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New, wide-ranging essays on the controversial poet, who was both a
harbinger of Modernism and a critic of modernity. Stefan George
(1868-1933) is along with Hugo von Hofmannsthal and Rainer Maria
Rilke one of the pre-eminent German poets of the twentieth century.
He also had an important, albeit controversial and provocative role
in German cultural history. It is generally agreed that he played a
significant part in the transition of German literature to
Modernism, particularly in poetry. At the same time he was an
outspoken critic of modernity. He believed that only
anall-encompassing cultural renewal could save modern man. Although
George is often linked with the l'art pour l'art movement, and
although his artistic consciousness was formed by European
aestheticism, his poetry and the writings that emerged from the
poets and intellectuals he gathered around him in the George Circle
are above all a scathing commentary on the political, social, and
cultural situation in Germany at the turn of the century. George,
who was imbued with the idea of the poet as a prophet and priest,
saw himself as the Messiah of a New Hellenism and a New Reich led
by an intellectual and aesthetic elite consisting of men who were
bonded together through their allegiance to a charismatic leader.
Some of the values that George proclaimed, among them a
glorification of power, of heroism and self-sacrifice, were seized
upon by the National Socialists, and subsequently his writings
andthose of his circle were considered by some to be proto-fascist.
It did not help his reputation that after the Second World War much
of the criticism of his works was practiced by uncritical,
hagiographic George worshippers. In recent years, however, there
has been a renewed and unbiased interest among scholars and critics
in George and his circle. The wide-ranging and original essays in
this volume explore anew George's poetry and his contribution to
Modernism, the relation between his vision of a New Reich and
fascist ideology, and his importance as a cultural critic. Jens
Rieckmann is Professor of German at the University of California,
Irvine.
Rilke is one of the leading poets of European Modernism, and one of
the great twentieth-century lyric poets in German. From The Book of
Hours in 1905 to the Sonnets of Orpheus written in 1922, he
constantly probed the relationship between his art and the world
around him, moving from the neo-romantic and the mystic towards the
precise craft of expressing the everyday in poetry. This new
edition--the only bilingual edition to include such a broad range
of poems--fully reflects Rilke's poetic development. It contains
the full text of the Duino Elegies and the Sonnets to Orpheus, and
selected poems from The Book of Images, New Poems, and earlier
volumes, and from the uncollected poetry 1906-26. The translations
are accurate, sensitive, and nuanced, and are accompanied by an
introduction and notes that chart the development of Rilke's poetic
practice and his central role in modern poetry. The book also
includes a chronology, select bibliography, and explanatory notes
that identify people and places, and include key commentary by
Rilke from letters or notes.
About the Series: For over 100 years Oxford World's Classics has
made available the broadest spectrum of literature from around the
globe. Each affordable volume reflects Oxford's commitment to
scholarship, providing the most accurate text plus a wealth of
other valuable features, including expert introductions by leading
authorities, voluminous notes to clarify the text, up-to-date
bibliographies for further study, and much more.
'An indescribable, aching, futile longing for myself' The young
Danish aristocrat Malte Laurids Brigge has been left rootless by
the early death of his parents. Now living in Paris, Malte begins
to record his life in a series of loosely connected notes, diary
entries, prose poems, parables and stories, ostensibly collected by
a fictional editor to form the Notebooks. Focusing on Malte's
observations and experiences in the present, recollections of his
childhood and family, and his reflections on historical events,
these notes in highly crafted poetic prose explore the themes of
life in the metropolis, poverty, sickness and death, love, memory
and time, and perception and language. The only extended prose work
by the German poet Rainer Maria Rilke, The Notebooks of Malte
Laurids Brigge is a landmark in the development of the
twentieth-century novel. It marks a radical departure from
nineteenth-century realism, transcending conventions of linear
narrative to reflect a consciousness in crisis, and an archetypal
confrontation with the modern. ABOUT THE SERIES: For over 100 years
Oxford World's Classics has made available the widest range of
literature from around the globe. Each affordable volume reflects
Oxford's commitment to scholarship, providing the most accurate
text plus a wealth of other valuable features, including expert
introductions by leading authorities, helpful notes to clarify the
text, up-to-date bibliographies for further study, and much more.
Austria is, topographically, an Alpine country. Yet the mountains
that cover two thirds of modern Austria's territory are often still
viewed as a provincial location in contrast to cosmopolitan Vienna,
the nation's cultural centre. The essays in this volume survey the
complex relationship between Austria and the Alps, spanning a
period from the final decades of Habsburg rule to the present.
Among the topics addressed by the authors are the work of both
lesser-known and established writers and commentators; Heimat and
place in relation to musical and film genres; the social, political
and cultural impact of Alpinism; and the representation of the Alps
in recent exhibitions.
The chronological range covered by the individual essays is more
than two hundred years, from the Classical Enlightenment to the
early twenty-first century. Some of the studies encompassed by this
volume undertake the analysis of one composer's settings of a
particular poet's work - albeit with rather more critical rigour.
Others trace the ways in which a literary text is modified and
adapted before and as it develops as one of the principal
components of an opera. Several share new insights into the complex
relationships of individual works with the literary and musical
traditions out of which they emerge (or which they transform and
renew) - or set such works in the political contexts of their
genesis or reception, often using a key historical moment, a
turning-point or a 'snapshot', as the starting-point for a
wide-ranging investigation. In some cases the words and the music
are those of the same 'composer', the relationship here shedding
light on the process of composition itself. Literary works are
often scrutinized for the light they shed on a musician's creative
processes, but the importance of music to writers - as audiences,
but also as amateur or even semi-professional practitioners - is no
less important as an investigative standpoint.
Often regarded as the greatest German poet of the twentieth
century, Rainer Maria Rilke (1875 1926) remains one of the most
influential figures of European modernism. In this Companion,
leading scholars offer informative and thought-provoking essays on
his life and social context, his correspondence, all his major
collections of poetry including most famously the Duino Elegies and
Sonnets to Orpheus, and his seminal novel of Modernist anxiety, The
Notebooks of Malte Laurids Brigge. Rilke's critical contexts are
explored in detail: his relationship with philosophy and the visual
arts, his place within modernism and his relationship to European
literature, and his reception in Europe and beyond. With its
invaluable guide to further reading and a chronology of Rilke's
life and work, this Companion will provide an accessible, engaging
account of this extraordinary poet whose legacy looms so large
today.
Often regarded as the greatest German poet of the twentieth
century, Rainer Maria Rilke (1875 1926) remains one of the most
influential figures of European modernism. In this Companion,
leading scholars offer informative and thought-provoking essays on
his life and social context, his correspondence, all his major
collections of poetry including most famously the Duino Elegies and
Sonnets to Orpheus, and his seminal novel of Modernist anxiety, The
Notebooks of Malte Laurids Brigge. Rilke's critical contexts are
explored in detail: his relationship with philosophy and the visual
arts, his place within modernism and his relationship to European
literature, and his reception in Europe and beyond. With its
invaluable guide to further reading and a chronology of Rilke's
life and work, this Companion will provide an accessible, engaging
account of this extraordinary poet whose legacy looms so large
today.
The influence of foreign cultures on German literature and other
cultural productions since the 18th century. The Edinburgh German
Yearbook is devoted to German Studies in an international context.
It publishes original English- and German-language contributions on
a wide range of topics from scholars around the world. Each
volumeis based on a single broad theme: the first includes papers
from the highly successful conference Kennst du das Land: Cultural
Exchange in German Literature, held in Edinburgh in December 2006,
supplemented by additional essays. The conviction that German
culture and the German spirit are triumphantly unique has played a
notorious role in Germany's history. It is nonetheless acknowledged
that German literature has been significantly influenced by
non-German sources, and the search for what is unique about Germany
and German literature must incorporate an awareness of these. This
volume provides a wide-ranging investigation into how German
literature from the 18th century tothe present day reflects
interactions between German and non-German cultures. Alongside
theoretical and historical reflections on the nature of cultural
exchange, contributions explore literary reception, the boundaries
of and movement between cultures, and Germany's literary,
political, cultural, and religious relations with both near
neighbors and far-flung cultural interlocutors. Contributoers:
Christian Moser, Birgit Tautz, Silvia Horsch, Eleoma Joshua, Gauti
Kristmannsson, Sabine Wilke, Daniela Kramer, Jon Hughes, Thomas
Martinec, Margaret Litter, Lyn Marven, Dirk Goettsche, Susanne Kord
Eleoma Joshua is Lecturer in German at Edinburgh University.
RobertVilain is Professor of German and Comparative Literature at
Royal Holloway, University of London. The journal's General Editor
is Sarah Colvin, Professor of German at Edinburgh University.
Hugo von Hofmannsthal became famous at the age of sixteen for
poetry and lyrical drama of almost uncanny facility and beauty. Yet
he ceased to write lyric poetry almost completely in the early
1900s and his fictional farewell to poetry, the so-called 'Chandos
Letter', is a paradigm for the uncertainty and instability of
Modernism. The verse of the 1890s, the 'lyrical decade', is
generally felt to have been enhanced by his interest in the French
Symbolists and the Symbolist-inspired tutelage of Stefan George.
However, with analyses of verse and prose poetry from the 1890s,
this book argues that Symbolism was a fundamentally inhibiting
influence, ultimately responsible for the crisis in Hofmannsthal's
poetic writing. 'Das Gesprach uber Gedichte', written soon after
'Ein Brief', in 1903, makes it clear how the crisis was a personal
one and does not imply the general impossibility of future writing,
as is often suggested. As a theory of poetry, it acknowledges the
importance of French Symbolism but suggests how it was ultimately a
dummy aesthetic that had previously overlaid and stifled
Hofmannsthal's own Romantic leanings.
Die Dorfgeschichte im Vormarz kennzeichnet eine Ablehnung der
neoklassizistischen " Kunstperiode " zugunsten der von Robert Prutz
definierten " Unterhaltungsliteratur ". Das bedeutet die Hinwendung
des auktorialen Erzahlers zur Erzahlgegenwart, eine oft
autobiographisch ausgerichtete Ortsgebundenheit, " Oralitat " mit
gelegentlicher Verwendung von Dialekt und dem durchgangigen
Gebrauch " einfacher Formen ". Die Darstellung sentimentalischer
Gefuhlsregungen der Dorfbewohner entspricht den demokratischen
Bestrebungen der Aufklarung, sie sind Teil ihrer emanzipatorischen
Selbstbestimmung. Wahrend in Fruhformen der Dorfgeschichte der
Schweiz (Zschokke, Gotthelf) didaktische Aspekte im Vordergrund
stehen, sind es im Vormarz, der Kernzeit der Dorfgeschichten,
gesellschaftspolitische Anliegen. Nach 1848 degenerierte die
Dorfgeschichte durch zunehmend reaktionaren Nationalismus zur "
Heimatliteratur ". Ein erneutes Interesse an Dorfgeschichten begann
in der DDR in den 1960iger Jahren und erfuhr in der BRD um 1980
eine zunachst nostalgisch gepragte Renaissance, die im Kontext
oekologischer Debatten und einer Skepsis gegenuber Formen der
Akzeleration an Popularitat gewann.
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