A great thinker once said that "all philosophy is merely footnotes to Plato." Through Plato, Father O'Connell provides us here with an introduction to all philosophy. Designed for beginning students in philosophy, Plato on the Human Paradox examines and confronts human nature and the eternal questions concerning human nature through the dialogues of Plato, focusing on the Apology, Phaedo, Books III-VI of the Republic, Meno, Symposium, and O'Connell presents us here with an introduction to Plato through the philosopher's quest to define "human excellence" or arete in terms of defining what "human being" is body and soul, focusing on Plato's preoccupations with the questions of how and what it means to have a "good life" in relation to or as opposed to a "moral life."

As a young student in Paris, O'Connell was first enamored of the intriguing artistic imagery of Augustine's works. The imagery continued to impress him as his scholarship continued. Now, after many years of research and regarding study on the topic, a thorough treatment of Augustine's "image clusters" is revealed in this volume, Soundings in St. Augustine's Imagination. That St. Augustine's writings are empowered by use of poetic imagery is of interest to readers of philosophy, theology, as well as language. In this work, Augustine's imagery is used as a basis to shed light on some of his thought which had previously puzzled the scholarly world. Soundings in St. Augustine's Imagination is an imperative addition to any philosophical library and a rich reward for all intrigued by his dramatic use of language and metaphor.

When this book was originally published in 1969, it added fuel to a controversy (sparked by the author in a previous work) that continues unabated to the present day.Now, available for the first time in a paperback edition, it offers a new generation of readers a detailed exposition of the Confessions, showing how the Plotinian view of man as a fallen soul is present in this work and, furthermore, that it is the key to its interpretation.

William James' celebrated lecture on "The Will to Believe" has kindled spirited controversy since the day it was delivered. In this lively reappraisal of that controversy, Father O'Connell contributes some fresh contentions: that James' argument should be viewed against his indebtedness to Pascal and Renouvier; that it works primarily to validate our "over-beliefs" ; and most surprising perhaps, that James envisages our "passional nature" as intervening, not after, but before and throughout, our intellectual weighing of the evidence for belief.

William James' celebrated lecture on "The Will to Believe" has kindled spirited controversy since the day it was delivered. In this lively reappraisal of that controversy, Father O'Connell contributes some fresh contentions: that James' argument should be viewed against his indebtedness to Pascal and Renouvier; that it works primarily to validate our "over-beliefs" ; and most surprising perhaps, that James envisages our "passional nature" as intervening, not after, but before and throughout, our intellectual weighing of the evidence for belief.

A great thinker once said that "all philosophy is merely footnotes to Plato."Through Plato, Father O'Connell provides us here with an introduction to all philosophy. Designed for beginning students in philosophy, Plato on the Human Paradox examines and confronts human nature and the eternal questions concerning human nature through the dialogues of Plato, focusing on the Apology, Phaedo, Books III-VI of the Republic, Meno, Symposium, and O'Connell presents us here with an introduction to Plato through the philosopher's quest to define "human excellence" or arete in terms of defining what "human being" is body and soul, focusing on Plato's preoccupations with the questions of how and what it means to have a "good life" in relation to or as opposed to a "moral life."

As a young student in Paris, O'Connell was first enamored of the intriguing artistic imagery of Augustine's works. The imagery continued to impress him as his scholarship continued. Now, after many years of research and regarding study on the topic, a thorough treatment of Augustine's "image clusters" is revealed in this volume, Soundings in St. Augustine's Imagination. That St. Augustine's writings are empowered by use of poetic imagery is of interest to readers of philosophy, theology, as well as language. In this work, Augustine's imagery is used as a basis to shed light on some of his thought which had previously puzzled the scholarly world. Soundings in St. Augustine's Imagination is an imperative addition to any philosophical library and a rich reward for all intrigued by his dramatic use of language and metaphor.

The Phenomenon of Man, by Pierre Teilhard de Chardin, has been characterized as metaphysics, poetry, and mysticism-virtually everything except what its author claimed it was: a "purely scientific memoir." Professor O'Connell here follows up on a nest of clues, uncovered first in an early unpublished essay, then in the series of essays contained principally in The Vision of the Past. Those clues all point to Teilhard's intimate familiarity with the philosophy of science propounded by the celebrated Pierre Duhem. It was Duhem's central claim that science, to remain true to itself, must aim at establishing a genuine "natural classification" phenomenal reality. That insight, Professor O'Connell argues, guided Teilhard's lifelong effort to describe the "imposed reality-factors" which science in its variety of forms suggests as ingredients and operative at every phase in the evolutionary development of planet Earth. Limiting his focus to the way Teilhard unfolded his vision of the past, Professor O'Connell concludes that those who deprecate Teilhard as unscientific betray little awareness of how sophisticated his understanding of science truly was.

This book rounds off Robert O'Connell's study of St. Augustine's view of the human condition, begun is St. Augustine's Early Theory of Man, A.D. 386-391, and continued in St. Augustine's Confessions: The Odyssey of Soul. The central thesis of the first book, and guiding hypothesis of the second, proposed that Augustine thought of us, in "Plotinian" terms, as "fallen souls," and that in all sincerity he interpreted the teachings of Scripture as reflecting that same view. Professor O'Connell sees the weightiest objection to his proposition as stemming from what scholars generally agree to be Augustine's firm rejection of that view in his later works. The central contention in this new book is that Augustine did indeed object his earlier theory, but only for a short time. He came to see the text of Romans 9:11, apparently, as compelling that rejection. But, then, his firm belief that all humans are guilty of Original Sin would have left traducianism as his only acceptable way of understanding the origin of sinful human souls. The materialistic cast of traducianism, however, always repelled Augustine. Hence, he struggles to elaborate a fresh interpretation of Romans 9:11, and he eventually finds one that permits him to return to a slightly revised version of his earlier view. That theory, Professor O'Connell argues, is encased in both the De civitate Dei and the final version of De Trinitate.

In his preceding work, Soundings in Augustine's Imagination, Father O'Connell outlined the three basic images Augustine employs to frame his view of the human condition. In the present study, he applies the same techniques of image-analysis to the three major "conversions" recounted in the Confessions. Those conversions were occasioned, first, by Augustine's youthful reading of Cicero's Hortensius, then by his reading of what he calls the "books of the Platonists", and finally, most decisively, by his fateful reading in that Milanese garden of the explosive capitulum, or "chapterlet", from St. Paul's Epistle to the Romans. Dissection of Augustine's imagery discloses a chain of striking connections between these conversions. Each of them, for instance, features a return to a woman - now a bridal, now a maternal figure, and finally, a mysterious stand-in for Divine Wisdom, both bridal and maternal. Unsurprisingly, conversion-imagery also provokes a fresh estimate of the sexual component in Augustine's religious biography; but the sexual aspect is balanced by Augustine's insistent stress on the "vanity" of his worldly ambitions. Perhaps most arresting of all is Father O'Connell's analysis showing that the text that Augustine read from Romans consisted of not only two, but four verses: hence the dramatic procession of images which make up the structure of the Confessions, Book VII; hence, too, the presence, subtle but real, of those same image-complexes in the Dialogues Augustine composed soon after his conversion in A.D. 386.