Suffering and Evil in Nature: Comparative Responses from Ecstatic Naturalism and Healing Cultures, edited by Joseph E. Harroff and Jea Sophia Oh, provides many unique experiments in thinking through the implications of ecstatic naturalism. This collection of essays directly addresses the importance of values sustaining cultures of healing and offers a variety of perspectives inducing radical hope requisite for cultivating moral and political imaginings of democracy-to-come as a regulative ideal. Through its invocation of "healing cultures," the collection foregrounds the significance of the active, gerundive, and processual nature of ecstatic naturalism as a creative horizon for realizing values of intersubjective flourishing, while also highlighting the significance of culture as an always unfinished project of making discursive, interpretive and ethical space open for the subaltern and voiceless. Each contribution gives voice to the tensions and contradictions felt by living participants in emergent communities of interpretation-namely those who risk replacing authoritarian tendencies and fascist prejudices with a faith in future-oriented archetypes of healing to make possible truth and reconciliation between oppressor and oppressed, victimizers and victims of violence and trauma. These essays then let loose the radical hope of healing from suffering in a ceaseless community of communication within a horizon of creative democratic interpretation.

In this book, an ordinal phenomenological description of four modes of nothingness in nature is made that becomes sharply open to Spinoza's great divide between nature naturing and nature natured. The former term refers to nature's unconscious dimension, while the latter term denotes the innumerable orders of the world. Four types of nothingness are described as they interact with the human process. An important theme is the correlation between certain kinds of religion and their built-in tendency toward extreme forms of violence. Analyses of the psychoanalytic elements that make this connection almost inevitable are made using the work of C.G. Jung, and Wilhelm Reich. Otto Rank's work is used to describe the phenomenon of genius as it creatively works with the community of interpreters. A case study of Beethoven and his manic-depressive disorder completes the analysis of Genius. Finally, the works of Karl Jaspers and Nagarjuna are utilized to shed light on the deepest form of nothingness.

What does it mean for nature to be sacred? Is anything supernatural or even unnatural? Nature's Transcendence and Immanence: A Comparative Interdisciplinary Ecstatic Naturalism discusses nature's divinizing process of unfolding and folding through East-West dialogues and interdisciplinary methodologies. Nature's selving/god-ing processes are the sacred that is revealed as nature's transcendent and immanent dimensions. Each chapter of Nature's Transcendence and Immanence: A Comparative Interdisciplinary Ecstatic Naturalism shares a part of nature's sacred folds that are complexes within nature that have unusual semiotic density. These discussions serve to help restore a better relationship to nature as a whole through an innovative combination of research and ideas from a variety of traditions and disciplines. This collection not only introduces ecstatic naturalism and deep pantheism as sacred practices of philosophy and theology, but also invites a broader audience from a wide range of academic disciplines such as neuro-psychoanalysis, aesthetics, mythology, neuroscience, and artificial intelligence (AI).

Is nothingness found in nature or is it in some realm disconnected from nature? Nature and Nothingness: An Essay in Ordinal Phenomenology argues for the former and explores four types of nothingness as found in nature: holes in nature, totalizing nothingness in horror, naturing nothingness, and encompassing nothingness. Using ordinal phenomenology, Robert S. Corrington reveals the great perennial fissuring within the one nature that there is. The book includes a detailed analysis of religious violence as it correlates to the hoes in nature, such as anxiety, bereavement, loss, fear of fragmentation, and loss of identity. It also examines the various ways in which horror is encountered in a literary context, using the work of Edgar Allen Poe and H. P. Lovecraft. The analysis is comparative and makes use of feminist philosophy as well as Buddhist, Taoist, theosophical, and American philosophy. Using resources from ecstatic naturalism and deep pantheism, Corrington argues that though nothingness takes many forms, they are all guises of the same vast Nothingness.

This book is a study in a new form of religious naturalism called "Deep Pantheism," which has roots in American Transcendentalism, but also in phenomenology and Asian thought. It argues that the great divide within nature is that between nature naturing and nature natured, the former term defined as "Nature creating itself out of itself alone," while the latter term defined as "The innumerable orders of the World." Explorations are made of the connections among the unconscious of nature, the archetypes, and the various layers of the human psyche. The Selving process is analyzed using the work of C.G.Jung and Otto Rank. Evolution and involution are compared as they relate to the Encompassing, and the priority of art over most forms of religion is argued for.

Nature's Sublime uses a radical new form of phenomenology to probe into the deepest traits of the human process in its individual, social, religious, and aesthetic dimensions. Starting with the selving process the essay describes the role of signs and symbols in intra and interpersonal communication. At the heart of the human use of signs is a creative tension between religions symbols and the novel symbols created in the various arts. A contrast is made between natural communities, which flatten out and reject novel forms of semiosis, and communities of interpretation, which welcomes creative and enriched signs and symbols. The normative claim is made that religious sign/symbol systems have a tendency toward tribalism and violence, while the various spheres of the aesthetic are comparatively non-tribal, or even deliberatively anti-tribal. The concept/experience of beauty and the sublime is meant to replace that of religious revelation. The sublime is not merely an internal mode of attunement, contra Kant, but comes from the very depths of nature in the potencies of nature naturing.

A Philosophy of Sacred Nature introduces Robert Corrington's philosophical thought, "ecstatic naturalism," which seeks to recognize nature's self-transforming potential. Ecstatic naturalism is a philosophical-theological perspective, deeply seated in a semiotic cosmology and psychosemiosis, and it radically and profoundly probes into the mystery of nature's perennial self-fissuring of nature natured and nature naturing. Edited by Leon Niemoczynski and Nam T. Nguyen, this collection aims to allow readers to see what can be done with ecstatic naturalism, and what directions, interpretations, and creative uses that doing can take. A thorough exploration of the prospects of ecstatic naturalism, this book will appeal to scholars of Continental philosophy, religious naturalism, and American pragmatism.

The concern of this work is with developing an alternative to standard categories in theology and philosophy, especially in terms of how they deal with nature. Avoiding the polemics of much contemporary reflection on nature, it shows how we are connected to nature through the unconscious and its unique way of reading and processing signs. Suggestions are made for a post-Christian way of understanding religion. Finally, our connection with the infinite is described in detail, especially as it relates to the use of sign systems.

Nature's Sublime uses a radical new form of phenomenology to probe into the deepest traits of the human process in its individual, social, religious, and aesthetic dimensions. Starting with the selving process the essay describes the role of signs and symbols in intra and interpersonal communication. At the heart of the human use of signs is a creative tension between religions symbols and the novel symbols created in the various arts. A contrast is made between natural communities, which flatten out and reject novel forms of semiosis, and communities of interpretation, which welcomes creative and enriched signs and symbols. The normative claim is made that religious sign/symbol systems have a tendency toward tribalism and violence, while the various spheres of the aesthetic are comparatively non-tribal, or even deliberatively anti-tribal. The concept/experience of beauty and the sublime is meant to replace that of religious revelation. The sublime is not merely an internal mode of attunement, contra Kant, but comes from the very depths of nature in the potencies of nature naturing.

In this moving account of his struggles with manic-depressive disorder, distinguished philosopher Robert S. Corrington, creator of the school of ecstatic naturalism, presents a compelling argument for rethinking the nature of this malady. Having inherited the disorder from his mother, a gifted actress who struggled with her own form of it until her death, he developed crucial survival strategies that he recommends to other sufferers. In Riding the Windhorse, Corrington details the latest medical, psychological, and spiritual thinking about bipolar disease; a disorder characterized by extreme mood swings and responsible for many untimely deaths each year. Surprisingly, however, manic-depression is also found in almost all forms of genius and Corrington presents two detailed case studies showing this correlation. Riding the Windhorse represents one person's eventual triumph over a potentially crippling disease by demonstrating how creativity and the quest for wholeness can support the erratic flight of the windhorse of manic-depression.

In the wake of both the semiotic and the psychoanalytic revolutions, how is it possible to describe the object of religious worship in realist terms? Semioticians argue that each object is known only insofar as it gives birth to a series of signs and interpretants (new signs). From the psychoanalytic side, religious beliefs are seen to belong to transference energies and projections that contaminate the religious object with all-too-human complexes. In Nature's Religion, distinguished theologian and philosopher Robert S. Corrington weaves together the concept of infinite semiosis with that of the transference to show that the self does have access to something in nature that is intrinsically religious. Corrington argues that signs and our various transference fields can and do connect us with fully natural religious powers that are not of our own making, thereby opening up a path past the Western monotheisms to a capacious religion of nature. With a foreword by Robert C. Neville, Nature's Religion is essential reading for philosophers of religion, scholars of the psychology of religion, and theologians.

This analysis of the thought of American philosopher Charles S. Peirce combines an overview of the important features and themes of his philosophy with original insights into his thought. By stressing the correlation of semiotics and metaphysics and by showing the underlying principles of an implied ecstatic naturalism, Corrington engages in an act of emancipatory reenactment in which Peirce is allowed to speak with a new voice.

This book is a study in a new form of religious naturalism called "Deep Pantheism," which has roots in American Transcendentalism, but also in phenomenology and Asian thought. It argues that the great divide within nature is that between nature naturing and nature natured, the former term defined as "Nature creating itself out of itself alone," while the latter term defined as "The innumerable orders of the World." Explorations are made of the connections among the unconscious of nature, the archetypes, and the various layers of the human psyche. The Selving process is analyzed using the work of C.G.Jung and Otto Rank. Evolution and involution are compared as they relate to the Encompassing, and the priority of art over most forms of religion is argued for.

The concern of this work is with developing an alternative to standard categories in theology and philosophy, especially in terms of how they deal with nature. Avoiding the polemics of much contemporary reflection on nature, it shows how we are connected to nature through the unconscious and its unique way of reading and processing signs. Spinoza's key distinction between natura naturans and natura naturata serves as the governing framework for the treatise. Suggestions are made for a post-Christian way of understanding religion. Robert S. Corrington's work represents the first sustained attempt to bring together the fields of semiotics, depth-psychology, pragmaticism, and a post-Monotheistic theology of nature. Its focus is on how signification functions in human and non-human orders of infinite nature. Our connection with the infinite is described in detail, especially as it relates to the use of sign systems.

Nature and Spirit: An Essay in Ecstatic Naturalism develops an enlarged conception of nature that in turn calls for a transformed naturalism. Unline more descriptive naturalisms, such as those by Dewey, Santayana, and Buchler, ecstatic naturalism works out of the fundamental ontological difference between nature naturing(natura naturans) and nature natured (natura naturata). This difference underlies all other variations within a generic conception of nature. The spirit operates within a generic conception of nature. The spirit operates within a fragmented nature and has its own unique locations. Ecstatic naturalism does not eulogize spirit nor impose a process theodicy upon nature as a whole but carefully describes the ways in which spirit emerges from finite locations within the world. Methodologically, the text radically regrounds phenomenology so that it can work more closely with a metaphysics seeking the most generic forms of nature. The move from a transcendental phenomenology, which rests upon a profound misconception of the parcel of a radicalized naturalism, makes it possible to show how all orders of relevance are related to nature and to the spirit. This, in turn relocates the human process, with its dialectical tension between finitude and transendence, and places the self fully within the emergent structures of the community of interpreters as that community lives out of hope. The concept of worldhood is regrounded in pragmatic and semiotic terms, thus putting pressure on Heidegger's formulations. Peirce's pragmatic categorical structure is used to show how worldhood differs from any other order within the world. The correlation of the potencies of nature, which are presemiotic and preordinal, wit the orders of the world itself, is possible only through an ordinal phenomenology that remains attuned to the fundamental difference between nature naturing (the potencies) and nature natured (the orders of the world). Finally, the text redefines the divine natures in the light of an ecstatic naturalism that sees god as an order within the world that experiences the fragmented quality of nature. Process theology is challenged for its inability to grasp the tensions between god and the encompassing. Four divine natures are laid bare as they relate to nature and to each other. The work concludes with a description of the divine life in the face of the encompassing.

Nature and Spirit: An Essay in Ecstatic Naturalism develops an enlarged conception of nature that in turn calls for a transformed naturalism. Unline more descriptive naturalisms, such as those by Dewey, Santayana, and Buchler, ecstatic naturalism works out of the fundamental ontological difference between nature naturing(natura naturans) and nature natured (natura naturata). This difference underlies all other variations within a generic conception of nature. The spirit operates within a generic conception of nature. The spirit operates within a fragmented nature and has its own unique locations. Ecstatic naturalism does not eulogize spirit nor impose a process theodicy upon nature as a whole but carefully describes the ways in which spirit emerges from finite locations within the world. Methodologically, the text radically regrounds phenomenology so that it can work more closely with a metaphysics seeking the most generic forms of nature. The move from a transcendental phenomenology, which rests upon a profound misconception of the parcel of a radicalized naturalism, makes it possible to show how all orders of relevance are related to nature and to the spirit. This, in turn relocates the human process, with its dialectical tension between finitude and transendence, and places the self fully within the emergent structures of the community of interpreters as that community lives out of hope. The concept of worldhood is regrounded in pragmatic and semiotic terms, thus putting pressure on Heidegger's formulations. Peirce's pragmatic categorical structure is used to show how worldhood differs from any other order within the world. The correlation of the potencies of nature, which are presemiotic and preordinal, wit the orders of the world itself, is possible only through an ordinal phenomenology that remains attuned to the fundamental difference between nature naturing (the potencies) and nature natured (the orders of the world). Finally, the text redefines the divine natures in the light of an ecstatic naturalism that sees god as an order within the world that experiences the fragmented quality of nature. Process theology is challenged for its inability to grasp the tensions between god and the encompassing. Four divine natures are laid bare as they relate to nature and to each other. The work concludes with a description of the divine life in the face of the encompassing.

Semiotic theory, which has restricted its focus largely to human forms of significations, is transformed by Robert S. Corrington into a semiotics of nature itself. Corrington situates the divide between "nature naturing" and "nature natured" within the contest of classical American pragmaticism and postmodern psychoanalysis. At the heart of this new metaphysics is an insistence that all signs participate in larger orders of meaning that are natural and religious. Meanings embodied in nature point beyond nature to the mystery inherent in positioned codes and signs.