Triple bill featuring the original 1989 film along with the 2000 sequel and 2008 prequel. In 'The Little Mermaid' (1989), Ariel (voice of Jodi Benson) is the mermaid daughter of King Triton (voice of Kenneth Mars), and lives beneath the waves. However, Ariel longs to see the world above, especially after rescuing a handsome prince from drowning. To this end she makes a deal with sea witch Ursula (voice of Pat Carroll) to live above the sea in exchange for her beautiful singing voice. Ariel soon regrets her decision, however, when it transpires that her father's kingdom is at risk. In 'The Little Mermaid II - Return to the Sea' (2000), Ariel (voice of Benson) and Eric (voice of Rob Paulsen) have had a baby daughter, Melody (voice of Tara Strong), but the threat of reprisal from Ursula's sister Morgana (voice of Carroll) means that they must keep the girl in the dark about her mermaid heritage. However, to be a mermaid is what Melody wants most and her dreams of the sea soon find her playing into the evil Morgana's hands. To set things right, Ariel must team up with her old chums Sebastian (voice of Samuel E. Wright), Flounder (Cam Clarke) and Scuttle (voice of Buddy Hackett) and embark upon a daring rescue mission. Finally, in 'The Little Mermaid - Ariel's Beginning' (2008), Ariel (voice of Benson) finds herself torn between her love of music and her family duty. With the help of her friends, Sebastian (voice of Wright) and Flounder (voice of Parker Goris), and her six sisters, Ariel sets about to try and restore music, friendship and love to the Kingdom of Atlantica.

Title: Valentine and Orson. A new burlesque drama in two acts and in verse].Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role of literature in society, ranging from Bardic poetry to Victorian verse. Containing many classic works from important dramatists and poets, this collection has something for every lover of the stage and verse. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Reece, Robert; 1882. 39 p.; 8 . 11779.g.6.(6.)

The Christian movement is entering a new postcolonial era with centers of the faith on all continents. American Christians have often felt uniquely qualified to lead this growing movement because of a long history of sending missionaries and funding mission projects. Yet something is hampering the relationship between Western and non-Western churches, preventing the dynamic synergism that Christians might expect. Roots and Remedies of the Dependency Syndrome in World Missions, Robert Reese identifies this hindrance as the Dependency Syndrome, a relic of colonial mission methods. With three decades of experience in Zimbabwe, Reese explains the roots of dependency and how this continues to cloud the vision of many well-meaning Western Christians. He documents the tragic results of relying too much on foreign ideas, institutions, personnel, and funding that sideline non-Western churches from fulfilling the Great Commission. Reese addresses remedies for dependency, examining healthy mission models tried and tested since the days of the apostle Paul. From issues that arise from globalization to best mission practices in the twenty-first century, Roots and Remedies aims to achieve what most Christians are seeking but find elusive: how all parts of the diverse Body of Christ around the world can cooperate productively to bring Christ where He is not now known without creating dependency.

Finite State Machine Datapath Design, Optimization, and Implementation explores the design space of combined FSM/Datapath implementations. The lecture starts by examining performance issues in digital systems such as clock skew and its effect on setup and hold time constraints, and the use of pipelining for increasing system clock frequency. This is followed by definitions for latency and throughput, with associated resource tradeoffs explored in detail through the use of dataflow graphs and scheduling tables applied to examples taken from digital signal processing applications. Also, design issues relating to functionality, interfacing, and performance for different types of memories commonly found in ASICs and FPGAs such as FIFOs, single-ports, and dual-ports are examined. Selected design examples are presented in implementation-neutral Verilog code and block diagrams, with associated design files available as downloads for both Altera Quartus and Xilinx Virtex FPGA platforms. A working knowledge of Verilog, logic synthesis, and basic digital design techniques is required. This lecture is suitable as a companion to the synthesis lecture titled Introduction to Logic Synthesis using Verilog HDL. Table of Contents: Calculating Maximum Clock Frequency / Improving Design Performance / Finite State Machine with Datapath (FSMD) Design / Embedded Memory Usage in Finite State Machine with Datapath (FSMD) Designs

Prequel to the popular Disney film set long before Ariel gave up her mermaid existence to live happily ever after with Prince Eric. The film finds Ariel (voice of Jodi Benson) torn between her love of music and her family duty. With the help of her friends, Sebastian (Samuel E. Wright) and Flounder (voice of Parker Goris), and her six sisters, Ariel sets about to try and restore music, friendship and love to the Kingdom of Atlantica.

This open access book explores the emotional agency of images in the construction of 'humanitarian crises' from the nineteenth century to the present. Using the prism of the histories of emotions and the senses, the chapters examine the pivotal role images have in shaping cultural, social and political reactions to the suffering of others and to the establishment of the international networks of solidarity. Questioning certain emotions assumed to underlie humanitarianism such as sympathy, empathy and compassion, they demonstrate how the experience of such emotions has shifted over time. Understanding images as emotional objects, contributors from a wide horizon of disciplines explore how their production, circulation and reception has been crucial to the perception of humanitarian crises in a long-term historical perspective.