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In Principles of Dramaturgy, Robert Scanlan explains the invariant
principles behind the construction of stage and performance events
of any style or modality. This book contains all that is essential
for training a professional stage director and/or dramaturg,
including the "plot-bead" technique for analyzing play scripts
developed by Scanlan. It details all the steps for the full
implementation of "Production Dramaturgy" as it is practiced in
professional theatres, and treats form and action as foundational
cornerstones of all performance, rather than "story" elements - a
frequent and debilitating misprision in theatre practice. Scanlan's
unique approach offers practical training that is supported by
detailed diagrams and contextualized instructions, making this the
missing text for classes in dramaturgy. Serving stage directors,
dramaturgs, actors, designers, and playwrights, Principles of
Dramaturgy is a comprehensive guide that puts the training of
capable practitioners above all else.
In Principles of Dramaturgy, Robert Scanlan explains the invariant
principles behind the construction of stage and performance events
of any style or modality. This book contains all that is essential
for training a professional stage director and/or dramaturg,
including the "plot-bead" technique for analyzing play scripts
developed by Scanlan. It details all the steps for the full
implementation of "Production Dramaturgy" as it is practiced in
professional theatres, and treats form and action as foundational
cornerstones of all performance, rather than "story" elements - a
frequent and debilitating misprision in theatre practice. Scanlan's
unique approach offers practical training that is supported by
detailed diagrams and contextualized instructions, making this the
missing text for classes in dramaturgy. Serving stage directors,
dramaturgs, actors, designers, and playwrights, Principles of
Dramaturgy is a comprehensive guide that puts the training of
capable practitioners above all else.
In this new edition, the fundamental material on classical linear
aeroelasticity has been revised. Also new material has been added
describing recent results on the research frontiers dealing with
nonlinear aeroelasticity as well as major advances in the modelling
of unsteady aerodynamic flows using the methods of computational
fluid dynamics and reduced order modeling techniques. New chapters
on aeroelasticity in turbomachinery and aeroelasticity and the
latter chapters for a more advanced course, a graduate seminar or
as a reference source for an entr e to the research literature.
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