Return to Haddley in the third blockbuster thriller in the Sunday Times bestselling series.

After a tense birthday celebration in Haddley, journalist Ben Harper watches his boss, Madeline, get into the car that has come to collect her. He walks home, never imagining that by the next morning, Madeline will be missing.

To find Madeline, Ben will have to return to the now infamous murder case that made her journalism career over a decade ago. A case which, Ben quickly discovers, was never as simple as it seemed.

But time is of the essence, and soon it's not just Madeline's life on the line . . .

***ROBERT GOLD'S BLOCKBUSTER NEW THRILLER IS COMING IN 2024. PRE-ORDER NOW AND BE THE FIRST TO READ IT*** More than a decade ago, Madeline Wilson established herself as one of the most controversial and successful figures in modern British media. Even so many years later, she is best remembered as the figure behind a twelve-month public campaign against a man the police failed to convict of murder, which ended in a re-trial and conviction for manslaughter. Now, he has just been released. After a night out in late February with her father, Sam, and Ben, Madeline is kidnapped. What follows is a chase, as Ben and Sam seek to uncover the kidnapper, and the truth behind the original case all those years ago. But time is running out, and soon it's not just Madeline's life at risk. PRAISE FOR ROBERT GOLD 'Superb' LISA JEWELL 'This is what every other thriller aspires to be' Reader Review 'Utterly absorbing' SHARI LAPENA 'Excellent' LEE CHILD 'My new favourite author' Reader Review 'One of a kind' JAMES PATTERSON 'Unputdownable' KARIN SLAUGHTER' ___________________

Journalist Ben Harper is on his way home when he sees the flames in the churchyard. The derelict community centre is on fire. And a boy is trapped inside. With Ben's help the boy escapes, only to flee the scene before he can identified. Now the small town of Haddley is abuzz with rumours. Was this an accident, or arson? Then a skeleton is found in the burnt-out foundations. And when the identity of the victim is revealed, Ben is confronted with a crime that is terrifyingly close to home. As he uncovers a web of deceit and destruction that goes back decades, Ben quickly learns that in this small town, everybody is guilty of something. PRAISE FOR ROBERT GOLD 'I couldn't put it down for a single second' LISA JEWELL 'Cliff-hangers and revelations galore' THE TIMES 'This is what every other thriller aspires to be' Reader Review (5 stars) 'Straight from Harlan Coben territory and surely Netflix-bound' IRISH INDEPENDENT 'This is hardcore suspense' LEE CHILD 'So clever, so engrossing' M.W CRAVEN 'You think you've sussed it, but you're completely wrong' Reader Review (5 stars)

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

We are entering a new technological era. In this world, we relate with ourselves and others in a clear, precise manner. In "Dwelling in a New World, " author Robert Gold introduces an invention that will provide an explosive expansion of our capacities and profoundly reorient us, growing our relations and awareness.

"Dwelling in a New World" reconstructs communication, technology, and accounting. Exploring what we have taken for granted, it tells of reinventing communication and our understanding of existence in order to gain an awareness of a direct connection with affinity, harmony, happiness, and serenity. It provides an opportunity for our relationships to become simple and natural.

Organized in a question-answer format, Gold announces a new structure, a new technological space, and a drastic shift in how humanity relates to organizations, others, and themselves. Gold s invention offers clarity and gives us direct access to what is important and helps us by giving us a compass for living a life we love.

The SUNDAY TIMES bestselling author is back with a brand new, breath-taking thriller. Whether you loved Twelve Secrets or whether you're discovering Ben Harper for the first time, ELEVEN LIARS will keep you hooked till the last page. Journalist Ben Harper is on his way home when he sees the flames in the churchyard. The derelict community centre is on fire. And a boy is trapped inside. With Ben's help the boy escapes, only to flee the scene before he can identified. Now the small town of Haddley is abuzz with rumours. Was this an accident, or arson? Then a skeleton is found in the burnt-out foundations. And when the identity of the victim is revealed, Ben is confronted with a crime that is terrifyingly close to home. As he uncovers a web of deceit and destruction that goes back decades, Ben quickly learns that in this small town, everybody is guilty of something. And that even in the most unexpected of places, evil lurks . . .

In1713, PierreRem onddeMontmortwrotetothemathematicianNicolasBernoulli: It would bedesirable if someone wanted totake thetrouble toinstruct how and inwhat order the discoveries in mathematics have come about . . . The histories of painting, of music, of medicine have been written. A good history of mathematics, especially of geometry, would bea much more interesting and useful work . . . Such a work, ifdone well, could be regarded to some extent as a history of the human mind, since it is in this science, more than in anything else, that man makes known that gift of intelligence that God has given him to rise 1 above all other creatures. Ahalf-centurylater, Jean-EtienneMontuclaprovidedsuchanaccountinhisHistoire des mathem atiques ( rst printed in 1758, and reissued in a greatly expanded form 2 in 1799). Montucla's great work is generally acknowledged as the rst genuine history of mathematics. According to modern historians, previous attempts at such a history had amounted to little more than collections of anecdotes, biographies or exhaustive bibliographies: "jumbles of names, dates and titles," as one writer in the 3 Dictionary of Scienti c Biography characterizes them. Montucla, in contrast, was thoroughly animated by the Enlightenment project expressed in de Montmort's l- ter. In his Histoire he set out to provide a philosophicalhistory of the "development 4 of the human mind," as he himself described it."

A major new voice. A thriller everyone is raving about: THE SUNDAY TIMES TOP 10 BESTSELLER THE RICHARD AND JUDY BOOK CLUB PICK FOR DECEMBER 2022 'Twelve stars' LISA JEWELL 'Cliffhangers and revelations galore' THE TIMES 'This book will take over all your free time' Reader Review 'Utterly absorbing' SHARI LAPENA 'A fine debut' THE SUNDAY TIMES (Books of the year) 'Unputdownable' KARIN SLAUGHTER 'Books this good are very rare' Reader Review 'Excellent' LEE CHILD 'The next massive thriller' Reader Review 'One of a kind' JAMES PATTERSON 'This is what every other thriller aspires to be' Reader Review ___________ A SMALL TOWN. A SHOCKING CRIME. YOU'LL SUSPECT EVERY CHARACTER. BUT YOU'LL NEVER GUESS THE ENDING. Ben Harper's life changed for ever the day his older brother Nick was murdered by two classmates. It was a crime that shocked the nation and catapulted Ben's family and their idyllic hometown, Haddley, into the spotlight. Twenty years on, Ben is one of the best investigative journalists in the country and settled back in Haddley, thanks to the support of its close-knit community. But then a fresh murder case shines new light on his brother's death and throws suspicion on those closest to him. Ben is about to discover that in Haddley no one is as they seem. Everyone has something to hide. And someone will do anything to keep the truth buried . . . ___________ 'So clever' M.W. CRAVEN 'OMG. An absolute 5-star read' Reader Review 'Totally gripping' SUSAN LEWIS 'Impossible to part with until the very last page' Reader Review 'Absolutely addictive' GILLY MACMILLAN 'I was seriously hooked' Reader Review 'Couldn't see it coming' NELL PATTISON 'Such a dream of a thriller' Reader Review 'Utterly gripping' VANESSA SAVAGE 'A fantastic plot-twisting debut' CAMERON WARD

Thomas Harriot's "Artis analyticae praxis" is an essential work in the history of algebra. To some extent it is a development work of Viete, who was among the first to use literal symbols to stand for known and unknown quantities. But it was Harriot who took the crucial step of creating an entirely symbolic algebra, so that reasoning could be reduced to a quasi-mechanical manipulation of symbols. Although his algebra was still limited in scope (he insisted. for example, on strict homogeneity, so only terms of the same powers could be added or equated to one another), it is recognizably modern. Although Harriot's book was highly influential in the development of analysis in England before Newton, it has recently become clear that the posthumously published Praxis contains only an incomplete account of Harriot's achievement: his editor substantially rearranged the work before publishing it, and omitted sections that were apparently beyond his comprehension, such as negative and complex roots of equations. The commentary included with the translation attempts to restore the Praxis to the state of Harriot's draft. Basing their work on manuscripts in the British Library, Pentworth House, and Lambeth Palace, the commentary contains some of Harriot's most novel and advanced mathematics, very little of which has been published in the past. It will provide the basis for a reassessment of the development of algebra.

The present work is the first ever English translation of the original text of Thomas Harriota (TM)s Artis Analyticae Praxis, first published in 1631 in Latin. Thomas Harriota (TM)s Praxis is an essential work in the history of algebra. Even though Harriota (TM)s contemporary, Viete, was among the first to use literal symbols to stand for known and unknown quantities, it was Harriott who took the crucial step of creating an entirely symbolic algebra. This allowed reasoning to be reduced to a quasi-mechanical manipulation of symbols. Although Harriota (TM)s algebra was still limited in scope (he insisted, for example, on strict homogeneity, so only terms of the same powers could be added or equated to one another), it is recognizably modern.

While Harriota (TM)s book was highly influential in the development of analysis in England before Newton, it has recently become clear that the posthumously published Praxis contains only an incomplete account of Harriota (TM)s achievement: his editor substantially rearranged the work before publishing it, and omitted sections that were apparently beyond comprehension, such as negative and complex roots of equations.

The commentary included with this translation relates the contents of the Praxis to the corresponding pages in his manuscript papers, which enables much of Harriot's most novel and advanced mathematics to be explored. This publication will become an important contribution to the history of mathematics, and it will provide the basis for a reassessment of the development of algebra.

Exploring the World through Data We live in a data-driven world, and the goal of this text is to teach students how to access and analyse these data critically. Authors Rob Gould, Colleen Ryan, and Rebecca Wong want students to develop a "data habit of mind" because learning statistics is an essential life skill that extends beyond the classroom. Regardless of their math backgrounds, students will learn how to think about data and how to reason using data. With a clear, unintimidating writing style and carefully chosen pedagogy, this text makes data analysis accessible to all students.

This is the first English translation of Thomas Harriot's seminal Artis Analyticae Praxis, first published in Latin in 1631. It has recently become clear that Harriot's editor substantially rearranged the work, and omitted sections beyond his comprehension. Commentary included with this translation relates to corresponding pages in the manuscript papers, enabling exploration of Harriot's novel and advanced mathematics. This publication provides the basis for a reassessment of the development of algebra.

In1713, PierreRem onddeMontmortwrotetothemathematicianNicolasBernoulli: It would bedesirable if someone wanted totake thetrouble toinstruct how and inwhat order the discoveries in mathematics have come about . . . The histories of painting, of music, of medicine have been written. A good history of mathematics, especially of geometry, would bea much more interesting and useful work . . . Such a work, ifdone well, could be regarded to some extent as a history of the human mind, since it is in this science, more than in anything else, that man makes known that gift of intelligence that God has given him to rise 1 above all other creatures. Ahalf-centurylater, Jean-EtienneMontuclaprovidedsuchanaccountinhisHistoire des mathem atiques ( rst printed in 1758, and reissued in a greatly expanded form 2 in 1799). Montucla's great work is generally acknowledged as the rst genuine history of mathematics. According to modern historians, previous attempts at such a history had amounted to little more than collections of anecdotes, biographies or exhaustive bibliographies: "jumbles of names, dates and titles," as one writer in the 3 Dictionary of Scienti c Biography characterizes them. Montucla, in contrast, was thoroughly animated by the Enlightenment project expressed in de Montmort's l- ter. In his Histoire he set out to provide a philosophicalhistory of the "development 4 of the human mind," as he himself described it."

PRE-ORDER ROBERT GOLD'S NEW BLOCKBUSTER THRILLER AND BE THE FIRST TO READ IT ***Whether you're already a fan of TWELVE SECRETS or whether you're discovering Robert Gold for the first time, ELEVEN LIARS will have you glued to the pages*** PRAISE FOR ROBERT GOLD 'Superb' LISA JEWELL 'This is what every other thriller aspires to be' Reader Review 'Utterly absorbing' SHARI LAPENA 'Excellent' LEE CHILD 'My new favourite author' Read Review 'One of a kind' JAMES PATTERSON 'Unputdownable' KARIN SLAUGHTER' ___________________ Journalist Ben Harper is on his way home when he sees the flames in the churchyard. The derelict community centre is on fire. And somebody is trapped inside. With Ben's help the person escapes, only to flee the scene before they can be identified. Now the small town of Haddley is abuzz with rumours. Was this an accident, or arson? Then a skeleton is found in the burnt-out foundations. And when the identity of the victim is revealed, Ben is confronted with a crime that is terrifyingly close to home. As he uncovers a web of deceit and destruction that goes back decades, Ben quickly learns that in this small town, everybody has something to hide.

On the Boston Common stands one of the great Civil War memorials, a magnificent bronze sculpture by Augustus Saint-Gaudens. It depicts the black soldiers of the Fifty-fourth Massachusetts Infantry marching alongside their young white commander, Colonel Robert Gould Shaw. When the philosopher William James dedicated the memorial in May 1897, he stirred the assembled crowd with these words: "There they march, warm-blooded champions of a better day for man. There on horseback among them, in the very habit as he lived, sits the blue-eyed child of fortune." In this book Shaw speaks for himself with equal eloquence through nearly two hundred letters he wrote to his family and friends during the Civil War. The portrait that emerges is of a man more divided and complex--though no less heroic--than the Shaw depicted in the celebrated film Glory. The pampered son of wealthy Boston abolitionists, Shaw was no abolitionist himself, but he was among the first patriots to respond to Lincoln's call for troops after the attack on Fort Sumter. After Cedar Mountain and Antietam, Shaw knew the carnage of war firsthand. Describing nightfall on the Antietam battlefield, he wrote, "the crickets chirped, and the frogs croaked, just as if nothing unusual had happened all day long, and presently the stars came out bright, and we lay down among the dead, and slept soundly until daylight. There were twenty dead bodies within a rod of me." When Federal war aims shifted from an emphasis on restoring the Union to the higher goal of emancipation for four million slaves, Shaw's mother pressured her son into accepting the command of the North's vanguard black regiment, the Fifty-fourth Massachusetts. A paternalist who never fully reconciled his own prejudices about black inferiority, Shaw assumed the command with great reluctance. Yet, as he trained his recruits in Readville, Massachusetts, during the early months of 1963, he came to respect their pluck and dedication. "There is not the least doubt," he wrote his mother, "that we shall leave the state, with as good a regiment, as any that has marched." Despite such expressions of confidence, Shaw in fact continued to worry about how well his troops would perform under fire. The ultimate test came in South Carolina in July 1863, when the Fifty-fourth led a brave but ill-fated charge on Fort Wagner, at the approach to Charleston Harbor. As Shaw waved his sword and urged his men forward, an enemy bullet felled him on the fort's parapet. A few hours later the Confederates dumped his body into a mass grave with the bodies of twenty of his men. Although the assault was a failure from a military standpoint, it proved the proposition to which Shaw had reluctantly dedicated himself when he took command of the Fifty-fourth: that black soldiers could indeed be fighting men. By year's end, sixty new black regiments were being organized. A previous selection of Shaw's correspondence was privately published by his family in 1864. For this volume, Russell Duncan has restored many passages omitted from the earlier edition and has provided detailed explanatory notes to the letters. In addition he has written a lengthy biographical essay that places the young colonel and his regiment in historical context.

A major new voice. A thriller everyone is raving about: AN IRISH TIMES TOP 10 BESTSELLER A SUNDAY TIMES BEST CRIME NOVEL OF 2022 'Twelve stars' LISA JEWELL 'Cliffhangers and revelations galore' THE TIMES 'This book will take over all your free time' Reader Review 'Utterly absorbing' SHARI LAPENA 'A fine debut' THE SUNDAY TIMES (Books of the year) 'Unputdownable' KARIN SLAUGHTER 'Books this good are very rare' Reader Review 'Excellent' LEE CHILD 'The next massive thriller' Reader Review 'One of a kind' JAMES PATTERSON 'This is what every other thriller aspires to be' Reader Review ___________ A SMALL TOWN. A SHOCKING CRIME. YOU'LL SUSPECT EVERY CHARACTER. BUT YOU'LL NEVER GUESS THE ENDING. Ben Harper's life changed for ever the day his older brother Nick was murdered by two classmates. It was a crime that shocked the nation and catapulted Ben's family and their idyllic hometown, Haddley, into the spotlight. Twenty years on, Ben is one of the best investigative journalists in the country and settled back in Haddley, thanks to the support of its close-knit community. But then a fresh murder case shines new light on his brother's death and throws suspicion on those closest to him. Ben is about to discover that in Haddley no one is as they seem. Everyone has something to hide. And someone will do anything to keep the truth buried . . . ___________ 'So clever' M.W. CRAVEN 'OMG. An absolute 5-star read' Reader Review 'Totally gripping' SUSAN LEWIS 'Impossible to part with until the very last page' Reader Review 'Absolutely addictive' GILLY MACMILLAN 'I was seriously hooked' Reader Review 'Couldn't see it coming' NELL PATTISON 'Such a dream of a thriller' Reader Review 'Utterly gripping' VANESSA SAVAGE 'A fantastic plot-twisting debut' CAMERON WARD