In 1932, Isay Rottenberg, a Jewish paper merchant, bought a cigar factory in Germany: Deutsche Zigarren-Werke. When his competitors, supported by Nazi authorities, tried to shut it down, the headstrong entrepreneur refused to give up the fight. Isay Rottenberg was born into a large Jewish family in Russian Poland in 1889 and grew up in Lodz. He left for Berlin at the age of eighteen to escape military service, moving again in 1917 to Amsterdam on the occasion of his marriage. In 1932 he moved to Germany to take over a bankrupt cigar factory. With newfangled American technology, it was the most modern at the time. The energetic and ambitious Rottenberg was certain he could bring it back to life, and with newly hired staff of 670 workers, the cigar factory was soon back in business. Six months later, Hitler came to power and the Nazi government forbade the use of machines in the cigar industry so that traditional hand-rollers could be re-employed. That was when the real struggle began. More than six hundred qualified machine workers and engineers would lose their jobs if the factory had to close down. Supported by the local authorities he managed to keep the factory going, but in 1935 he was imprisoned following accusations of fraud. The factory was expropriated by the Deutsche Bank. When he was released six months later thanks to the efforts of the Dutch consul, he brought a lawsuit of his own. His fight for rehabilitation and restitution of his property would continue until Kristallnacht in 1938. The Cigar Factory of Isay Rottenberg is written by two of Rottenberg's granddaughters, who knew little of their grandfather's past growing up in Amsterdam until a call for claims for stolen or confiscated property started them on a journey of discovery.

The second edition of Rotenberg's popular guide to college teaching includes additional material on teaching in a digital environment, universal design, and teaching diverse students. As in the first edition, the book provides a hands-on, quick-start guide to the complexities of the college classroom for instructors in their first five years of teaching independently. The chapters survey the existing literature on how to effectively teach young adults, offering specific solutions to the most commonly faced classroom dilemmas. The author, a former department chair and award-winning instructor, encourages the new teacher to support their students as individual learners who are engaged in a program of study beyond their individual class. A focus on the choices made during the design of the course helps the instructor coordinate their class with a department or college curriculum. An extensive discussion of the relationship between classroom design and class size, as well as tips of assessment and grading, enable the new instructor to better handle the challenges of contemporary college classrooms.

A Toronto homicide detective is attacked at his doorstep when his investigation into possible links between the Nazi occupation of Italy and the murder of his brother decades later gets too close to the truth--in the new crime thriller from bestselling author Robert Rotenberg. Perfect for fans of Scott Turow and David Baldacci. It's been years since Daniel Kennicott's brother, Michael, was shot and killed the night before he was about to depart for Gubbio, Italy. The case, never solved, has haunted Daniel ever since. Long suspecting the killing was tied to Michael's planned trip but overwhelmed with grief, Daniel has put off going there--until now, the tenth anniversary of the murder. As he's about to leave, Daniel learns that his two mentors, detectives Ari Greene and Nora Bering, have been more involved in the investigation of Michael's murder than he ever knew. And they're concerned about Daniel's safety. But why? Is Daniel risking his life--and those of others--by trying to uncover the truth? When Daniel arrives in the bucolic Italian hill town, he learns the past has not been put to rest. Residents are still haunted by the brutal Nazi occupation, the brave acts of the local freedom fighters, and the swift savagery of German retribution. And as Daniel delves into his family's deadly connection to Gubbio, Ari Greene searches for a killer closer to home. Inspired by the true story of the Forty Martyrs in Gubbio, Italy, during World War II, What We Buried is an extraordinary crime novel about troubled legacies, revenge, and the unbreakable bonds of family.

The second edition of Rotenberg's popular guide to college teaching includes additional material on teaching in a digital environment, universal design, and teaching diverse students. As in the first edition, the book provides a hands-on, quick-start guide to the complexities of the college classroom for instructors in their first five years of teaching independently. The chapters survey the existing literature on how to effectively teach young adults, offering specific solutions to the most commonly faced classroom dilemmas. The author, a former department chair and award-winning instructor, encourages the new teacher to support their students as individual learners who are engaged in a program of study beyond their individual class. A focus on the choices made during the design of the course helps the instructor coordinate their class with a department or college curriculum. An extensive discussion of the relationship between classroom design and class size, as well as tips of assessment and grading, enable the new instructor to better handle the challenges of contemporary college classrooms.

'Robert Rotenberg does for Toronto what Ian Rankin does for Edinburgh' Jeffery Deaver A talk-show host confesses to the brutal murder of his young wife. The evidence is cast iron. But when a determined detective, an ambitious rookie prosecutor and a defence lawyer keen to make her mark piece together the details of the case, nothing fits. An intricately plotted web of lies, half-truths and hidden motives emerges - along with a secret no one could have suspected.

With "The Guilty Plea," a gripping sequel to the international bestseller "Old City Hall," Robert Rotenberg has delivered another sharp, suspenseful legal thriller with an explosive conclusion. On the morning his high-profile divorce trial is set to begin, Terrance Wyler, the youngest son of Toronto's Wyler Food dynasty, is found stabbed to death in the kitchen of his luxurious home. Detective Ari Greene arrives minutes before the press and finds Wyler's four-year-old son asleep upstairs. Hours later, when Wyler's wife, Samantha, shows up at her lawyer's office with a bloody knife wrapped in a towel, the case looks like a straightforward guilty plea. Instead, an open-and-shut case becomes a complex murder trial, full of spite and uncertainty. There's April Goodling, the Hollywood starlet with whom Terrance had a well-publicized dalliance, and Brandon Legacy, the teenage neighbor who was with Samantha the night of the murder. After a series of devastating cross-examinations, there's no telling where the jury's sympathies will lie. As in "Old City Hall," Rotenberg's gift for twists and turns is always astonishing, but his true star remains the courtroom: the tension, disclosures, and machinations that drive this trial straight to its unpredictable verdict.

"Old City Hall "opens with a bang, or perhaps a stab: Canada's leading radio show host, Kevin Brace, comes to the door of his luxury condominium with his hands covered in blood and tells the newspaper delivery man: "I killed her." The "her" in question is his young wife, whose body lies in the bathtub of their suite, a knife wound through the sternum.

So, if he killed her, where's the mystery? That's the question asked by the detectives plowing through what should be an openand- shut case. Even Kevin's defense attorney doesn't know what really happened, because he refuses to talk to her or to anyone else after muttering those incriminating words. With the discovery that the victim was actually a self-destructive alcoholic, and the appearance of strange fingerprints in the Brace apartment, the mystery gets more complex just as it should be getting simpler.

Robert Rotenberg claims and celebrates the city of Toronto as a character as exciting and vital as the Dickensian ensemble populating the story. Douglas Preston rejoices that Rotenberg's "Toronto settings make this most multicultural city in North America come alive." Elmore Leonard has Florida; John Lescroart, San Francisco; Robert Parker, Boston; Scott Turow, Chicago; George Pelecanos, D.C. And now, in "Old City Hall," Rotenberg creates in modern-day Toronto a canvas as diverse and surprising as the city itself.

This book presents a cross-cultural approach to the study of urban space. Essays written by major contributors in contemporary urban studies provide a range of case studies from Asia, Latin America, North America, and Europe to address important questions about space and power, processes of change, aesthetics and attitudes toward space, and social divisions expressed through urban life. The essays fall into three interlocking sections: conceptual and linguistic approaches to urban space; visual and social examinations of world cities; and policy examinations of spatial analyses. Together with the jointly compiled bibliography, this collection of essays is designed to stimulate comparative debate and identify new areas for urban research.

Essays contrast empty space in Barcelona and Savannah, explore the concept of healthy and unhealthy urban environments in the classical writings and in modern-day Vienna, and develop a model of space for Shanghai from the point of view of privacy. The subcultural ethos characterizing Tokyo and the castle as a symbol for the community in Japan are two more essay topics. The plaza in Spanish-American towns, the outdoor spaces in Italy (balcony, street, courtyard), and the school in Honduras are sites for socio-cultural analyses in three more essays. The last group of essays focus on discourses in urban planning, especially the responses of people to the growth, marketing, and decay of residential places. African-American neighborhoods and waterfront development provide examples for this section. These essays in their theoretical and geographical breadth make significant strides in defining the cultural meaning of urban space. They will be read with interest by city planners, ecologists, and other social scientists involved in finding human solutions to the metropolitan environment.

This book presents a cross-cultural approach to the study of urban space. Essays written by major contributors in contemporary urban studies provide a range of case studies from Asia, Latin America, North America, and Europe to address important questions about space and power, processes of change, aesthetics and attitudes toward space, and social divisions expressed through urban life. The essays fall into three interlocking sections: conceptual and linguistic approaches to urban space; visual and social examinations of world cities; and policy examinations of spatial analyses. Together with the jointly compiled bibliography, this collection of essays is designed to stimulate comparative debate and identify new areas for urban research.

Essays contrast empty space in Barcelona and Savannah, explore the concept of healthy and unhealthy urban environments in the classical writings and in modern-day Vienna, and develop a model of space for Shanghai from the point of view of privacy. The subcultural ethos characterizing Tokyo and the castle as a symbol for the community in Japan are two more essay topics. The plaza in Spanish-American towns, the outdoor spaces in Italy (balcony, street, courtyard), and the school in Honduras are sites for socio-cultural analyses in three more essays. The last group of essays focus on discourses in urban planning, especially the responses of people to the growth, marketing, and decay of residential places. African-American neighborhoods and waterfront development provide examples for this section. These essays in their theoretical and geographical breadth make significant strides in defining the cultural meaning of urban space. They will be read with interest by city planners, ecologists, and other social scientists involved in finding human solutions to the metropolitan environment.

With "The Guilty Plea," a gripping sequel to the international bestseller "Old City Hall," Robert Rotenberg has delivered another sharp, suspenseful legal thriller with an explosive conclusion. On the morning his high-profile divorce trial is set to begin, Terrance Wyler, the youngest son of Toronto's Wyler Food dynasty, is found stabbed to death in the kitchen of his luxurious home. Detective Ari Greene arrives minutes before the press and finds Wyler's four-year-old son asleep upstairs. Hours later, when Wyler's wife, Samantha, shows up at her lawyer's office with a bloody knife wrapped in a towel, the case looks like a straightforward guilty plea. Instead, an open-and-shut case becomes a complex murder trial, full of spite and uncertainty. There's April Goodling, the Hollywood starlet with whom Terrance had a well-publicized dalliance, and Brandon Legacy, the teenage neighbor who was with Samantha the night of the murder. After a series of devastating cross-examinations, there's no telling where the jury's sympathies will lie. As in "Old City Hall," Rotenberg's gift for twists and turns is always astonishing, but his true star remains the courtroom: the tension, disclosures, and machinations that drive this trial straight to its unpredictable verdict.