Embracing our creative nature as the heritage of all, this book seeks to foster the creative imagination by nurturing a fertile relationship with its source. Robert Sandford offers an alternative approach, taking up Jungian theory as arising from and embodying this sort of relationship. In the middle ground of imagination, we can engage creativity's source on its own terms in image, metaphor, symbol, myth and dream. This book demonstrates how Jungian and archetypal psychologies, by treating image and imagination as central, can foster our creativity and bridge the gap between a Jungian understanding of art and creative processes. Created works incarnate the engaged, relational, imaginal acts that birthed them. This approach also yields invaluable insights for art therapy. Sandford seeks to heal the collective ailments that alienate us from our creative nature, such as the hegemony of literalism and our relationship with things, the body, the archetypal feminine, nature and cosmos. Uniquely, he brings together theory and practice by taking theorizing as a creative practice and, rather than offering procedures, opens an imaginal landscape where the creative impulse can arise and we can respond. Emphasizing the relational value of ideas, he draws from Jung and Hillman in a way that spans the work of both. This unique and innovatively interdisciplinary book will be essential reading for academics and students of Jungian and post-Jungian studies, creativity, expressive arts, embodied transformation, archetypal studies and arts therapies. It will be of immense interest to Jungian psychotherapists, analytical psychologist, Jungian art therapists and sandplay practitioners.

Embracing our creative nature as the heritage of all, this book seeks to foster the creative imagination by nurturing a fertile relationship with its source. Robert Sandford offers an alternative approach, taking up Jungian theory as arising from and embodying this sort of relationship. In the middle ground of imagination, we can engage creativity's source on its own terms in image, metaphor, symbol, myth and dream. This book demonstrates how Jungian and archetypal psychologies, by treating image and imagination as central, can foster our creativity and bridge the gap between a Jungian understanding of art and creative processes. Created works incarnate the engaged, relational, imaginal acts that birthed them. This approach also yields invaluable insights for art therapy. Sandford seeks to heal the collective ailments that alienate us from our creative nature, such as the hegemony of literalism and our relationship with things, the body, the archetypal feminine, nature and cosmos. Uniquely, he brings together theory and practice by taking theorizing as a creative practice and, rather than offering procedures, opens an imaginal landscape where the creative impulse can arise and we can respond. Emphasizing the relational value of ideas, he draws from Jung and Hillman in a way that spans the work of both. This unique and innovatively interdisciplinary book will be essential reading for academics and students of Jungian and post-Jungian studies, creativity, expressive arts, embodied transformation, archetypal studies and arts therapies. It will be of immense interest to Jungian psychotherapists, analytical psychologist, Jungian art therapists and sandplay practitioners.

Water is more important than ever before. It is increasingly controversial in direct proportion to its scarcity, demand, neglect, and commodification. There is no place on the planet where water is not, or will not be, of critical concern. Signs of Water brings together scholars and experts from five continents in an interdisciplinary exploration of the theoretical approaches, social and political issues, and anthropogenic hazards surrounding water in the twenty-first century. From the kitchen taps of Detroit, Michigan to the water-harvesting infrastructure of Tokyo, from India's Trambraparni River to the Upper Xingu Basin of Brazil to the Sunda Deep of the Java Trench, these essays flow through time and place to uncover the many issues surrounding water today. Asking key theoretical questions, exposing threats to vital water systems, and proposing paths forward, Signs of Water brims with histories, ontologies, and political struggles. Bringing together local experiences to tell a global story, it centers water as history, as politics, and as a human right.

This volume collects essays from academics and practitioners from a diversity of areas and perspectives in order to discuss water security at various levels and to illuminate the central idea of water security: its focus on the individual. Beginning with the big picture, this book aims to illustrate the depth of the water security crisis and its interconnections with other aspects of societal development. It particularly draws a connection to the 2030 Agenda for Sustainable Development, and discusses that challenges faced in meeting the 17 sustainability development goals (SDG) by the year 2030. Moving from international to domestic and community perspectives, this book provides a unique analysis of issues and solutions to the water issues we face today in light of the ever looming global changes brought on by climate change. Over the past few decades the recognition of our common need for water has increased, as policymakers have sought to place more focus on the individual within policy. After the recognition of water and sanitation as a fundamental human right by the United Nations General Assembly in 2010, there is increasing recognition of the individual as the building block for the struggle for water security. This reality also intersects with adverse impacts of global climate change, and the book responds to the broader question: will clean and safe water be available where we need it and when we need it in the future?