Albion W. Tourgee (1838-1905) was a major force for social, legal, and literary transformation in the second half of the nineteenth century. Best known for his Reconstruction novels A Fool's Errand (1879) and Bricks without Straw (1880), and for his key role in the civil rights case Plessy v. Ferguson (1896), challenging Louisiana's law segregating railroad cars, Tourgee published more than a dozen novels and a volume of short stories, as well as nonfiction works of history, law, and politics. This volume is the first collection focused on Tourgee's literary work and intends to establish his reputation as one of the great writers of fiction about the Reconstruction era arguably the greatest for the wide historical and geographical sweep of his novels and his ability to work with multiple points of view. As a white novelist interested in the rights of African Americans, Tourgee was committed to developing not a single Black perspective but multiple Black perspectives, sometimes even in conflict. The challenge was to do justice to those perspectives in the larger context of the story he wanted to tell about a multiracial America. The seventeen essays in this volume are grouped around three large topics: race, citizenship, and nation. The volume also includes a Preface, Introduction, Afterword, Bibliography, and Chronology providing an overview of his career. This collection changes the way that we view Tourgee by highlighting his contributions as a writer and editor and as a supporter of African American writers. Exploring the full spectrum of his literary works and cultural engagements, Reimagining the Republic: Race, Citizenship, and Nation in the Literary Work of Albion Tourgee reveals a new Tourgee for our moment of renewed interest in the literature and politics of Reconstruction.

A Child's Introduction to the Orchestra is a fun and exciting musical journey. With cheery narrator Orchestra Bob as their guide, kids are encouraged to listen, learn, and enjoy as they are introduced to the most powerful works from the greatest composers throughout history. He tells wacky stories about deaf composers and quirky musicians, and explores the inspirations behind monumental pieces. Kids will also learn about each instrument of the orchestra from the cello to the timpani, as well as different musical styles from Baroque to Modern. Each step of the way, children can listen to musical examples of what they are learning about by downloading audio tracks from an exclusive website. Young readers will hear the sound of an actual violin as they study the instrument and enjoy the playful tune of a Mozart minuet as they read about the composer's precocious exploits as a child. Also included is a removable a poster of instruments and their location in the orchestra. Illustrated in exquisite and colorful detail with over 100 original drawings and photographs, this is the perfect introduction to the magical world of classical music.

This volume consists of personal narrative accounts of the career journeys of some of the world's most eminent social psychologists. Each contributing psychologist is an esteemed scholar, an excellent writer, and has a story to tell. Together, the contributions cover a time range from Morton Deutsch to today, and touch upon virtually every important movement and person in the history of academic social psychology. This book provides a fascinating insight into the development of outstanding academic careers and will be a source of inspiration to seasoned researchers and beginning students alike, in the fields of social psychology, history of psychology, and beyond.

Who are we? Where is the boundary between us and everything else? Are we all multiple personalities? And how can we control who we become? From distinguished psychologist Robert Levine comes this provocative and entertaining scientific exploration of the most personal and important of all landscapes: the physical and psychological entity we call our self. Using a combination of case studies and cutting-edge research in psychology, biology, neuroscience, virtual reality and many other fields, Levine challenges cherished beliefs about the unity and stability of the self - but also suggests that we are more capable of change than we know. Transformation, Levine shows, is the human condition at virtually every level. Physically, our cells are unrecognizable from one moment to the next. Cognitively, our self-perceptions are equally changeable: A single glitch can make us lose track of a body part or our entire body, or to confuse our very self with that of another person. Psychologically, we switch back and forth like quicksilver between incongruent, sometimes adversarial sub-selves. Socially, we appear to be little more than an ever-changing troupe of actors. And, culturally, the boundaries of the self vary wildly around the world - from the confines of one's body to an entire village. The self, in short, is a fiction: vague, arbitrary, and utterly intangible. But it is also interminably fluid. And this unleashes a world of potential. Engaging, informative, and ultimately liberating, Stranger in the Mirror will change forever how you think about your self - and what you might become.

Albion W. Tourgee (1838-1905) was a major force for social, legal, and literary transformation in the second half of the nineteenth century. Best known for his Reconstruction novels A Fool's Errand (1879) and Bricks without Straw (1880), and for his key role in the civil rights case Plessy v. Ferguson (1896), challenging Louisiana's law segregating railroad cars, Tourgee published more than a dozen novels and a volume of short stories, as well as nonfiction works of history, law, and politics. This volume is the first collection focused on Tourgee's literary work and intends to establish his reputation as one of the great writers of fiction about the Reconstruction era arguably the greatest for the wide historical and geographical sweep of his novels and his ability to work with multiple points of view. As a white novelist interested in the rights of African Americans, Tourgee was committed to developing not a single Black perspective but multiple Black perspectives, sometimes even in conflict. The challenge was to do justice to those perspectives in the larger context of the story he wanted to tell about a multiracial America. The seventeen essays in this volume are grouped around three large topics: race, citizenship, and nation. The volume also includes a Preface, Introduction, Afterword, Bibliography, and Chronology providing an overview of his career. This collection changes the way that we view Tourgee by highlighting his contributions as a writer and editor and as a supporter of African American writers. Exploring the full spectrum of his literary works and cultural engagements, Reimagining the Republic: Race, Citizenship, and Nation in the Literary Work of Albion Tourgee reveals a new Tourgee for our moment of renewed interest in the literature and politics of Reconstruction.

Who are we? Where is the boundary between us and everything else? Are we all multiple personalities? And how can we control who we become? From distinguished psychologist Robert Levine comes this provocative and entertaining scientific exploration of the most personal and important of all landscapes: the physical and psychological entity we call our self. Using a combination of case studies and cutting-edge research in psychology, biology, neuroscience, virtual reality and many other fields, Levine challenges cherished beliefs about the unity and stability of the self - but also suggests that we are more capable of change than we know. Transformation, Levine shows, is the human condition at virtually every level. Physically, our cells are unrecognizable from one moment to the next. Cognitively, our self-perceptions are equally changeable: A single glitch can make us lose track of a body part or our entire body, or to confuse our very self with that of another person. Psychologically, we switch back and forth like quicksilver between incongruent, sometimes adversarial sub-selves. Socially, we appear to be little more than an ever-changing troupe of actors. And, culturally, the boundaries of the self vary wildly around the world - from the confines of one's body to an entire village. The self, in short, is a fiction: vague, arbitrary, and utterly intangible. But it is also interminably fluid. And this unleashes a world of potential. Engaging, informative, and ultimately liberating, Stranger in the Mirror will change forever how you think about your self - and what you might become.

First English translation of important text of the First Crusade. Guibert of Nogent's account of the First Crusade is an important but difficult chronicle which will be welcomed in this first English translation. It is a valuable addition to Boydell & Brewer's repertoire of crusading material,and is an interesting text because it represents an attempt to produce a critical history from the eyewitness sources - the Deeds of the Franks and Fulker of Chartres' History of the Expedition to Jerusalem: in theprocess it reveals considerable detail on Western attitudes to the First Crusade, and, through Guibert's own bias, on medieval mentalites in general. In this translation, Professor Levine has rendered the difficult and idiosyncratic Latin prose and verse into idiomatic English prose, while preserving as far as possible the constructions favoured by Guibert. In addition, he provides a brief introduction containing biographical and bibliographical information, as well as a summary of the translation. Professor ROBERT LEVINE teaches in the Department of English, Boston University.

In this engaging and spirited book, eminent social psychologist Robert Levine asks us to explore a dimension of our experience that we take for granted--our perception of time. When we travel to a different country, or even a different city in the United States, we assume that a certain amount of cultural adjustment will be required, whether it's getting used to new food or negotiating a foreign language, adapting to a different standard of living or another currency. In fact, what contributes most to our sense of disorientation is having to adapt to another culture's sense of time.Levine, who has devoted his career to studying time and the pace of life, takes us on an enchanting tour of time through the ages and around the world. As he recounts his unique experiences with humor and deep insight, we travel with him to Brazil, where to be three hours late is perfectly acceptable, and to Japan, where he finds a sense of the long-term that is unheard of in the West. We visit communities in the United States and find that population size affects the pace of life--and even the pace of walking. We travel back in time to ancient Greece to examine early clocks and sundials, then move forward through the centuries to the beginnings of "clock time" during the Industrial Revolution. We learn that there are places in the world today where people still live according to "nature time," the rhythm of the sun and the seasons, and "event time," the structuring of time around happenings(when you want to make a late appointment in Burundi, you say, "I'll see you when the cows come in").Levine raises some fascinating questions. How do we use our time? Are we being ruled by the clock? What is this doing toour cities? To our relationships? To our own bodies and psyches? Are there decisions we have made without conscious choice? Alternative tempos we might prefer? Perhaps, Levine argues, our goal should be to try to live in a "multitemporal" society, one in which we learn to move back and forth among nature time, event time, and clock time. In other words, each of us must chart our own geography of time. If we can do that, we will have achieved temporal prosperity.

As the book's title implies, the poems in Robert Levine's Mystical Symphony explore sensing, losing, and recovering subtle, intangible connections in the world around us. Their speakers wrestle with their place in and relationship with love, family, nature, current events, faith--and, most of all, themselves. Sometimes Levine embodies this theme in the formal harmony of rhyme and meter, in other instances in the looser cadences of free verse. He can consider these ""mystical"" connections in fittingly hermetic style, but also adopts a more straightforward--yet nonetheless lyrical--voice elsewhere in the collection. Mystical Symphony offers no tricks or formulae for eliciting or sustaining these connections; they remain elusive, evanescent flashes of serendipitous grace. But it concludes with the comfort that, thanks to the memory of experiencing them, ""nothing can take their blessing from me/even after they fly away in my heart.""

Topline, Bottom Line opens by stressing the importance of good writing to business in the Information Age. Part One devotes a chapter each to grammar, spelling, punctuation, accuracy of word choice, the impact of word choice on writing's tone or style, structuring sentences and paragraphs, organizing documents, and the composition process. Part Two presents strategies for the most common types of business writing: resumes and cover letters, other correspondence, company newsletter articles, descriptive writing like instructions and job descriptions, expository writing such as project reports and employee reviews, and persuasive writing like proposals. The conclusion asserts that words convey information as definitively as numbers, requiring an equal level of precision in their use; it also counsels that writing is an art, not a science, because only the unique circumstances of each writing situation determine what works best for that situation.

We often feel compelled to adopt different personae for the different environments or obligations life and society place us in--to dissociate the various roles we play and sunder the integrity of the self. Robert Levine have given expression to this theme in Minutes From A One-Man Meeting. The speaker of the title poem at the book's center witnesses the same event in the voices of his different selves: bystander, employee, consumer, citizen, neighbor, son, husband, father, and creature, attaining greater self-unification and connection to the world outside himself as the poem progresses. Reflecting the self-knowledge necessary for this process, the collection begins with a section of poems focusing on their speakers' relationships with lovers, family, nature, God, and themselves; reflecting the duty of the unified self to act in the world at large, the title poem is followed by a section of poems addressing political and social issues like the Iraq war, the recession, and environmental degradation.

"This unique, well-documented social history invites the reader to explore Cuban Jewry as a fascinating chronicle and to 'capture the flavor of their lives.' This is made possible by Levine's ability to write a text composed of carefully collated data, excellent illustrations, and oral testimonies. Levine's book contributes to an understanding of Cuban Jewry's unique setting -- starting from colonial times, through its second American diaspora following the 1959 communist revolution. ... Levine traces several stages of Jewish immigration to Cuba, starting with American businessmen rapidly integrated ... in some cases, into the Cuban upper class; Sephardic emigrants from Turkey, who were more socially accepted by Creole and other ethnic groups; ... and thousands of East European Jews arriving after 1924, who perceived the island as a kind of 'immigration hotel' on their way to America. ... Levine devotes two fascinating chapters to Jewish refugees escaping to Cuba before and during World War II. The tragic journey of 973 refugees carried by the St. Louis, whose landing permit had been retroactively denied by the Cuban government, is told by Levine through both dramatic oral testimonies and archival documentation." --Florida Historical Quarterly

"Clotel;" or "The""President's Daughter" (1853), the first published novel by an African American, has recently emerged as a canonical text for courses in African American as well as nineteenth-century American literature courses. The story was inspired by the rumored sexual relationship between Thomas Jefferson and his slave Sally Hemings, and this edition of "Clotel" is the only one to reprint selections from the key texts and cultural documents that Brown drew on (and even appropriated) when he wrote his novel. The streamlined second edition includes an updated introduction that incorporates the explosion of scholarship on the novel over the past decade, when proof of the relationship between Jefferson and Hemings emerged. In addition to their attention to this relationship, the cultural documents focus more directly on the texts about slavery and race that Brown drew on, and on Brown's own controversial approach to writing and revising "Clotel."

A musical practice used for centuries the world over, improvisation too often has been neglected by scholars who dismiss it as either technically undissectible or inexplicably mysterious. At different times and in different cultures, performing music that is not "precomposed" has constituted an artful expression of the performer's individuality (the Baroque); a wild, unthinking form of expression (jazz antagonists); and the best method to train inexperienced musicians to use their instruments (the Middle East). This wide-ranging collection of essays considers musical improvisation from a variety of approaches, including ethnomusicology, education, performance, historical musicology, and music theory. Laying the groundwork for even further research into improvisation, the contributors of this volume delve into topics as diverse as the creative minds of Mozart and Beethoven, the place of improvised musics in Western and non-Western societies, and the development of jazz as a musical and cultural phenomenon.

A musical practice used for centuries the world over, improvisation too often has been neglected by scholars who dismiss it as either technically undissectible or inexplicably mysterious. At different times and in different cultures, performing music that is not "precomposed" has constituted an artful expression of the performer's individuality (the Baroque); a wild, unthinking form of expression (jazz antagonists); and the best method to train inexperienced musicians to use their instruments (the Middle East). This wide-ranging collection of essays considers musical improvisation from a variety of approaches, including ethnomusicology, education, performance, historical musicology, and music theory. Laying the groundwork for even further research into improvisation, the contributors of this volume delve into topics as diverse as the creative minds of Mozart and Beethoven, the place of improvised musics in Western and non-Western societies, and the development of jazz as a musical and cultural phenomenon.

Publisher's Note: Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product. Why waste time guessing at what you need to know for the pediatrics board exam? Maximize your exam preparation time with this quick-hit question and answer review. The unique question and single-answer format eliminates the guesswork associated with traditional multiple-choice Q&A reviews and reinforces only the correct answers you'll need to know on exam day. Emphasis is placed on distilling key facts and clinical pearls essential for exam success. Great for certification and re-certification, this high-yield review for the boards is the perfect compliment to larger texts for intense, streamlined review in the days and weeks before your exam.

In the Spring of 1997, a remarkable group of social psychologists came together at Yosemite National Park to reflect upon the field which they have been so instrumental in creating. This edited collection brings together the reflections of the nine scholars who spoke at the Yosemite conference that day and marks the 100th anniversary of Tripplet's seminal study of bicycle racers--an experiment which has often been cited as the beginning of modern experimental social psychology. The contributors: Elliot Aronson, Leonard Berkowitz, Morton Deutsch, Harold Gerard, Harold Kelley, Albert Pepitone, Bertram Raven, Robert Zajonc, and Philip Zimbardo have not only observed the development of this burgeoning discipline, collectively, they have played an essential role in crafting its young legacy.The book begins with personal histories of the researchers. Being that these personal histories are, in fact, closely connected to the most significant people, laboratories and conceptual trends of the field, these reminiscences are much more than simply histories of the course of particular individuals' lives; they are at the same time histories of the discipline itself. Subsequent chapters turn to the field's historical roots: its origins, course of theories, methods, and approaches. But all chapters share a common theme: an examination of the ways that the lives and experiences of social psychology's most prominent living scholars have helped to shape the history of the field itself.

This is the second volume in the Vancouver studies in Cognitive Science series, and also the second in a series of conferences hosted by the Cognitive Science Programme at Simon Fraser University devoted to the exploration of issues in cognition and the nature of mental representation. The volumes overall theme is the relationship between the contents of grammatical formalisms and their real-time realizations in machine or biological systems. The range of topics includes issues of learnability, implementary and computational issues, parameter setting, and neurolinguistic issues. The core subdisciplines of linguistics - syntax, semantics, morphology, and phonology - are all represented. The contributions are on the leading edge of research in these fields.