Award winning international photographer Robert Herman elevates the practice of street photography in The Phone Book. With the iPhone (TM), he has created compelling images from his travels around the world. Inspired by the new Hipstamatic App (TM), The Phone Book compendium is a creative labyrinth that invites the viewer to discover their own connections between the images. As the follow up to his critically acclaimed first monograph, The New Yorkers, Robert Herman captures the world in brilliant spontaneity; unique in his artistry and universal in its humanity.

The authors of this volume have been intimately connected with the conception of Big Bang model since 1947. They present a picture of what is now believed to be state-of-the-art knowledge about the evolution of the expanding universe and delineate the story of the development of the Big Bang model as they have seen and lived it from their own unique vantage point.

Discover the secrets of Hollywood storytelling in this fascinating collection, in which fifty screenwriters share the inside scoop about how they surmounted incredible odds to break into the business, how they transformed their ideas into box-office blockbusters, how their words helped launch the careers of major stars, and how they earned accolades and Academy Awards.

Entertaining, informative, and sometimes startling, Tales from the Script features exclusive interviews with film's top wordsmiths, including John Carpenter (Halloween), Nora Ephron (Julie & Julia), John August (Charlie and the Chocolate Factory), and David hayter (Watchmen). Read along as:

Frank Darabont explains why he sacrificed his salary to preserve the integrity of his hard-hitting adapta-tion of Stephen King's novella The Mist.

William Goldman reveals why he's never had any interest in directing movies, despite having won Oscars for writing All the President's Men and Butch Cassidy and the Sundance Kid.

Ron Shelton explains why he nearly cut the spectacular speech that helped cement Kevin Costner's stardom in Bull Durham.

Josh Friedman describes the bizarre experience of getting hired by Steven Spielberg to adapt H. G. Wells's classic novel War of the Worlds--even though Spielberg hated Friedman's take on the material.

Paul Schrader (Taxi Driver) analyzes his legendary relationship with Martin Scorsese.

Shane Black (Lethal Weapon) reveals why the unrelenting hype around his multimillion-dollar script sales caused him to retreat from public life for several years.

Tales from the Script is a must for movie buffs who savor behind-the-scenes stories--and a master class for all those who dream of writing the Great American Screenplay, taught by those who made that dream come true.

Imaging studies provide crucial information on disease extent in head and neck malignancies. A thorough knowledge of the loco-regional anatomy of this complex area and a proper understanding of the natural disease spread pattern are prerequisites in the interpretation of these imaging studies. Tumor extent influences tumor staging, predicts outcome and influences treatment choices. Knowledge of the different treatment options and expected post-therapeutic tissue changes are also critical in order to use imaging adequately in the surveillance of these patients. After an introductory chapter on epidemiology and clinical signs, this book reviews the pertinent imaging findings for each of the major anatomical subsites. Emphasis is on CT and MRI, but PET and ultrasound are also discussed where appropriate. Reviews on modern surgical and radiotherapeutic techniques are included, helping the reader to understand post-treatment tissue changes and how to differentiate these from tumor recurrence or treatment complications.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.