categorize, while present from antiquity in Western culture, has increased in intensity since the advent of the modern age with its corresponding political rise in the ideology of the sovereign nation-state. While the concept of immigration is the common mental image Westerners have when discussing borders, immigration is only the tip of the iceberg for this book. The belief in mutually exclusive, clear, and concrete categories, a necessary ideology in the age of the nation-state, creates large swathes of exceptions where people live ambiguous lives nationally, racially, sexually, ethnically, and in terms of gender. National identity, race, sexuality, gender, and the intersections between are the main categories discussed in the book through the lens of borders and ambiguity. The fervor over categorization, best embodied in recent political history by the Trump administration in the U.S., is both a desire to identify and thus control various "dangerous" populations, as well as creating the very ambiguity categorization is intended to alleviate. The volume weaves together discussions on the subjective meaning-making in ambiguity, policies that create ambiguity, historical creations of ambiguity that persist to the present, and theoretical considerations on the relationship between borders and ambiguity.

The Cultural Production of Social Movements offers a theory of cultural practices, protest tactics, strategic planning and deliberation, and movement organizational structures: “ideological contention.� It is a theory of ideology “from below.� The Cultural Production of Social Movements shows how conflicts—both with external political forces and disagreements, dissensus, and the decision-making process internal to social movements—produce knowledge and meanings that, in turn, impact upon and change the practices that contribute to how social movements are structured and organized. The Cultural Production of Social Movements theorizes the relationship between consciously held superordinate ideas, the changing composition of progressive and oppositional social struggles, and the social worlds they hope to inhabit. Analyzing the Black Panther Party, specifically Kathleen Cleaver’s break with the Student Non-violent Coordinating Committee and her contributions to the Party, Operaismo (or Workerism) in Italy and the relationship between shifting organizational strategies, inventive tactics, and novel and expansive ways to theorize class struggles, and the communal composition of “Worker-Recovered Enterprise Movements� in contemporary Argentina, this book shows how movement ideologies change and how meanings structure organizations, mobilizations, and futures. In The Cultural Production of Social Movements ideology is neither a static set of principles, nor is an unconscious orientation towards power and governance. Rather, it is the contentious, democratizing, and deliberative processes—which become realized as tactics in protests, struggles, defeats, and victories—that makes the relationship between movements, and what they “mean� conscious to its participants.