Considering how political identity intertwines with craft, ethnicity, gender, and class, this study explores the development and decline of Chartism between 1830 and 1860 through the perspective of plebeian intellectuals and activists in Ashton-under-Lyne and other militant localities of Greater Manchester and Lancashire. Challenging the approach of Patrick Joyce, Gareth Stedman-Jones, and James Vernon, this account questions myths and memories and provides a cultural and sociological view of the period.

Paperweights that were made in Scotland from 1835 to the present are a wonderful part of glass history. In this beautiful book, Scottish paperweights are displayed in nearly 400 full-color photographs together with a discussion of the major weight-makers and glass houses. The important Ysart Family is thoroughly presented along with other makers: Holyrood Flint Glass Works, Vasart, Strathearn Ltd, Perthshire, Caithness, Edinburgh Crystal, Harland, John Deacons, Crieff, MacIntosh Glass, William and Willie Manson. Fakes, copies, and reproductions are fully discussed and the text includes a substantial glossary of weight-making terms and a price guide.

Lampworked and millifiori paperweights have become recognized as little works of art, because their intricate designs challenge the most accomplished glassblowers to be inventive and in full control of molten colored glass. Successful pieces are beautiful and intriguing, displaying the best skills in the glass field. Included are company histories and detailed descriptions of nearly 500 of these amazing paperweights produced over the last 150 years. Chinese copies from the 1930s and the latest fakes and copies are shown, which every collector should know about. The authoritative text includes new information that will fascinate collectors, and many rare and exceptional paperweights appear here that have never before been published. Pricing information and a detailed glossary are included. This important book belongs on the bookshelf of all paperweight enthusiasts, and will particularly appeal to all who are interested in glass production.

An examination of Chartist democracy viewed 'from below' Considers which groups were more and less vocal in the movement, how political identity intertwined with craft, ethnicity, gender and class. Questions myths, memories, and identities and will appeal to students of history, sociology and culture Challenges the approach of Gareth Stedman-Jones, Patrick Joyce and James Vernon This study explores the development and decline of Chartism as a coherent political identity between 1830 and 1860 and illustrates the creation of Chartist identity from the perspective of plebeian intellectuals and activists in Ashton-under-Lyne and other militant localities of Greater Manchester and Lancashire.