The King in Yellow is a book of short stories by American writer Robert W. Chambers, first published in 1895. The book is named after a play with the same title which recurs as a motif through some of the stories. The first half of the book features highly esteemed weird stories, and the book has been described by critics as a classic in the field of the supernatural. There are ten stories, the first four of which ("The Repairer of Reputations", "The Mask", "In the Court of the Dragon", and "The Yellow Sign") mention The King in Yellow, a forbidden play which induces despair or madness in those who read it. "The Yellow Sign" inspired a film of the same name released in 2001.

A milestone of American supernatural fiction, The King in Yellow created a sensation upon its 1895 publication. Since then, it has markedly influenced writers in the genre, most famously, H. P. Lovecraft. Author Robert W. Chambers has been hailed as a writer of remarkable imaginative powers and the historic link between Edgar Allan Poe and Stephen King. This edition features the original 10 gripping stories. The book is named after a fictional play with the same title which recurs as a motif through some of the stories. The first half of the book features highly esteemed weird stories, and the book is described by S.T. Joshi as a classic in the field of the supernatural. There are ten stories, the first four of which, "The Repairer of Reputations", "The Mask", "In the Court of the Dragon" and "The Yellow Sign", mention The King in Yellow, a forbidden play which induces despair or madness in those who read it.

The final unsettling collection of the author's weird and supernatural fiction
Robert W. Chambers most famous and most highly regarded work is undoubtedly, 'The King in Yellow'-a collection of stories held by the common theme of a drama of the same title which drives those who read it to insanity. It is widely accepted that this work is one of the most important in the whole library of American supernatural writing. Nevertheless, it is but part of Chambers' output in the field of weird and supernatural writings, so this special Leonaur collection of Chambers fiction in the genre-which of course includes the stories that comprise 'The King in Yellow'-runs to a satisfying four substantial volumes. Leonaur editions are available in softcover and hardback with dust jacket for collectors. Leonaur hardbacks feature real cloth bindings, gold foil embossed lettering on their spines and fabric head and tail bands.
This final volume includes the novel long 'The Hidden Children, ' and two short stories.

The third chilling collection of the author's weird and supernatural fiction
Robert W. Chambers most famous and most highly regarded work is undoubtedly, 'The King in Yellow'-a collection of stories held by the common theme of a drama of the same title which drives those who read it to insanity. It is widely accepted that this work is one of the most important in the whole library of American supernatural writing. Nevertheless, it is but part of Chambers' output in the field of weird and supernatural writings, so this special Leonaur collection of Chambers fiction in the genre-which of course includes the stories that comprise 'The King in Yellow'-runs to a satisfying four substantial volumes. Leonaur editions are available in softcover and hardback with dust jacket for collectors. Leonaur hardbacks feature real cloth bindings, gold foil embossed lettering on their spines and fabric head and tail bands.
This third volume includes the novel 'The Tracer of Lost Persons, ' four novelettes 'The Maker of Moons, ' 'The Street of Our Lady of the Fields, ' 'The Street of the First Shell' and 'The White Shadow' and nine short stories.

The second nightmarish volume of the author's collected weird and supernatural fiction
Robert W. Chambers most famous and most highly regarded work is undoubtedly, 'The King in Yellow'-a collection of stories held by the common theme of a drama of the same title which drives those who read it to insanity. It is widely accepted that this work is one of the most important in the whole library of American supernatural writing. Nevertheless, it is but part of Chambers' output in the field of weird and supernatural writings, so this special Leonaur collection of Chambers fiction in the genre-which of course includes the stories that comprise 'The King in Yellow'-runs to a satisfying four substantial volumes. Leonaur editions are available in softcover and hardback with dust jacket for collectors. Leonaur hardbacks feature real cloth bindings, gold foil embossed lettering on their spines and fabric head and tail bands.
The second volume includes two novels 'The Search of the Unknown' and 'The Green Mouse, ' two novelettes 'The Messenger' and 'The Repairer of Reputations' and four short stories.

An American master of the fictional nightmare
Robert W. Chambers most famous and most highly regarded work is undoubtedly, 'The King in Yellow'-a collection of stories held by the common theme of a drama of the same title which drives those who read it to insanity. It is widely accepted that this work is one of the most important in the whole library of American supernatural writing. Nevertheless, it is but part of Chambers' output in the field of weird and supernatural writings, so this special Leonaur collection of Chambers fiction in the genre-which of course includes the stories that comprise 'The King in Yellow'-runs to a satisfying four substantial volumes. Leonaur editions are available in softcover and hardback with dust jacket for collectors. Leonaur hardbacks feature real cloth bindings, gold foil embossed lettering on their spines and fabric head and tail bands.
The first volume includes the novel 'The Slayer of Souls, ' the novelette 'The Man at the Next Table, ' and fourteen short stories.

One evening in May, 1888, the Cafe des Ecoles was even more crowded and more noisy than usual. The marble-topped tables were wet with beer and the din was appalling. Someone shouted to make himself heard. "Any more news from the Salon?" "Yes," said Elliott, "Thaxton's in with a number three. Rhodes is out and takes it hard. Clifford's out too, and takes it - "

With an Introduction by David Stuart Davies. 'I read it and reread it, and wept and laughed and trembled with horror which at all times assails me yet'. With its strange, imaginative blend of horror, science fiction, romance and lyrical prose, Robert W. Chambers' The King in Yellow is a classic masterpiece of weird fiction. This series of vaguely connected stories is linked by the presence of a monstrous and suppressed book which brings fright, madness and spectral tragedy to all those who read it. An air of futility and doom pervade these pages like a sweet insidious poison. Dare you read it? This collection has been called the most important book in American supernatural fiction between Poe and the moderns. H. P. Lovecraft, creator of the famed Cthulu mythos, whose own fiction was greatly influenced by this book stated that The King in Yellow 'achieves notable heights of cosmic fear'.

"Very genuine, though not without the typical mannered extravagance of the eighteen-nineties, is the strain of horror in the early work of Robert W. Chambers, since renowned for products of a very different quality. The King in Yellow, a series of vaguely connected short stories having as a background a monstrous and suppressed book whose perusal brings fright, madness, and spectral tragedy, really achieves notable heights of cosmic fear in spite of uneven interest and a somewhat trivial and affected cultivation of the Gallic studio atmosphere made popular by Du Maurier's Trilby. The most powerful of its tales, perhaps, is The Yellow Sign, in which is introduced a silent and terrible churchyard watchman with a face like a puffy grave-worm's." -- From the Introduction by H.P. Lovecraft.

"It's really very classical," he said, "like the voyage of Ulysses; I, Ulysses, you the water nymph Calypso, drifting in that golden ship of Romance-"

"Calypso was a land nymph," she observed, absently, "if accuracy interests you as much as your monologue."

Checked and surprised, he began to laugh at his own discomfiture; and she, elbow on the gunwale, small hand cupping her chin, watched him with an expressionless directness that very soon extinguished his amusement and left him awkward in the silence.

"I've tried my very best to be civil and agreeable," he said after a moment. "Is it really such an effort for you to talk to a man?"

"Not if I am interested," she said quietly.

"I cannot forget Carcosa where the twin suns sink into the Lake of Hali; and my mind will bear forever the memory of the Pallid Mask. The world trembles before the King in Yellow." A classic and exquisite tome of terror from Robert W. Chambers. (Jacketless library hardcover.)

Song of my soul, my voice is dead;// Die thou, unsung, as tears unshed// Shall dry and die in// Lost Carcosa.// With this song, taken from the fictitious drama of "The King in Yellow," the collection of early horror stories by the same title opens. The first four stories are connected by the theme of this fictitious drama which drives those wo read it insane as well as by a mysterious and malevolent supernatural also entity known as "The King in Yellow." The other stories in the book do not follow the macabre theme of the first four, and most are written in the romantic fiction style which characterise Chanbers' later work.

The weird tales in this slim volume are all linked by a play, the second act of which reveals truths so terrible and beautiful that it drives all who read it to despair: The King in Yellow.

These four macabre, uncanny and unsettling stories are some of the most thrilling ever written in the field of weird fiction, and since their first publication in 1895 have become a cult classic, influencing many writers from the renowned master of cosmic horror H.P. Lovecraft to the creators of HBO's True Detective.

Contains: 'The Repairer of Reputations', 'The Mask', 'In the Court of the Dragon', 'The Yellow Sign'.

A historical novel from the author of "The King in Yellow."

"I wonder," mused Geraldine, "if there is anything the matter with us, Scott?"

"Why?"

"Oh -- I don't know. People stare at us so -- nurses always watch us and begin to whisper as soon as we come along. Do you know what a boy said to me once when I skated very far ahead of Kathleen?"

"What did he say?" inquired Scott, flattening his nose against the window-pane to see whether it still hurt him.

"He asked me if I were too rich and proud to play with other children. I was so surprised; and I said that we were not rich at all, and that I never had had any money, and that I was not a bit proud, and would love to stay and play with him if Kathleen permitted me."

"Did Kathleen let you? Of course she didn't."

"I told her what the boy said and I showed her the boy, but she wouldn't let me stay and play."

"Kathleen's a pig."

"No, she isn't, poor dear. They make her act that way -- Mr. Tappan makes her. Our grandfather didn't want us to have friends."

"I'll tell you what," said Scott impatiently, "when I'm old enough, I'll have other boys to play with whether Kathleen and -- and that Thing -- likes it or not."

The Thing was the Half Moon Trust Company.