From the pen of one of Amherst, Massachusetts's most important women comes an intriguing glimpse into the nineteenth century. Twice, Orra White Hitchcock traveled with her husband, Edward, a famous geologist and president of Amherst College. She kept meticulous diary entries of their journeys, observing with wit and frankness the people and places she encountered. Orra writes behind-the-scenes accounts of a scientific conference in Edinburgh and of a visit with some of the century's most notable contemporary scientists in London. She describes in stunning and honest detail Sunday services, an international antiwar congress in Frankfurt, and slavery on the streets of Richmond, Virginia. Because she was an open-minded woman, her pages are rich in entertaining stories of botanical gardens, public entertainments, and the shops of London and Paris. She also indulges the reader with romantic descriptions of memorable landscapes in Wales, Ireland, Scotland, Germany, and Switzerland. Spanning the ocean from America to Europe, Orra's never-before-published travel journals offer a vivid, inside look at one woman's unique experiences in a world moving toward modernity.

From the pen of one of Amherst, Massachusetts's most important women comes an intriguing glimpse into the nineteenth century. Twice, Orra White Hitchcock traveled with her husband, Edward, a famous geologist and president of Amherst College. She kept meticulous diary entries of their journeys, observing with wit and frankness the people and places she encountered. Orra writes behind-the-scenes accounts of a scientific conference in Edinburgh and of a visit with some of the century's most notable contemporary scientists in London. She describes in stunning and honest detail Sunday services, an international antiwar congress in Frankfurt, and slavery on the streets of Richmond, Virginia. Because she was an open-minded woman, her pages are rich in entertaining stories of botanical gardens, public entertainments, and the shops of London and Paris. She also indulges the reader with romantic descriptions of memorable landscapes in Wales, Ireland, Scotland, Germany, and Switzerland. Spanning the ocean from America to Europe, Orra's never-before-published travel journals offer a vivid, inside look at one woman's unique experiences in a world moving toward modernity.

In this rich, readable anthology, 16 of the 20th century's leading artistic innovators talk forcefully about the theories that drive their work-from Albert Gleizes and Jean Metzinger's 1912 presentation of cubist theory to Henry Moore's comments, three decades later, on sculpture and primitive art. Newly added essays by Kurt Schwitters, Max Ernst, El Lissitzky, and Fernand Léger include observations on dada, surrealism, and the "machine esthetic." Challenging commentaries provide art historians and theorists with plenty of food for thought and continuing inspiration of all artists and art students.

In this delightful memoir, Jean Renoir, the director of such masterpieces of the cinema as "Grand Illusion" and "The Rules of the Game," tells the life story of his father, Pierre-Auguste Renoir, the great Impressionist painter. Recounting Pierre-Auguste's extraordinary career, beginning as a painter of fans and porcelain, recording the rules of thumb by which he worked, and capturing his unpretentious and wonderfully engaging talk and personality, Jean Renoir's book is both a wonderful double portrait of father and son and, in the words of the distinguished art historian John Golding, it "remains the best account of Renoir, and, furthermore, among the most beautiful and moving biographies we have."
Includes 12 pages of color plates and 18 pages of black and white images.