Mark Twain is revealed here in an entirely new autobiographical light from his own writings as they reflect his career, his thinking, and his humor. This volume captures the grandeur that distinguishes Mark Twain as, in the words of George Bernard Shaw, "by far the greatest American writer." Made up of short stories and excerpts from Twain's principal works, this collection demonstrates Twain's artistry in handling anecdotes, tales, description, and characterization; the fervency of his ethical convictions; his effective use of irony, satire, burlesque, and caricature; and his essential humanity.

By arranging the materials in chronological order and weaving them together with critical commentary, the editors present the many facets of Mark Twain's experience and his dynamic personality with greater continuity than in previous collections of Twain's writings.

Here is the optimism of the young Mark Twain responding to the rough and rugged vitality of the mid-nineteenth-century American scene, and the skepticism and pessimism of the older Mark Twain reacting to the American democratic experiment of the late nineteenth century.

Long before moving pictures were invented, youngsters from eight to eighty were being charmed by a special kind of animated cartoon--the word sketches of Mark Twain. His descriptions and episodes involving animals have all the life of a Walt Disney production with the added advantage of the great wit and artistry of Twain's prose--something which could never be captured in pictures alone.

A Mark Twain sketch may begin as an ordinary cartoon: a camel eating the author's coat. You can "see" the scene, and it's very funny: the camel "opening and closing his eyes in a kind of religious ecstasy, as if he had never tasted anything as good as an overcoat before in his life." But then comes the Twain touch. The camel finds some newspaper correspondence, starts to eat it, and "dies a death of indescribable agony, choking on one of the mildest and gentlest statements of fact that I ever laid before a trusting public."

Over and over again, Twain goes beyond mere humor to turn his portraits into truthful, though sometimes unflattering, insights into the world and human nature. For most of Twain's animals are "as human as you be."