Spell Songs is a musical companion piece to The Lost Words: A Spell Book by author Robert Macfarlane and artist Jackie Morris. This mixed media CD is accompanied by sumptuous illustrations from Jackie Morris, new 'spells' by Robert Macfarlane, enlightening thoughts by Robert, Jackie and Spell Singer Karine Polwart and stunning photography by Elly Lucas. In 2018 Folk by the Oak Festival commissioned Spell Songs because of their love of The Lost Words book. Spell Songs comprises eight remarkable musicians whose music engages deeply with landscape and nature; musicians who are perfectly placed to respond to the creatures, art and language of The Lost Words. They spent a week in Herefordshire bringing this music together in the company of Jackie Morris. Art inspired music and music inspired art. Jackie Morris immersed herself in the musical residency where she generously created new iconesque artwork of each musician and their instruments portrayed in an unexpected and enchanting way. These stunning new artworks accompany the CD. Spell Songs allowed these acclaimed and diverse musicians to weave together elements of British folk music, Senegalese folk traditions, and experimental and classical music to create an inspiring new body of work. Here are 14 songs which capture the essence of The Lost Words book. Spoken voice, whispers, accents, dialects, native languages, proverbs, sayings, birdsong, river chatter and insect hum all increase the intimacy of the musical world conjured by the songs. Inspired by the words, art and ethos of The Lost Words book, each musician brings new imaginings, embellishments and diversions which are rooted in personal experience, a deep respect for the natural world, protest at the loss of nature and its language and an appreciation for wildness and beauty. In February 2019 Spell Songs enjoyed standing ovations at sell-out performances in major venues across the UK culminating at The Queen Elizabeth Hall at the Southbank Centre, London. Spell Songs was a highlight of The Hay International Literary Festival 2019 and in August 2019 they were invited to perform at the BBC's Lost Words Prom in the Royal Albert Hall. They will continue to tour each year. "There are songs here that would live with me for the rest of my years, even if I'd had no part in their making". Robert Macfarlane

WINNER OF THE GUARDIAN FIRST BOOK AWARD Once we thought monsters lived there. In the Enlightenment we scaled them to commune with the sublime. Soon, we were racing to conquer their summits in the name of national pride. In this ground-breaking, classic work, Robert Macfarlane takes us up into the mountains: to experience their shattering beauty, the fear and risk of adventure, and to explore the strange impulses that have for centuries lead us to the world's highest places.

A landmark publication that captures the beautiful richness of every aspect of trees and their importance for science, culture and the future of humankind. Trees feed us, shelter us, inspire us and heal us. In a world facing the destruction of the Amazon rainforest and a pressing climate emergency, the importance of these primeval beings in shaping our future is hard to understate. Generously illustrated and organized according to tree lifecycle - from seeds, leaves and form to wood, flowers and fruit - this book celebrates the great diversity and beauty of the 60,000 tree species that inhabit our planet. Exquisite details are rendered by surprising photography and infographics: intricate bark and leaf patterns, intertwined ecosystems, colourful flower displays, archaic wooden wheels and timber houses. Integral to science, art and culture, fundamental and fragile, dependent and depended on, the vitality of trees is revealed like never before.

Beautiful books make unforgettable Christmas gifts. This pocket-sized treasure is the perfect gift for fans of nature, language and rich artwork, adult and child alike! Kindred in spirit to The Lost Words but fresh in its form, The Lost Spells introduces a beautiful new set of natural spell-poems and artwork by beloved creative duo Robert Macfarlane and Jackie Morris. Each "spell" conjures an animal, bird, tree or flower -- from Barn Owl to Red Fox, Grey Seal to Silver Birch, Jay to Jackdaw -- with which we share our lives and landscapes. Moving, joyful and funny, The Lost Spells above all celebrates a sense of wonder, bearing witness to nature's power to amaze, console and bring joy. Written to be read aloud, painted in brushstrokes that call to the forest, field, riverbank and also to the heart, The Lost Spells summons back what is often lost from sight and care, teaching the names of everyday species, and inspiring its readers to attention, love and care. 'Luminously beautiful. An amulet in dark times, to be carried like a talisman out into the world, where it is very much needed' Dara McAnulty 'A book about spells that succeeds in being spell-binding in its own right . . . It already feels like a true classic. Buy one copy for yourself and any others for as many children as you can afford' Books for Keeps

'The finest book ever written on nature and landscape in Britain' Guardian Introduction by Robert Macfarlane. Afterword by Jeanette Winterson In this masterpiece of nature writing, Nan Shepherd describes her journeys into the Cairngorm mountains of Scotland. There she encounters a world that can be breathtakingly beautiful at times and shockingly harsh at others. Her intense, poetic prose explores and records the rocks, rivers, creatures and hidden aspects of this remarkable landscape. Shepherd spent a lifetime in search of the 'essential nature' of the Cairngorms; her quest led her to write this classic meditation on the magnificence of mountains, and on our imaginative relationship with the wild world around us. Composed during the Second World War, the manuscript of The Living Mountain lay untouched for more than thirty years before it was finally published.

THE SUNDAY TIMES BESTSELLER SHORTLISTED FOR THE SAMUEL JOHNSON PRIZE The original bestseller from the beloved author of UNDERLAND, LANDMARKS and THE LOST WORDS - Robert Macfarlane travels Britain's ancient paths and discovers the secrets of our beautiful, underappreciated landscape 'The Old Ways confirms Macfarlane's reputation as one of the most eloquent and observant of contemporary writers about nature' Scotland on Sunday Following the tracks, holloways, drove-roads and sea paths that form part of a vast ancient network of routes criss-crossing the British Isles and beyond, Robert Macfarlane discovers a lost world - a landscape of the feet and the mind, of pilgrimage and ritual, of stories and ghosts; above all of the places and journeys which inspire and inhabit our imaginations. 'Sublime... It sets the imagination tingling, laying an irresistible trail for readers to follow' Sunday Times 'Read this and it will be impossible to take an unremarkable walk again' Metro 'He has a rare physical intelligence and affords total immersion in place, elements and the passage of time: wonderful' Antony Gormley

'The finest book ever written on nature and landscape in Britain' Guardian Introduction by Robert Macfarlane. Afterword by Jeanette Winterson In this masterpiece of nature writing, Nan Shepherd describes her journeys into the Cairngorm mountains of Scotland. There she encounters a world that can be breathtakingly beautiful at times and shockingly harsh at others. Her intense, poetic prose explores and records the rocks, rivers, creatures and hidden aspects of this remarkable landscape. Shepherd spent a lifetime in search of the 'essential nature' of the Cairngorms; her quest led her to write this classic meditation on the magnificence of mountains, and on our imaginative relationship with the wild world around us. Composed during the Second World War, the manuscript of The Living Mountain lay untouched for more than thirty years before it was finally published.

Holloway - a hollow way, a sunken path. A route that centuries of foot-fall, hoof-hit, wheel-roll and rain-run have harrowed deep down into bedrock. In July 2005, Robert Macfarlane and Roger Deakin - author of Wildwood - travelled to explore the holloways of South Dorset's sandstone. They found their way into a landscape of shadows, spectres & great strangeness. Six years later, after Roger Deakin's early death, Robert Macfarlane returned to the holloway with the artist Stanley Donwood and writer Dan Richards. The book is about those journeys and that landscape. Moving in the spaces between social history, psychogeography and travel writing, Holloway is a beautiful and haunted work of art.

'"Originality" is only plagiarizing from a great many', remarked Rupert Brooke, stealing the line from Voltaire. Questions of originality, and accusations of plagiarism, are as old as literature, but different literary cultures have interpreted the relationship between originality and plagiarism in startlingly dissimilar ways.
Original Copy investigates and documents the drastic reappraisal of literary originality and plagiarism which occurred over the course of the nineteenth century: from the heroic visions of original authorship that characterised the 1820s and 1830s, through to the stickle-brick creativity of Oscar Wilde and Lionel Johnson at the century's end. It reveals how ideas of originality and plagiarism were not only a theoretical concern of Victorian commentators on literature, but also provided many important Victorian writers - Eliot, Dickens, Reade, Pater, Wilde, and Lionel Johnson among them - with a creative resource. Moving between numerous different fields of thought and knowledge - literary criticism, the history of science, manuscript culture, anthropology - and written in a supple and elegant style, this book shows that the ideas of originality and plagiarism were the subjects of nineteenth-century literature, as well as what it was subject to.

In Underland, Robert Macfarlane delivers an epic exploration of the Earth's underworlds as they exist in myth, literature, memory, and the land itself. Traveling through the dizzying expanse of geologic time-from prehistoric art in Norwegian sea caves, to the blue depths of the Greenland ice cap, to a deep-sunk "hiding place" where nuclear waste will be stored for 100,000 years to come-Underland takes us on an extraordinary journey into our relationship with darkness, burial, and what lies beneath the surface of both place and mind. Global in its geography and written with great lyricism, Underland speaks powerfully to our present moment. At once ancient and urgent, this is a book that will change the way you see the world.

THE SUNDAY TIMES BESTSELLER BRITISH BOOK AWARDS CHILDREN'S BOOK OF THE YEAR 2018 A timeless, beautifully designed Christmas present for children and adults alike, The Lost Words is a gift that will be pored over and cherished for years to come. All over the country, there are words disappearing from children's lives. These are the words of the natural world; Dandelion, Otter, Bramble and Acorn, all gone. A wild landscape of imagination and play is rapidly fading from our children's minds. The Lost Words stands against the disappearance of wild childhood. It is a joyful celebration - in art and word - of nearby nature and its wonders. With acrostic spell-poems by award-winning writer Robert Macfarlane and illustrations by Jackie Morris, this enchanting book evokes the irreplaceable magic of language and nature for all ages. *** Discover The Lost Spells, the magical companion book from the creators of a literary phenomenon. *** Praise for The Lost Words: 'The most beautiful and thought-provoking book I've read this year' Frank Cottrell-Boyce, Observer 'Robert Macfarlane and Jackie Morris have made a thing of astonishing beauty' Alex Preston, Observer 'My top book of the year' Susan Hill, Spectator 'Gorgeous to look at and to read. Give it to a child to bring back the magic of language - and its scope' Jeanette Winterson, Guardian

This publication offers a rich and expansive visual record of Julie Brook's artistic practice, and proposes a unique collaboration between Brook and distinct voices from the nature writing and craftsmanship traditions. Situating Brook's practice in the context of critical reflections by Robert Macfarlane, Alexandra Harris and Raku Jikinyu, the publication presents a striking visual narrative of Brook's landscape and tidal sculptural work, and a sense of its timeless yet contemporary resonance. Documenting in depth a number of recent works made in the Hebrides, Japan and Namibia, their shared attention to the elements and their key pre-occupations of the fleeting, mobile forces of light, time, and gravity demonstrate Brook's coherent vision within vastly contrasting environments. Throughout her oeuvre, the balance between what Brook makes in relation to the environment and materials themselves is paramount. Including film stills, photography and drawing, which are all integral languages for conceptualising and communicating the work, plus insightful extracts from Brook's notebooks, this beautiful publication succeeds in providing the reader with a unique understanding of the artist's 'monuments to the moment'.

This sumptuous and comprehensive evaluation showcases Smith's 1815 hand-coloured map, A Delineation of the Strata of England and Wales, with part of Scotland, and illustrates the story of his career, from apprentice to fossil collector and from his 1799 geological map of Bath and table of strata to his detailed stratigraphical county maps. The introduction places Smith's work in the context of earlier, concurrent and subsequent ideas regarding the structure and natural processes of the earth. The book is then organized into four geographical sections, each beginning with four sheets from the 1815 strata map, accompanied by related geological cross sections and county maps (1819-24), and is followed by displays of Sowerby's fossil illustrations (1816-19) organized by strata. Interleaved between the sections are essays by leading academics that explore the aims of Smith's work, its application in the fields of mining, agriculture, cartography, fossil collecting and hydrology, and its influence on biostratigraphical theories and the science of geology. Concluding the volume are reflections on Smith's later work as an itinerant geologist and surveyor, plagiarism by his rival - President of the Geological Society, George Bellas Greenough - receipt of the first Wollaston Medal in 1831 in recognition of his achievements, and the influence of his geological mapping and biostratigraphical theories on the sciences, culminating in the establishment of the modern geological timescale.

Kurt Jackson's Botanical Landscape is a new collection of poems, paintings, drawings, sculptures and printmaking by the artist and staunch environmentalist: responses to his engagement with and rich experience within the natural world of flora. From day-to-day plants - weeds, the flowers in the hedge, familiar trees and the vegetable garden - to the more unusual, twisted forms and strange fruit of the undergrowth, Jackson's works celebrate the staggering diversity of the plant kingdom. For the art enthusiast, the naturalist, the gardener and the armchair horticulturist, Kurt Jackson's Botanical Landscape maps a particularly expressive communion with nature and offers a unique and beguiling interpretation of the natural world.

From celebrated writer Robert Macfarlane comes this brilliant, perspective-shifting new book – which answers a resounding yes to the question of its title.

At its heart is a single, transformative idea: that rivers are not mere matter for human use, but living beings – who should be recognized as such in both imagination and law. Is a River Alive? takes the reader on an exhilarating exploration of the past, present and futures of this ancient, urgent concept.

The book flows first to northern Ecuador, where a miraculous cloud-forest and its rivers are threatened by goldmining.

Then, to the wounded rivers, creeks and lagoons of southern India, where a desperate battle to save the lives of these waterbodies is under way.

And finally, to north-eastern Quebec, where a spectacular wild river – the Mutehekau or Magpie – is being defended from death by damming in a river-rights campaign.

Are there any genuinely wild places left in Britain and Ireland? Or have we tarmacked, farmed and built ourselves out of wildness? In his vital, bewitching, inspiring classic, Robert Macfarlane sets out in search of the wildness that remains.

In Come By The Hills Cameron McNeish shares his journeys through Scotland on foot, by bike and in his wee red campervan. He is still an adventurer, but these days things are a bit different. Reaching summits is still enjoyed, but no longer a priority. Instead, he takes us on a wide exploration of Scotland's hills, forests, and coastlines, and the ancient tales that bring a turbulent history to life. He takes us into the loveliest of glens, Etive and Lyon, to our most distant islands in the Hebrides and Shetland, and reminisces on wonderful characters such as Dick Balharry, Finlay MacRae, and the early working-class climbers when they first took to the hills.

?An eloquent (and compulsively readable) reminder that, though we?re laying waste the world, nature still holds sway over much of the earth's surface.?
?Bill McKibben
Are there any genuinely wild places left in Britain and Ireland? That is the question that Robert Macfarlane poses to himself as he embarks on a series of breathtaking journeys through some of the archipelago's most remarkable landscapes. He climbs, walks, and swims by day and spends his nights sleeping on cliff-tops and in ancient meadows and wildwoods. With elegance and passion he entwines history, memory, and landscape in a bewitching evocation of wildness and its vital importance. A unique travelogue that will intrigue readers of natural history and adventure, "The Wild Places" solidifies Macfarlane's reputation as a young writer to watch.

An unmissable journey into the hidden worlds beneath our feet.

From the vast underground mycelial networks by which trees communicate to the ice-blue depths of glacial moulins, and from North Yorkshire to the Lofoten Islands, Robert Macfarlane traces a voyage through the worlds beneath our feet.

He reaches back into the deep history of the planet, through the layers of rock and ancient buried objects, and forward to the future, the legacy of the anthropocene and the world we bequeath our descendants.

Underland is Macfarlane at his dazzling best - the lyrical, the political and the philosophical come together in this profound exploration of the relationship between landscape and the human heart.

From the bestselling author of UNDERLAND, THE OLD WAYS and THE LOST WORDS - an essay on the joy of reading, for anyone who has ever loved a book Every book is a kind of gift to its reader, and the act of giving books is charged with a special emotional resonance. It is a meeting of three minds (the giver, the author, the recipient), an exchange of intellectual and psychological currency, that leaves each participant enriched. Here Robert Macfarlane recounts the story of a book he was given as a young man, and how he managed eventually to return the favour, though never repay the debt. From one of the most lyrical writers of our time comes a perfectly formed gem, a lyrical celebration of the transcendent power and humanity of the given book.

A beautiful new edition of a classic work of landscape history, in which Alfred Watkins introduced the idea of ancient 'ley lines' criss-crossing the English countryside. First published in 1925, The Old Straight Track described the author's theory of 'ley lines', pre-Roman pathways consisting of aligned stone circles and prehistoric mounds, used by our Neolithic ancestors. Watkins's ideas have intrigued and inspired generations of readers - from historians to hill walkers, and from amateur archaeologists to new-age occultists. This edition of The Old Straight Track, with a substantial introduction by Robert Macfarlane, will appeal to all who treasure the history, contours and mystery of Britain's ancient landscapes.