Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Milo is thrilled to be starting at the country's fanciest, shiniest, most prestigious school. But it soon becomes clear that something sinister is going on. The headmaster, Dr Pummelcrush, is bent on brainwashing the students and turning them into mindless, unthinking human robots. When Milo stumbles across a bright and colourful secret garden and meets its joyous gardener, he and his friends begin to open their minds to a whole new way of thinking: philosophy. Can the Philosophy Resistance Squad use their new questioning skills to resist Pummelcrush's evil project and save their classmates from being zombified?

'Writing the Science Fiction Film' describes the kinds of stories that work best as science fiction, explores the parameters of the science fiction genre, and shows what science fiction can offer to writers that other genres cannot.

This is the age of data. There are more innovations and more opportunities for interesting work with data than ever before, but there is also an overwhelming amount of quantitative information being published every day. Data visualisation has become big business, because communication is the difference between success and failure, no matter how clever the analysis may have been. The ability to visualize data is now a skill in demand across business, government, NGOs and academia. Data Visualization: Charts, Maps, and Interactive Graphics gives an overview of a wide range of techniques and challenges, while staying accessible to anyone interested in working with and understanding data. Features: Focusses on concepts and ways of thinking about data rather than algebra or computer code. Features 17 short chapters that can be read in one sitting. Includes chapters on big data, statistical and machine learning models, visual perception, high-dimensional data, and maps and geographic data. Contains more than 125 visualizations, most created by the author. Supported by a website with all code for creating the visualizations, further reading, datasets and practical advice on crafting the images. Whether you are a student considering a career in data science, an analyst who wants to learn more about visualization, or the manager of a team working with data, this book will introduce you to a broad range of data visualization methods. Cover image: Landscape of Change uses data about sea level rise, glacier volume decline, increasing global temperatures, and the increasing use of fossil fuels. These data lines compose a landscape shaped by the changing climate, a world in which we are now living. Copyright (c) Jill Pelto (jillpelto.com).

This is the age of data. There are more innovations and more opportunities for interesting work with data than ever before, but there is also an overwhelming amount of quantitative information being published every day. Data visualisation has become big business, because communication is the difference between success and failure, no matter how clever the analysis may have been. The ability to visualize data is now a skill in demand across business, government, NGOs and academia. Data Visualization: Charts, Maps, and Interactive Graphics gives an overview of a wide range of techniques and challenges, while staying accessible to anyone interested in working with and understanding data. Features: Focusses on concepts and ways of thinking about data rather than algebra or computer code. Features 17 short chapters that can be read in one sitting. Includes chapters on big data, statistical and machine learning models, visual perception, high-dimensional data, and maps and geographic data. Contains more than 125 visualizations, most created by the author. Supported by a website with all code for creating the visualizations, further reading, datasets and practical advice on crafting the images. Whether you are a student considering a career in data science, an analyst who wants to learn more about visualization, or the manager of a team working with data, this book will introduce you to a broad range of data visualization methods. Cover image: Landscape of Change uses data about sea level rise, glacier volume decline, increasing global temperatures, and the increasing use of fossil fuels. These data lines compose a landscape shaped by the changing climate, a world in which we are now living. Copyright (c) Jill Pelto (jillpelto.com).

Robert Grant Watson was a British diplomat attached to the British Legation in Persia. His A History of Persia, published in 1866, is a detailed account of events in the country in the first half of the nineteenth century, when the foundations of the Qajar dynasty were being laid. Watson uses both European and Persian sources to detail the circumstances of the Qajar rise to rule and recount the tumultuous events of Persia affairs - both foreign and domestic - between 1800 and 1860. This was one of the first books to be written on this specific period and details Persia's entanglements with European powers, including the war between Persia and Russia, her internal ructions, and the complex dealings of the various treaties and their upsets. The hard-to-find volume is now re-published with a new introduction by the leading scholar of Iranian History, Ali Ansari, who is Professor at St Andrews University in the U.K.