Much work in the field of theology and film lacks a really theological focus. This book suggests a methodology based on the recognition of the imagination as the fundamental category in producing and interpreting film. The argument is presented that the imagination holds theological significance when it is conceived of in certain ways. As a result, the book adopts the 'paradigmatic imagination' (an imagination which works within the paradigms of scripture) or 'theological imagination' (one grounded in theological forms), which is both noetic (it is the image-making faculty of the mind) and almost ontological (it is that which draws human beings into the future which they are able to construct or bring into being). Once the theological (paradigmatic) imagination has been identified and justified, its insights will be applied to 'Jesus films' and 'Christ figure films' asking whether or not they provide us with valid Christological understanding. Films with redemptive or salvific themes are discussed as is the popularity of mythical stories and animation. The final chapter will make the case that the engagement of the theological imagination with film is a method in practical theology.

While the Christian faith has played a major part in the history of both Wales and Scotland, there has been little previous work looking at their histories in a comparative manner. In the light of the establishment of the Welsh Assembly and the Scottish Parliament, this issue is of particular contemporary importance. This collection discusses religion in Scotland and Wales from a historical perspective and examines the contribution of religion to the sense of national identity in the period from the Evangelical Revival to the present day. It suggests that the histories of the two nations are only understood when the religious dimension is taken seriously. The various essays collected here offer new perspectives on particular denominations, from the Scottish Covenanters to Welsh Methodism, as well as discussing individual figures such as Howell Harris, Edward Irving and Arthur Price, in order to examine the complex relationship between language, national identity and religion. Religion and National Identity is an original and timely contribution, not only to the religious histories of Wales and Scotland, but also to the collective history of Great Britain in the modern period.

Much of the social and industrial history written during the last quarter of the twentieth century presented Welsh working-class culture in terms of a thirst for knowledge that was secular, economic and political. The emphasis was squarely placed on the influence of the union lodge and the workingmen's institute, and priority was given to the importance of sport and the public house in the life of the working class. Relatively little attention was given to religion and its continuing influence on industrial communities, despite the fact that the 1904 - 5 revival brought many thousands into contact with the chapel. Inspired in part by the challenge of socialist and labour agitation and in part by theological considerations, Nonconformists moved away from specifically political involvement and developed their own responses to the social questions of the day. This new edition will appeal to a fresh generation of scholars and readers interested in Wales's Nonconformist history, presenting an exploration of Welsh social thinking, politics and religion.