"Of all Lepage's magic boxes, this is the masterpiece" -"Independent on Sunday"

Early one August morning in 1945, several kilos of uranium dropped over Japan changed the course of human history. Fifty years later, Hiroshima's vitality is striking: the city where survival itself seemed unimaginable today incarnates the notion of renaissance.
Robert Lepage and Ex Machina's The Seven Streams of the River Ota makes Hiroshima a literal and metaphoric site for theatrical journey through the last half-century. In The Seven Streams, Hiroshima is a mirror in which seeming opposites - East and West, tragedy and comedy, male and female, life and death - are revealed as reflections of the same reality.

Robert le Page flew with the Fleet Air Arm from 1940 to 1945, mostly in 816 Squadron flying carrier-based Fairey Swordfish. He saw action mine-laying off Cherbourg, hunting U-boats, escorting convoys in North Atlantic and in the Arctic seas and covering D-Day. Much of his early war years were aboard HMS Dasher and he was lucky to be ashore when the carrier mysteriously blew and sank in the Clyde. This decimated 816 Squadron which was eventually re-equipped and then worked up to operational readiness to fly from HMS Tracker. His story is full of insights into wartime naval flying. When they were tasked with finding and attacking German E Boats they found that in a headwind these powerful boats could outdistance the 'Stringbag'. They devised a plan which was to glide as quietly as possible on their approach to the quarry and power up the engine only seconds before they attacked - however they never managed to sink one. Once when landing in rough weather his aircraft was waved to go round again. With throttle wide open the Swordfish struggled back into the air, but alas the tailhook snagged the top wire of the barrier protecting other parked aircraft. The author remembered staring down from the stalling aircraft to see a terror stricken fitter gazing up at him. Fortunately all survived.

An intimate and probing meditation on theatre, the attributes of imperfect memory, the roots of inspiration, and the culture of our time, from the Canadian theatrical magician Robert Lepage. Lepage is the actor, director, and creator behind some of the most imaginative theatre productions, including ethereal ruminations on Hiroshima in The Seven Streams of the River Ota, and on the destructive addictions behind Jean Cocteau and Miles Davis in Needles and Opium. His talents stretch from starring in one man shows to designing gigantic rock concerts for Peter Gabriel.

Flights takes the readers through a wide spectrum of topics, including Lepage's concern with nationalism keeping a country's culture from traveling beyond its borders for all the world to see.

"A stream of visually arresting and magical stage pictures that make most conventional theatrical imagery look half dead." (Independent) Summer, Quebec City. Following the brutal murder of a young woman, police suspicion rests on one of her close friends, Francois, a student of political science. Meanwhile, a coroner conducts the gruelling autopsy. Based on an uncanny series of interwoven true stories, Polygraph is a play noir: part metaphysical thriller, part murder mystery and part love story, played out in a riveting series of overlapping and shifting perspectives.

Stravinsky's masterwork, created for La Fenice in Venice in 1951, is based on a libretto by W. H. Auden and Chester Kallman, inspired by a series of 18th century prints by William Hogarth. This 2007 production from La Monnaie-De Munt 'jazzifies' the setting by replacing Hogarth's sin city, London, with 1950s Las Vegas, turning it into a glittering, cinematic gallery of tableaux vivants inspired by the early days of television. The conductor is Kazushi Ono while the stage direction comes from the celebrated Robert Lepage.