The presidential campaign of William Henry Harrison and John Tyler was described in 1840 as "the most memorable ever known to party annals in this country." This book describes its events from the opening roar of cannon for the Whig standard bearers in the log-cabin and hard-cider campaign to the death of Harrison soon after he took office.

Affirmative action can generally be described as preferential treatment for minorities and women in jobs, educational opportunities, and receipt of other benefits. However, its origin and meaning remain relatively obscure. This study is designed to provide clarity and to strengthen the position of affirmative action amidst the controversy that surrounds it. Under attack across the nation, affirmative action is at a nadir. Gray contends that the grounds for defending affirmative action are based in ideas of social justice and can be found in the writings of philosophers, polemicists, and judges. One can organize these ideas according to four modes of thought which allow exhaustive treatment of the subject.

Each mode of thought is concisely explained and then developed through the analysis of current philosophical thought; next, it is applied to the case law. This study boldly defines affirmative action as part of the quest for social justice. It takes affirmative action away from the tort law of causation by going as far back as Aristotle to show that private corrective justice is not an apt model for affirmative action. Gray concludes that such action is best promoted by the voices of diversity and rhetoric. Thus, dialogue and debate remain the best support for affirmative action.

This engaging study addresses the continuing controversy over industrialization, examining different perceptions of factories and factory work. Using varied sources such as sermons, medical treatises, fictional and visual representations, Robert Gray investigates the role of language in shaping the debate on factory reform, and relates conflicts over factory legislation to specific towns. The combination of regional, cultural and textual analysis makes this book an original contribution to the study of industrial Britain in the nineteenth century.

Taking an interdisciplinary approach, Robert Gray offers a thorough and well-rounded clinical guide to exploring the depth of the unconscious through art in psychotherapy. He emphasises the clinical relevance of art therapy and critically highlights ideas around evidence-based practice and the link to cognitive behavioural therapy. Gray suggests specific ways of engaging with clients and their images, such as uncovering life scripts, changing neural pathways through Creative Mind Ordering, and addressing traumatic experiences through the Jungian Self- Box. He shows how artists and psychotherapists can make a transformational difference by combining 'art as therapy' and 'art in therapy' with a scientific approach and a spiritual awareness. He argues a clear framework that bridges the unmeasurable and spontaneous part of psychotherapy through art, along with the work with the unconscious and the clarity of a scientific method, can help facilitate long term change. Art Therapy and Psychology is hands-on and rich with supportive study tools and numerous case studies with which the reader can relate. This book is essential reading for art therapists in training and in practice, psychologists and mental health professionals looking to establish or grow their expertise.