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The popularity of American television programs and feature films in
the international marketplace is widely recognized but scarcely
understood. Existing studies have not sufficiently explained the
global power of the American media nor its actual effects. In this
volume, Scott Robert Olson tackles the issue head on, establishing
his thesis that the United States' competitive advantage in the
creation and global distribution of popular taste is due to a
unique mix of cultural conditions that are conducive to the
creation of "transparent" texts--narratives whose inherent polysemy
encourage diverse populations to read them as though they are
indigenous. Olson posits that these narratives have meaning to so
many different cultures because they allow viewers in those
cultures to project their own values, archetypes, and tropes into
the movie or television program in a way that texts imported from
other cultures do not, thus enabling the import to function as
though it were an indigenous product.
Written by an author with over 30 years of working experience, this book takes a practical, thorough look at the duties and skills of art directors and production designers. It teaches readers how to analyze a script, develop concepts that meet the needs of a script, develop sketches and construction drawings, work with directors and producers, and operate within budget limitations. The book has been updated and expanded to include interviews with professionals at all levels in the art department. A chapter on digital effects as they relate to the work of the art director has been added to this new edition. Students, novices in the profession, and persons from other art/design fields who are interested in expanding into film and video will find this is a valuable resource. Written by an author with over 30 years of working experience, this book takes a practical, thorough look at the duties and skills of art directors and production designers. It teaches readers how to analyze a script, develop concepts that meet the needs of a script, develop sketches and construction drawings, work with directors and producers, and operate within budget limitations. The book has been updated and expanded to include interviews with professionals at all levels in the art department. A chapter on digital effects as they relate to the work of the art director has been added to this new edition. Students, novices in the profession, and persons from other art/design fields who are interested in expanding into film and video will find this is a valuable resource.
" In this volume, leading scholars on the history of the Kurds lay out the case that the Kurdish Question looms as one of the largest threats to peace and stability in the Middle East. With the majority of Kurds living within its borders, no country faces this threat more squarely than Turkey, whose concept of a unified, cohesive nation -- in which the existence of ethnic minorities is not acknowledged -- makes the powder keg more difficult to manage than elsewhere. Separate sections examine the development of the movement and explore its influence on Turkey's foreign, domestic, and human rights policies, in the end questioning the viability of the Turkish state as presently constituted.
Written by an author with over 30 years of working experience, this
book takes a practical, thorough look at the duties and skills of
art directors and production designers. It teaches readers how to
analyze a script, develop concepts that meet the needs of a script,
develop sketches and construction drawings, work with directors and
producers, and operate within budget limitations.
The last quarter of the nineteenth century was crucial for the development of Kurdish nationalism. It coincided with the reign of Abdulhamid II (1876-1909), who emphasized Pan-Islamic policies in order to strengthen the Ottoman Empire against European and Russian imperialism, The Pan-Islamic doctrines of the Ottoman Empire enabled sheikhs (religious leaders) from Sheikh Ubaydallah of Nehri in the 1870s and 1880s to Sheikh Said in the 1920s-to become the principal nationalist leaders of the Kurds. This represented a new development in Middle Eastern and Islamic history and began an important historical pattern in the Middle East long before the emergence of the religiousnationalist leadership of Ayatollah Khomeini in Iran. This is the first work in any Western language dealing with the development of Kurdish nationalism during this period and is supported with documentation not previously utilized, principally from the Public Record Office in Great Britain. In addition, the author provides much new material on Turkish, Armenian, Iranian, and Arab history and new insights into Turkish-Armenian relations during the most crucial era of the history of these two peoples.
The popularity of American television programs and feature films in
the international marketplace is widely recognized but scarcely
understood. Existing studies have not sufficiently explained the
global power of the American media nor its actual effects. In this
volume, Scott Robert Olson tackles the issue head on, establishing
his thesis that the United States' competitive advantage in the
creation and global distribution of popular taste is due to a
unique mix of cultural conditions that are conducive to the
creation of "transparent" texts--narratives whose inherent polysemy
encourage diverse populations to read them as though they are
indigenous. Olson posits that these narratives have meaning to so
many different cultures because they allow viewers in those
cultures to project their own values, archetypes, and tropes into
the movie or television program in a way that texts imported from
other cultures do not, thus enabling the import to function as
though it were an indigenous product.
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