Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Can you spot the Big Dipper in the night sky? Or Orion's Belt? Or Cassiopeia? Even in cities, and without the aid of a telescope, these are a few of the easier constellations to find. In fact, a great deal can be seen in the night sky with the naked eye - if you know what you're looking for. Night Sky presents 200 colour photographs of stunning nocturnal vistas all visible to the naked eye. From the majesty of the Northern Lights (Aurora borealis) as seen from Norway or Canada, and the Southern Lights (Aurora australis) as seen from Australia, to seeing the clarity of the Milky Way over an Italian forest, from witnessing a lunar eclipse in Indonesia to charting the course of the International Space Station across the Indian night, and from seeing a Geminid meteor shower in New Mexico to recognizing the Great Bear (Ursa Major) constellation over New England, the book is a feast of nocturnal delights. Where necessary, additional inset photographs indicate the formation of a constellation. Presented in a landscape format and with 200 outstanding colour photographs supported by fascinating captions, Night Sky is a stunning collection of images.

Featuring more than 200 intriguing images taken by space probes travelling billions of kilometres from Earth, The Solar System is an exhilarating exploration of the mysteries of our local planetary space. Within the span of a human lifetime, our spacecraft have visited all eight planets of the Solar System, together with several dwarf planets, asteroids and comets. We have mapped the surface of Mercury and Venus in exquisite detail, landed rovers on Mars, placed orbiters around Jupiter and Saturn, and parachuted to the surface of Titan. Our emissaries have visited icy worlds five billion kilometres from home and continued onwards to reach interstellar space. The pictures and science returned by these intrepid travellers have transformed our understanding of the Solar System in which we live.

Travelling from the edge of our Solar System, through the Milky Way and to the outer edges of the observable universe, Deep Space is a spectacular photographic guide to galaxies, nebulae, supernova, clusters, black holes and quasars. Learn about the birth of stars in our own galaxy, planets beyond our own solar system, when they were first discovered and how we have managed to photograph these places. Ranging from the Magellanic Clouds within the Milky Way to stellar life cycles, from other spiral galaxies such as the Andromeda Galaxy, to the Sombrero Galaxy, and from nebulae such as the Pillars of Creation to black and white dwarfs, this is accessibly written for the general reader to grasp the science and magnitude of deep space. Featuring 200 outstanding colour photographs and expert captions, Deep Space is most certainly out of this world.

Abolitionist Leadership in Schools offers school and district leaders rich insights and approaches for recreating, restructuring, and reorienting their service to students, families, staff, and communities in crisis. Though often associated with sudden, large-scale disruptions, crises are ongoing matters-particularly among systemically-oppressed people-that underscore the planning voids, resource inequities, marginalizing policies, and strategic lapses of any teaching and learning community while perpetuating students' social-emotional, psychological, and pedagogical traumas. This expansive book guides school leaders to provide pre-emptive, premeditated, and progressive leadership while countering the impacts of racism that endure in our schools. Working from an abolitionist lineage, author Robert S. Harvey's radically humane vision explores lessons from our collective national past, provides strategic planning with creativities and contingencies, and fosters liberatory decision-making through accountability, communication, and more.

In this, one of the last published books planned by one of the major cultural philosophers of our time, Lyotard addresses, in his powerful and allusive critical voice, Malraux's reflections on art and literature. The result, more than a sequel to Lyotard's acclaimed biography "Signe Malraux," tells us as much about Lyotard and his critical concerns as it does about Malraux. It gives us Lyotard's final thoughts on his long study of the critical, disruptive possibilities of art and of the relation between aesthetics and politics. At first glance, Lyotard's sympathetic and generous analysis of Malraux might be surprising to some, for Malraux's metaphysics of art seems far removed from, if not diametrically opposed to, Lyotard's postmodern, experimental approach. But this is perhaps the book's greatest achievement, for Lyotard succeeds both in giving a compelling critical reading of Malraux (and through him of an entire era of art criticism) and in presenting, complicating, and developing his own position on art and aesthetics.
In order to present Lyotard's exquisitely compact style in the best possible way, the original French text appears on facing pages with the English translation.

This collection honors the career of Donald "Sandy" Petrey, Professor of Comparative Literature at the State University of New York at Stony Brook for over forty years. The diversity of essays - written by colleagues, friends, and former students, and ranging in subject from the traditional Festschrift theme of the honoree's compelling contributions to the study of realism and the novel's role in history, to chapters on Susan Sontag's experimental films, the thought of the late Marxist philosopher Andre Gorz, silence in the graphic novel, and linguistic disparities between American and Standard Italian - attests to the plasticity of Sandy Petrey's mind and the ample indications of his work. Best-known (and well-loved) for his often gruff, no-nonsense style in teaching and prose, Petrey is celebrated by those whose careers and ideas he has helped to nurture, inform, and embolden. This collection is a fine text for courses in nineteenth-century as well as contemporary French studies and literature.

Explore and discover the most beautiful places in Wiltshire. Visit and photograph the ancient and mysterious sites of Stonehenge, Avebury and Silbury Hill; the great houses and gardens at Longleat, Bowood, Wilton, Stourhead; villages and churches; Georgian Bradford-on-Avon and the chalk White Horses and the Fovant Badges etched into the hillsides. You will enjoy photographs of the strip lynchets along the downs where sheep have grazed for centuries; the big open farmland, the Ridgeway, the chalk streams; Salisbury Plain and Salisbury Cathedral. With over 500 colour photographs, Photographing Wiltshire is the definitive visitor and photo-location guidebook to photographing this fascinating county. Introductory sections explain the story of Wiltshire's varied landscape, exceptional cultural heritage and diverse wildlife. It will appeal to Wiltshire residents, outdoor enthusiasts, photographers and anyone who loves Wiltshire and would like to understand it better.

Abolitionist Leadership in Schools offers school and district leaders rich insights and approaches for recreating, restructuring, and reorienting their service to students, families, staff, and communities in crisis. Though often associated with sudden, large-scale disruptions, crises are ongoing matters-particularly among systemically-oppressed people-that underscore the planning voids, resource inequities, marginalizing policies, and strategic lapses of any teaching and learning community while perpetuating students' social-emotional, psychological, and pedagogical traumas. This expansive book guides school leaders to provide pre-emptive, premeditated, and progressive leadership while countering the impacts of racism that endure in our schools. Working from an abolitionist lineage, author Robert S. Harvey's radically humane vision explores lessons from our collective national past, provides strategic planning with creativities and contingencies, and fosters liberatory decision-making through accountability, communication, and more.

by the question in its being an answer, if only in a circumstantial (i. e. inessential) manner. One indeed must question oneself in order to remember, says Plato, but the dialectic, which would be scientific, must be something else even if it remains a play of question and answer. This contradiction did not escape Aristotle: he split the scientific from the dialectic and logic from argumentation whose respective theories he was led to conceive in order to clearly define their boundaries and specificities. As for Plato, he found in the famous theory of Ideas what he sought in order to justify knowledge as that which is supposed to hold its truth only from itself. What do Ideas mean within the framework of our approach? In what consists the passage from rhetoric to ontology which leads to the denaturation of argumentation? When Socrates asked, for example, "What is virtue?," he thought one could not answer such a question because the answer refers to a single proposition, a single truth, whereas the formulation of the question itself does not indicate this unicity. For any answer, another can be given and thus continuously, if necessary, until eventually one will come across an incompatibility. Now, to a question as to what X, Y, or Z is, one can answer in many ways and nothing in the question itself prohibits multiplicity. Virtue is courage, is justice, and so on.

In this, one of the last published books planned by one of the major cultural philosophers of our time, Lyotard addresses, in his powerful and allusive critical voice, Malraux's reflections on art and literature. The result, more than a sequel to Lyotard's acclaimed biography "Signe Malraux," tells us as much about Lyotard and his critical concerns as it does about Malraux. It gives us Lyotard's final thoughts on his long study of the critical, disruptive possibilities of art and of the relation between aesthetics and politics. At first glance, Lyotard's sympathetic and generous analysis of Malraux might be surprising to some, for Malraux's metaphysics of art seems far removed from, if not diametrically opposed to, Lyotard's postmodern, experimental approach. But this is perhaps the book's greatest achievement, for Lyotard succeeds both in giving a compelling critical reading of Malraux (and through him of an entire era of art criticism) and in presenting, complicating, and developing his own position on art and aesthetics.
In order to present Lyotard's exquisitely compact style in the best possible way, the original French text appears on facing pages with the English translation.

by the question in its being an answer, if only in a circumstantial (i. e. inessential) manner. One indeed must question oneself in order to remember, says Plato, but the dialectic, which would be scientific, must be something else even if it remains a play of question and answer. This contradiction did not escape Aristotle: he split the scientific from the dialectic and logic from argumentation whose respective theories he was led to conceive in order to clearly define their boundaries and specificities. As for Plato, he found in the famous theory of Ideas what he sought in order to justify knowledge as that which is supposed to hold its truth only from itself. What do Ideas mean within the framework of our approach? In what consists the passage from rhetoric to ontology which leads to the denaturation of argumentation? When Socrates asked, for example, "What is virtue?," he thought one could not answer such a question because the answer refers to a single proposition, a single truth, whereas the formulation of the question itself does not indicate this unicity. For any answer, another can be given and thus continuously, if necessary, until eventually one will come across an incompatibility. Now, to a question as to what X, Y, or Z is, one can answer in many ways and nothing in the question itself prohibits multiplicity. Virtue is courage, is justice, and so on.

'Nobody knows how to write'. Thus opens this carefully nuanced and accessible collection of essays by one of the most important writer-philosophers of the 20th century, Jean-Francois Lyotard (1924-1998). First published in French in 1991 as Lectures d'enfance, these essays have never been printed as a collection in English. In them, Lyotard investigates his idea of infantia, or the infancy of thought that resists all forms of development, either human or technological. Each essay responds to works by writers and thinkers who are central to cultural modernism, such as James Joyce, Franz Kafka, Hannah Arendt, Jean-Paul Sartre, and Sigmund Freud. This volume - with a new introduction and afterword by Robert Harvey and Kiff Bamford - contextualises Lyotard's thought and demonstrates his continued relevance today.

Two new adventures bringing back one of the Doctor's most `popular' foes - the Cybermen! Warzone - At Warzone, competitors gather from across the galaxy to test the limits of their endurance and achieve their personal best. So,when the TARDIS materialises in the middle of a racetrack, the Doctor and his friends must literally run for their lives. Conversion - On the fringes of the galaxy, techno-pirates and research medics fight for the secrets of advanced extra-terrestrial technology. For the Doctor, however, a more personal battle awaits as he confronts his own guilt and the creatures that killed a friend: the Cybermen. CAST: Peter Davison (The Doctor), Sarah Sutton (Nyssa), Janet Fielding (Tegan Jovanka), George Watkins (Marc), David Banks (The Cyber Leader), Timothy Blore (Morris), Angela Bruce (Herb), Silas Carson (Commentator), Mark Hardy (Cyber Lieutenant), Pepter Lunkuse (Esma), Liz Sutherland-Lim (Creasey). Other parts played by members of the cast.

In an age of backroom generals who command from far behind troop lines, it is often forgotten that wars have been won or lost by the personality and leadership of a maverick commander. In twelve riveting portrait, best-selling historian, Robert Harvey, explores the mind and the action of such men. From the the Mediterranean sea Harvey investigates what make a military commander different - a charismatic leader of men, rational under fire, unafraid to improvise or lead his men into victory against the odds. Packed with compelling and insightful analysis and story telling, Mavericks is Robert Harvey's best book to date. The Mavericks, what made them great and their key battles include: Clive of India - a master of the decisive strike, and going for the jugular. Plassey. James Wolfe - renowned by his troops for being as demanding on himself as on them. Quebec. George Washington - patience, then boldness. Yorktown. Horatio Nelson - flamboyance, careful planning and improvisation. Trafalgar. Thomas Cochrane - Fearless commando tactics and an eye for the unexpected strike. Aix Roads. The Duke of Wellington - style and soundbites, caution and planning. Salamanca. Guiseppe Garibaldi - charismatic communicator, bold in battle. Messina. Ulysses S. Grant - Cool and rational, with determination to overcome all obstacles. Vicksburg Erwin Rommel - Careful calculation followed by bold strikes. Desert Campaign. George Patton - Aggression coupled with skill in tanks and training.The Battle of the Bulge. Field Marshal Montgomery - A natural rebel with a lightning mind. El Alamein. Douglas MacArthur - brilliant communicator and bold, cared for his men. Inchon. PRAISE FOR WAR OF WARS 'This is the 'definitive' one-volume account of a particularly rich slab of history.' Daily Express. '...so well paced that reading it is a pleasure.' Bernard Cornwell. 'I doubt a better account of the never-ending war will be written in many a year.' Allan Mallinson. 'an exhillirating sequence of dramatic set-pieces in narrative history's best traditions.' Literary Review

From zombies in Restoration London, to Hell gatecrashing a funeral, rogue Time Agent Captain John Hart leads the universe the rack and ruin in four new adventures written by David Llewellyn. The Restored, Escape from Nebazz, Peach Blossom Heights and Darker Purposes. NOTE: Torchwood contains adult material and is not suitable for younger listeners. 1. The Restored Captain John is in Restoration England looking for some gauntlets. There’s intrigue in the Tower of London, the dead are walking the streets, and the severed head of Oliver Cromwell has a terrible warning. 2. Escape from Nebazz Captain John is in a wooden space prison that’s under attack by a strange and terrible life form. Also the catering is truly dreadful and Dr Magpie’s latest discovery may have got a little out of hand. 3. Peach Blossom Heights Captains John and Jack find themselves stranded on a world that may be actual paradise – the weather is pleasant, the people are friendly, and the giant stuffed animals only come out at night. There’s only one thing the world is missing. No-one has every explained to any of the population about the birds and the bees. Which is unfortunate. 4. Darker Purposes Captain John arrives at the funeral of one of the galaxy’s richest men. He died without making a will, and his heirs have some very creative ideas about how this can be put to rights involving murder, necromancy and seduction. Sadly, Captain John is only too happy to oblige. CAST: James Marsters (Captain John Hart), John Barrowman (Captain Jack Harkness), Christopher Allen (The Archivist), Ayesha Antoine (Caitlin), Rosie Baker (Ilsa Vargosh), Connor Calland (Grimble), Silas Carson (Sir Thomas Pewsey), Dona Croll (Miss Slaughter), Laura Doddington (Frances, Duchess of Winchester), Kathryn Drysdale (Dr Magpie), Serin Ibrahim (Mohisha Varma), Matthew Jacobs-Morgan (Chester Vamooth), Robbie Jarvis (Trevor), Nicholas Khan (Jillix), Wilf Scolding (King Charles II), David Sibley (Uther Vargosh), Rick Yale (Darius Vargosh). Other parts played by members of the cast. NOTE: Torchwood contains adult material and is not suitable for younger listeners.

63BC. Following the overthrow of Catiline, Cicero and his wife retire to the coastal town of Cumae, safe from the threats of Rome. But when a stranger and his companions arrive at Cicero’s villa, new dangers lie in wait and Cicero finds himself plunged into a realm of gods and monsters. His only hope of returning home lies with a man known as the Doctor. But can Cicero trust him? CAST: Peter Davison (The Doctor), Sarah Sutton (Nyssa), Janet Fielding (Tegan Jovanka), Samuel Barnett (Cicero), Laura Riseborough (Terentia), George Watkins (Marc), Joe Shire (Septus), Tracy-Ann Oberman (Tartarus). Other parts played by members of the cast.

A brand-new four-part adventure featuring the Master's exploits in the Time War. In a Time War, there is a crime that not even the Daleks would dare consider. But the Master has more than considered - and he is ready to commit. When his TARDIS returns to Gallifrey carrying his corpse, a chain of events ensues that will change established history, Old friendships will be destroyed and dark alliances formed, as the Master exploits a terrifying truth. Even for the two most powerful races, time can be rewritten. 4.1 From the Flames by Nicholas Briggs. After the Master's TARDIS returns his remains to Gallifrey, in accordance with his final wishes, an intricate plot begins to change the nature of the universe forever. But even in death the Master threatens life. And only CIA Coordinator Narvin can hope to stop him. 4.2 The Master's Dalek Plan by Alan Barnes. As the Master infiltrates the Kaled scientific elite, the Time Lords seek to counter his interference. But while Narvin and President Livia try to stabilise the past, a new and horrifying future dawns in the wastelands of ancient Skaro. 4.3 Shockwave by Alan Barnes. With all known history threatened, the Daleks take desperate action to preserve their established legacy. When they cross dimensions to recruit an alternative incarnation of the Master, an uneasy alliance is formed ... But can either side truly trust the other? 4.4 He Who Wins by Nicholas Briggs. The Master has achieved an ultimate victory. But at what cost? Cast: Derek Jacobi (The Master), Mark Gatiss (The Other Master), Sean Carlsen (Narvin), Nicholas Briggs (The Daleks), Zaraah Abrahams (Kaled Corporal), Pippa Bennett-Warner (Livia), Vikash Bhai (Arfor), Daniel Brocklebank (Yaren), Richard Clifford (Novar), Ben Crystal (Soogasor), Christopher Harper (Kaled Guard), Will Kirk (Uglen), Jordan Renzo (Insloy), Gavin Swift (Crazlus), Franchi Webb (Lamarius). Other parts played by members of the cast.

Captain Jack is finally dying, and it's time for his oldest friend to visit his deathbed. King John has come to tell him a story. The story of the life he should have had. It's the story of Alexander the Great, sinking ships, falling empires, robot dinosaurs, and alien invasions. It's a story of love, royal weddings, murder, mass murder, genocide, and very tight trousers. It's the story of the life of Captain John and it's the story of Torchwood. Be careful what you wish for. The huge and long - running public interest in new Torchwood adventures resulted in a server melt-down when its return on audio was announced by star John Barrowman on his Sunday night radio slot. Across the range, John Barrowman, Eve Myles, Kai Owen and Gareth David -Lloyd have reprised the characters who starred in four years of hit Doctor Who spin-off Torchwood, screened around the world - Gareth David-Lloyd played Ianto Jones in the BBC series, a character so popular with fans that when he was killed off, a shrine was created in Cardiff that is still there to this day! This marks the first time James Marsters has reprised his popular Captain Hart character, though to fans of Buffy the Vampire Slayer he's still best known as the charismatic baddy vampire Spike! Big Finish's Torchwood range also includes - so far - three specials: Torchwood - Outbreak, The Torchwood Archive and Torchwood One - Before the Fall, and in late 2017 a new audio range carried on the series from where it left off on TV. NOTE: Torchwood contains adult material and may not be suitable for younger listeners. Cast: John Barrowman (Captain Jack Harkness), James Marsters (Captain John Hart), Eve Myles (Gwen Cooper), Gareth David-Lloyd (Ianto Jones), Kai Owen (Rhys Williams), Tom Price (Sgt Andy), Samuel Barnett (Norton Folgate), Rowena Cooper (Queen Victoria), Rick Yale (Christopher Marlowe), Aly Cruickshank (Alexander the Great), Marilyn Le Conte (Catherine the Great), Luke Williams (Hephaeston), Richard Elfyn (Field Marshal), Kerry Joy Stewart (Flat Holm Doctor), Kristy Philipps (Royal Servant).

In the Galactic Census, idyllic Strellin is recorded as a Grade Three planet - its inhabitants possessing neither advanced technology, nor knowledge of other worlds. Accordingly, Strellin is protected: landings by off-worlders are strictly prohibited. Unless, of course, those off-worlders are officials of the Galactic Census itself, come to investigate the origin of a mysterious sub-space signal - a signal no native of Strellin should be able to send. Breaking all local by-laws, the time-travelling Doctor and his companion L/Wren Mrs Constance Clarke (AWOL) have only just landed on Strellin, too. But they and the Census officials aren't the only off-worlders to have come here. Inside a nearby monastery, the monks of the reclusive Brotherhood of the Black Petal are guarding a strange and terrible secret. Something might bring disaster not just to Strellin, but to every civilised world in the galaxy! Colin Baker's Doctor has proved hugely popular to fans of the Big Finish Doctor Who releases, with his television adventures continued across a range of stories with both old and new companions.Director Jamie Anderson is the son of Gerry Anderson, the producer behind such shows as Thunderbirds, UFO, Captain Scarlet and Terrahawks. His work influenced generations, and Jamie inheriting this storytelling gene! Scriptwriter Mike Tucker has not only written Doctor Who novels, and other audio adventures, but carried out model work on both the classic and new series of Doctor Who!The Doctor's companion in this story - Mrs Constance Clark - is played by Miranda Raison, star of TV's Spooks. CAST: Colin Baker (The Doctor), Miranda Raison (Constance Clarke), Nicholas Briggs (Tanapal), John Savident (Pendle), Olivia Hallinan (Asta), Robbie Stevens (Boswyck/Raspak), Sam Fletcher (Rosco/Gabber), Joseph Kloska (Habrild).