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Rich new works by the very best-known creators of fantasy fiction, each set in the special universe of the imagination that made that writer famous throughout the world. Stephen King: The Dark Tower: THE LITTLE SISTERS OF ELURIA: Dark fantasy and icy realism, a visionary mix of magic and horror. Terry Goodkind: The Sword of Truth: DEBT OF BONES: Green fire and black magic rage between the First Wizard and Panis Rahl. Orson Scott Card: The Tales of Alvin Maker: GRINNING MAN: A step closer to the ultimate confrontation between Alvin and the Unmaker. Robert Silverberg: Majipoor: THE SEVENTH SHRINE: In the time of the most famous Pontifex of all, Lord Valentine. Ursula K. LeGuin: Earthsea: DRAGONFLY: A woman for the first time on the mage's Isle of Roke. Raymond E. Feist: The Riftwar Saga: THE WOOD BOY: When the Kingdom had just been invaded by the Tsurani. Terry Pratchett: Discworld: THE SEA AND LITTLE FISHES: Fruit, vegetables and deadly rivalry between witches. Anne McCaffrey: Pern: RUNNER OF PERN: A young Runner on her first journey, dreaming of dragons and glory. George R.R. Martin: A Song of Ice and Fire: THE HEDGE KNIGHT: A self-made knight, his honour, his horse, his squire, his luck. Tad Williams: Memory, Sorrow and Thorn: THE BURNING MAN: Dragon's blood and ancient hatreds on the Road of Dreams. Robert Jordan: Wheel of Time: NEW SPRING: Storm and battle in the shadow of the Blight... as the wheel turns.
From the most celebrated writers of modern fantasy fiction, the most fabulous worlds ever created. Eleven breathtaking new short novels, each set in the unique universe that brought its author world-wide acclaim, are here gathered together in one outstanding volume. Robin Hobb introduces us to another part of her Realm of the Elderlings in Homecoming. George R. R. Martin returns to an earlier era of the world of A Song of Ice and Fire to tell the tale of The Sworn Sword. The Yazoo Queen is a new story from Orson Scott Card's world of the Tales of Alvin Maker. Diana Gabaldon gives us Lord John and the Succubus, a new Outlander tale. Robert Silverberg returns to the giant world of Majipoor for The Book of Changes. Tad Williams brings us a new tale from the Otherland: The Happiest Dead Boy in the World. Anne McCaffrey returns to Pern for Beyond Between. The Messenger, by Raymond E. Feist, is a new story from his ever-popular Riftwar. Elizabeth Hayden brings us Threshold, a fresh tale from The Symphony of Ages. With The Monarch of the Glen Neil Gaiman returns to the world of American Gods. Terry Brooks gives us Indomitable, a new Shannara story.
Only the most talented storytellers create worlds that are beyond fantasy, worlds that become realities. In 'Legends' the reader can visit the most fabulous worlds ever created – by Terry Pratchett, Anne McCaffrey, George R.R. Martin, Tad Williams and Robert Jordan. 'The biggest names in contemporary fantasy have written novellas set in their most popular worlds. Fortunately, the standard matches the notion; maybe the contributors were spurred on by group rivalry' 'Time Out' 'An essential buy for every fantasy fan' 'SFX'
This re-release of fan-favorite adaptation of Robert Silverberg's Downward to the Earth is accompanied by the highly-anticipated Children of Belzagor, the original and never before released sequel. From the mind of legendary American science-fiction writer Robert Silverberg. What began in his acclaimed Downward to the Earth continues in this collection! First, Return to Belzagor, the fan-favorite adaptation of Downward to the Earth as adapted by writer Philippe Thirault and Eisner-nominated artist Laura Zuccheri. Then, the story continues in the all-new Children of Belzagor, a Silverberg-approved tale of legacy and the lasting effects of colonialism. Return to Belzagor - Ex-lieutenant Eddie Gundersen returns to Belzagor, where he left behind his youthful illusions, the love of his life, and a shameful history as a brutal colonialist. Today, the planet has been returned to its two native, intelligent species: the Nildorors and the Sulidorors. Acting as a guide for a scientific expedition deep within native territory, Gundersen confronts his inner demons and settles old scores with a planet that hasn’t yet revealed all its secrets to him. Children of Belzagor - Belzagor is a beautiful and mysterious planet, a former Earth colony returned to its two native species. Eddie Gundersen, a former colonist who has been initiated into some of the planet's secrets, thinks he can live a quiet life there. But threatened with expulsion, he is forced to accept a dangerous quest that will lead him to the Ice Lands, to the farthest reaches of Belzagor's unexplored territories... This journey confronts him not only with the secrets that the planet still holds, but also with old enmities.
“This is hard sci-fi done right.†—Publishers Weekly (starred review). “One of the enduring classics of science fiction.†—George R.R. Martin Deep in the future, natives of the planet Hydros, an ocean planet whose inhabitants live on artificial floating islands, force the entire human population of the island of Sorve into exile, leaving the outcasts to ponder their fate, their past, and the true purpose of humanity. After a human offense against the natives of Hydros, the human population of the island of Sorve are ordered to leave. Forbidden on all other islands, in a flotilla of ships they seek the semi-mythical island of the Face of the Waters. During their journey they are forced to learn more about themselves, leading to questions about both religion and the purpose of Man. At the end of the novel Robert Silverberg addresses what it means to be human, and explores what unites and divides humanity. This new edition of THE FACE OF THE WATERS, published with the author's full support, brings Silverberg’s brilliant novel back into the must-read science-fiction canon, after decades of being out of print.
Ex-lieutenant Eddie Gundersen returns to Belzagor on a scientific expedition to the borders of the indigenous lands, where he must face his nemesis, Kurtz, and his own inner demons on a planet which still has hidden secrets. "COLONIES: Return to Belzagor" is a new edition of the previously released "Downward to the Earth" (2017). It has been edited for content.
A disgraced LA music star faces execution for a crime he didn't commit in the long-lost crime novel of Robert Silverberg, SFF Writers of America Grand Master, available for the first time in over 60 years. HAD L.A.'S HOTTEST BANDLEADER BECOME AN INSTRUMENT OF DEATH? Before his extraordinary career as a grandmaster of science fiction, Robert Silverberg honed his craft as a writer for a variety of pulp magazines, including crime digests with titles like Trapped and Guilty Detective Story Magazine. He also wrote this long-lost novel, which appeared under the pen name "Stan Vincent" in 1960 - and has never been published since. Meet Bob McKay: once a rising star in the toniest nightclubs of Los Angeles, now a down-and-out denizen of tawdry bars where B-girls hustle drinks and brawls break out nightly. When one hustler winds up strangled, McKay lands on Death Row. Can a starlet and a sympathetic newspaper columnist clear his name before his date with the death chamber? Featuring a new introduction by the author and three bonus stories from Guilty and Trapped, THE HOT BEAT offers readers a trip through time back to the pulp era, when a future star was making his bones with stories of murder, betrayal, and dangerous desires...
The definitive collection of the best in science fiction stories
between 1929-1964.
INFINITE STARS This is the definitive collection of original short stories by many of today s finest authors, writing brand new adventures set in their most famous series. Herein lie canonical tales of the Honorverse, the Lost Fleet, Dune, Vatta s War, Ender Wiggin, the Legion of the Damned, the Imperium, and more. Also included are past masterpieces by authors whose works defined the genre. Nebula and Hugo Award winners, New York Times bestsellers, and Science Fiction Grand Masters these authors take us to the farthest regions of space. The modern masters of space opera and military science fiction, with 14 brand new stories set in their most famous universes exclusive to this volume!
Aliens in all shapes and sizes-some fearsome, some outlandish, and some just plain fun-fill the pages of these hand-picked classic stories by sci-fi grand master Robert Silverberg, each featuring a new introduction by the acclaimed author. Every day we are discovering new worlds in far-reaching galaxies which may or may not sustain life as we know it. In Alien Archives: Eighteen Stories of Extraterrestrial Encounters, sci-fi Grand Master Robert Silverberg collects his finest short stories and novellas about one of the genre's most enduring themes. Spanning fifty years of writing from the Science Fiction Grand Master, this collection of alien encounters features new introductions to all fifteen stories, including the Hugo Award-nominated "Schwartz Between the Galaxies" and HBO adapted "Amanda and the Alien." In these pages lie tales of a young man venturing into the occupied territory of an alien conquered United States to rescue his brother, three visitors from a very strange alien world arriving on Earth and meeting a tragic fate, and a dangerous life-form from a far-off world finding that suburban California holds some beings that are even more dangerous than it is. With Alien Archives, Silverberg puts us in contact with extraterrestrial beings of all shapes, sizes, and personalities-some fearsome, some outlandish, and some just plain fun. The Associated Press says, "Done Silverberg's way, science fiction is a fine art." With sheer force of imagination and incredible storytelling skills, Alien Archives confirms that Silverberg's classic work continues to resonate for readers today.
One man must make a journey across a once colonised alien planet. Abandoned by man when it was discovered that the species there were actually sentient, the planet is now a place of mystery. A mystery that obsesses the lone traveller Gundersen and takes him on a long trek to attempt to share the religious rebirthing of the aliens. A journey that offers redemption from guilt and sin. This is one of Robert Silverberg's most intense novels and draws heavily on Conrad's HEART OF DARKNESS. It puts the reader at the heart of the experience and forces them to ask what they would do in the circumstances. First published in 1970.
For years, The Year's Best Science Fiction has been the most widely
read short science fiction anthology of its kind. Now, after
twenty-one annual collections, comes the ultimate in science
fiction anthologies, The Best of the Best: 20 Years of the Year's
Best Science Fiction, in which legendary editor Gardner Dozois
selects the very best short stories for this landmark collection.
Contributors include: * Stephen Baxter * Greg Bear * William Bigson
* Terry Bisson * Pat Cadigan * Ted Chiang * John Crowley * Tony
Daniel * Greg Egan * Molly Gloss * Eileen Gunn * Joe Haldeman *
James Patrick Kelly * John Kessel * Nancy Kress * Ursula K. Le Guin
* Ian R. MacLeod * David Marusek * Paul McAuley * Ian McDonald *
Maureen F. McHugh * Robert Reed * Mike Resnick * Geoff Ryman *
William Sander * Lucius Shepard * Robert Silverberg * Brian
Stableford * Bruce Sterling * Charles Stross * Michael Swanwick *
Steven Utley * Howard Waldrop * Walter Jon Williams * Connie Willis
* Gene Wolfe
"By the time this present group of stories was written I had passed through the cultural turbulence that engulfed nearly everyone's life in the wild, stormy period we know as "the Sixties," which for me had actually lasted from 1968 to 1974 or 1975. I had come through my own angry four-year-long retirement from writing in the middle 1970s, and was working again at a steady pace, though not with the frenetic prolificacy of the pre-retirement years. At the beginning of this period my personal life was still pretty chaotic, a carryover from all that Sixties madness, and plenty of new chaos was going to descend on me while some of these stories were written, but I was tiptoeing toward an escape from the various messes that were complicating my life, and by the time the last five stories of this volume were being written I was heading into the stability of my second marriage." -Robert Silverberg, from the Introduction
Somehow, for all my outward pretence of cold-eyed professionalism, all my insistence that writing is simply a job like any other, I've discovered to my surprise and chagrin that there's more than that going on around here, that I write as much out of karmic necessity and some inescapable inner need to rededicate my own skills constantly to my-what? My craft? My art? My profession? I wrote these stories because the only way of earning a living I have ever had has been by writing, but mainly, I have to admit, I wrote these stories because I couldn't not write them. Well, so be it. They involved me in a lot of hard work, but for me, at least, the results justify the toil. I'm glad I wrote them. Writing them, it turns out, was important for me, and even pleasurable, in a curiously complex after-the-fact kind of way. May they give you pleasure now too. -Robert Silverberg, from his Introduction
The stories here, all of them written between March of 1972 and November of 1973, mark a critical turning point in my career. Those who know the three earlier volumes have traced my evolution from a capable journeyman, very young and as much concerned with paying the rent as he was to advancing the state of the art, into a serious, dedicated craftsman now seeking to leave his mark on science fiction in some significant way. Throughout the decade of the 1960s I had attempted to grow and evolve within the field of writing I loved building on the best that went before me, the work of Theodore Sturgeon and James Blish and Cyril Kornbluth and Jack Vance and Philip K. Dick and half a dozen others whose great stories had been beacons beckoning me onward and then, as I reached my own maturity, now trying to bring science fiction along with me into a new realm of development, hauling it along even farther out of its pulp-magazine origins toward what I regarded as a more resonant and evocative kind of visionary storytelling. Robert Silverberg, from his Introduction
The world that these stories sprang from was the troubled, bewildering, dangerous, and very exciting world of those weird years when the barriers were down and the future was rushing into the present with the force of a river unleashed. But of course I think these stories speak to our times, too, and that most of them will remain valid as we go staggering onward through the brave new world of the twenty-first century. I am not one of those who believes that all is lost and the end is nigh. Like William Faulkner, I do think we will somehow endure and prevail against increasingly stiff odds. A great many strange and dizzying things happen to the characters in these sixteen stories, and in the fourteen stories of the 1972-73 volume that will follow. The reader who makes the journey from beginning to end of all thirty stories will be taken on many a curious trip, that I promise-as was their author during the years when they were being written. -Robert Silverberg, from the Introduction
This story, "To See the Invisible Man," written in June of 1962, marks the beginning of my real career as a science-fiction writer, I think. The 1953-58 stories collected in To Be Continued, the first of this series of volumes, are respectable professional work, some better than others but all of them at least minimally acceptable--but most of them could have been written by just about anyone. Aside from a few particularly ambitious items, they were designed to slip unobtrusively into the magazines of their time, efficiently providing me with regular paychecks. But now, by freeing me from the need to calculate my way around the risk of rejection, Fred Pohl allowed--indeed, required--me to reach as deep into my literary resources as I was capable of doing. I knew that unless I gave him my very best, the wonderful guaranteed-sale deal I had with him would vanish as quickly as it had appeared. Therefore I would reach deeper and deeper, in the years ahead, until I had moved so far away from my youthful career as a hack writer that latecomers would find it hard to believe that I had been emotionally capable of writing all that junk, let alone willing to do it. In "To See the Invisible Man" the distinctive Silverberg fictional voice is on display for just about the first time. --Robert Silverberg |
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