In this sequel to 'The Lion King', Simba's wilful daughter Kiara escapes her inept babysitters Timon and Pumbaa and goes in search of adventure. She wanders into the forbidden Outlands, where she encounters Kovu, a young cub who is following in the evil Scar's pawprints. However, Simba is forced to make difficult decisions when Kiara and Kovu fall in love.

Disney animated feature following a naive and curious lion cub as he struggles to find his place in nature's great 'circle of life'. Simba (voice of Jonathan Taylor Thomas/Matthew Broderick) is excited about being king of the pride but is forced into exile by his evil and greedy uncle, Scar (Jeremy Irons), who wants to claim the throne for himself. Away from his family, Simba meets a meerkat named Timon (Nathan Lane) and a warthog named Pumbaa (Ernie Sabella). With the help of his new friends he overcomes great fear and adversity to defeat Scar and take his rightful place as ruler of the Pride Lands.

In this sequel to 'The Lion King', Simba's wilful daughter Kiara escapes her inept babysitters Timon and Pumbaa and goes in search of adventure. She wanders into the forbidden Outlands, where she encounters Kovu, a young cub who is following in the evil Scar's pawprints. However, Simba is forced to make difficult decisions when Kiara and Kovu fall in love.

Disney animated feature following a naive and curious lion cub as he struggles to find his place in nature's great 'circle of life'. Simba (voice of Jonathan Taylor Thomas/Matthew Broderick) is excited about being king of the pride but is forced into exile by his evil and greedy uncle, Scar (Jeremy Irons), who wants to claim the throne for himself. Away from his family, Simba meets a meerkat named Timon (Nathan Lane) and a warthog named Pumbaa (Ernie Sabella). With the help of his new friends he overcomes great fear and adversity to defeat Scar and take his rightful place as ruler of the Pride Lands.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.