The essays of this book are in the Medical Humanities, specifically Medicine and Music. It is hoped that this book shows how Humanistic inquiry and historical study are informed by science and medicine.This interplay of Music and Medicine sheds light on the Humanities.We show how the Humanities are relevant to medicine making one more sensitive to the needs of others and well rounded. We show how an appreciation of the Humanities can enrich and deepen knowledge of the history of medicine and allied sciences. The book attempts to demonstrate how historical research can increase our understanding and widened perspective of medicine and science. It recognizes the humanistic and cultural dimension of the history of medicine. It attempts to fosters a wider historical context of medicine, elucidated by the Medical Humanities.

Essays in the History of Nephrology is the second in a five-volume series in Medical Humanities, which attempt to make physicians more compassionate, caring, empathetic and better devoted to the calling of enhancing longevity and quality of life, doing no harm, and eliminating pain, while simultaneously striving for the ideal physician as a well rounded, multi-facted, versatile, diversely talented practitioner with a wide breadth of intellectual interests: in other words, "a Renaissance man." The ten essays in this volume deepen our understanding of the research of Richard Bright, Sir Robert Christison, Pierre Rayer, Sir William Osler, and others. They apply the methods of the discipline of history, drawing on primary and secondary sources, as it relates to the uncovering the modern evolution from the 18th to 20th centuries of major breakthroughs, turning points, paradigm shifts, and widening of areas of knowledge in the evolution of nephrology in the field of medicine.

Recently anthropology has turned to accounts of persons-in-history/history-in-persons, focusing on how individuals and groups as agents both fashion and are fashioned by social, political, and cultural discourses and practices. In this approach, power, agency, and history are made explicit as individuals and groups work to constitute themselves in relation to others and within and against sociopolitical and historical contexts. Contributors to this volume extend this emphasis, drawing upon their ethnographic research in Nepal to examine closely how selves, identities, and experience are produced in dialogical relationships through time in a multi-ethic nation-state and within a discourse of nationalism. The diversity of peoples, recent political transformations, and nation-building efforts make Nepal an especially rich locale to examine people's struggles to define and position themselves. But the authors move beyond geographical boundaries to more theoretical terrain to problematicize the ways in which people recreate or contest certain identities and positions. Various authors explore how people-positioned by gender, ethnicity, and locale-use cultural genres to produce aspects of identities and experiences; they examine how subjectivities, agencies and cultural worlds co-develop and are shaped through engagement with cultural forms; and they portray the appropriation of multiple voices for self and group formation. As such, this collection offers a richly textured and complex accounting of the mutual constitution of selves and society.

This seminal work in several fields--person-centered anthropology, comparative psychology, and social history--documents the inner life of the Tahitians with sensitivity and insight. At the same time Levy reveals the ways in which private and public worlds interact. "Tahitians "is an ethnography focused on private but culturally organized behavior resulting in a wealth of material for the understanding of the interaction among historical, cultural, and personal spheres.
"This is a unique addition to anthropological literature. . . . No review could substitute for reading it."--Margaret Mead, " American Anthropologist "