Pastors and leaders of the classical church--such as Augustine, Calvin, Luther, and Wesley--interpreted the Bible theologically, believing Scripture as a whole witnessed to the gospel of Jesus Christ. Modern interpreters of the Bible questioned this premise. But in recent decades, a critical mass of theologians and biblical scholars has begun to reassert the priority of a theological reading of Scripture. The Brazos Theological Commentary on the Bible enlists leading theologians to read and interpret Scripture for the twenty-first century, just as the church fathers, the Reformers, and other orthodox Christians did for their times and places. In this addition to the series, esteemed theologian Robert W. Jenson presents a theological exegesis of Ezekiel.

How does the church understand the relation between its Scripture and its creedal formulations? No one is more qualified to address that question than Robert W. Jenson, who shows how canon and creed work together and interact and that neither is an adequate or sufficient to guide Christian faith without the help of the other. His book will enable contemporary interpreters and teachers, pastors, and laity to deal with the questions and tensions that are always present as the church seeks to hold canon and creed together.

Here Robert Jenson offers a systematic theologian's careful reading of the Song of Songs. Jenson focuses on the overt sense of the book as an erotic love poem in order to discover how this evocative poetry solicits a theological reading. Jenson finds a story of human love for God in this complex poetic book and offers a commentary that elucidates and inspires.

Interpretation: A Bible Commentary for Teaching and Preaching is a distinctive resource for those who interpret the Bible in the church. Planned and written specifically for teaching and preaching needs, this critically acclaimed biblical commentary is a major contribution to scholarship and ministry.

Indispensable to understanding the advent and import of today's radically pluralistic scene, this unique historical anthology presents 37 signal readings from key theologians of this century. Outstanding interpreters of these figures and their generative ideas, Braaten and Jenson offer solid and sympathetic introductions and a clear scheme, a roadmap that makes sense of the fundamental and formative questions, concerns, "schools", and movements that have animated the theological enterprise in this explosive century, from 1900 right up to the threshold of contemporary currents.

Karl Barth is recognized throughout the world as the twentieth century's leading Protestant theologian. His thought has determined much of the shape of today's Christian thinking, yet it is thoroughly misunderstood. He is a systematic theologian who writes with great complexity and in a scholastic vein. This fine and lucid study isolates Barth's most specific themes and focuses on the relevance of his radically trinitarian doctrine of God to the post-religious situation. The book opens with a discussion of the death of historical religion and Barth's early attempts to deal with the decline of belief in a transcendent God contrasted with contemporary views of the situation. It goes on to treat Barth's further studies, especially his attack on the theology of religion, and there is a discussion in depth of Barth's doctrine of the Trinity as a definition of God. It concludes with an analysis of the different interpretations that can be have been made of Barth's theology. "This scholarly work . . . is a thoroughgoing approach to Barth's leading contribution to twentieth-century dialectical theology. Barth's insights are shown to be far beyond their time. Especially relevant is his application of God's transcendence to man's practical responsibilities. Readers may well ponder whether Barth's Commentary on Romans may not clearly merit more than its present place on well-respected shelves of past history." -Library Journal Robert W. Jenson is a leading American Lutheran theologian. He has taught at many institutions, including Luther College in Decorah, Iowa, the Lutheran Seminary in Gettysburg, and Saint Olaf College in Northfield, Minnesota. With Carl Braaten, he founded the Center for Catholic and Evangelical Theology in Northfield, Minnesota. He was a Senior Scholar for Research at the Center for Theological Inquiry in Princeton, New Jersey, where he now resides. Among his many books are his two-volume Systematic Theology, Lutheranism: The Theological Movement and Its Confessional Writings (with Eric Gritsch), and A Map of Twentieth-Century Theology (editor with Carl Braaten).

The Triune God, together with the forthcoming second volume, The Works of God, develops a compendious statement of Christian theology in the tradition of a medieval summa, or of such modern works as those of Schleiermacher and Barth. Theology, as it is understood here, is the Christian church's continuing discourse concerning her specific communal purpose; it is the hermeneutic and critical reflection internal to the church's task of speaking the gospel, to the world as message and to God in petition and praise. This volume and its successor are thus dedicated to the service of the one church of the creeds; it is for no particular denomination or confession. The interlocutors of this work's analyses and proposals are drawn from wherever in the ecumenical tradition a question may lead: to theologians and traditions ancient, medieval, or modern; Eastern or Western; Catholic or Protestant.

Systematic Theology is the capstone of Robert Jenson's long and distinguished career as a theologian, being a full-scale systematic/dogmatic theology in the classic format. This is the second and concluding volume of the work, and considers the works of God, examining such topics as the nature and role of the Church, and God's works of creation.

A great deal has recently been written about Jonathan Edwards. Most of it, however, does not make central Edwards's own intention to speak truth about God and the human situation; his systematic theological intention is regarded merely as an historical phenomenon. In this book, Robert Jenson provides a different sort of interpretation, asking not only, "Why was Edwards great?" but also, "Was Edwards right?" As a student of the ideas of Newton and Locke, Jenson argues, Edwards was very much a figure of the Enlightenment; but unlike most other Americans, he was also a discerning critic of it, and was able to use Enlightenment thought in his theology without yielding to its mechanistic and individualistic tendencies. Alone among Christian thinkers of the Enlightenment, Edwards conceived an authentically Christian piety and a creative theology not in spite of Newton and Locke but by virtue of them. Jenson sees Edwards's understanding as a radical corrective to what commitment to the Enlightenment brought about in American life, religious and otherwise. Perhaps, Jenson proposes, recovery of Edwards's vision might make the mutual determination of American culture and American Christianity more fruitful than it has yet been.

Sin, death, and the devil, called "the unholy trinity" by Martin Luther, are the classic biblical tyrants. This volume, which takes its cue from John Paul II's description of Western society as a "culture of death," unveils the faces of sin, death, and the devil in modern culture. Far from being pessimistic, however, these engaging chapters by eight recognized theologians take care to affirm God's victory over the diabolical forces that oppress humanity--a victory continually realized through the proclamation of the gospel and the sacraments of the church. Contributors: Gary A. Anderson, Carl E. Braaten, Vigen Guroian, Stanley Hauerwas, Robert W. Jenson, Gilbert Meilaender, Richard John Neuhaus, and A. N. Williams.

The contributors to this volume argue forthrightly that neopaganism is not merely an objective threat from outside the walls of the church; in fact, gnostic forms of thought and spirituality permeate the church's inner life under such guises as "pluralism," "multiculturalism," "feminism," and "hospitality." Their essays are a direct attack on once-Bible-centered doctrine that is now being mingled with "alternatives" that are inherently hostile to the Christian faith. Contributors: Robert W. Jenson, Carl E. Braaten, Joseph-Augustine DiNoia, James R. Crumley, Robert L. Wilken, K. Paul Wesche, L. Gregory Jones

Systematic Theology is the capstone of Robert Jenson's long and distinguished career as a theologian, being a full-scale systematic/dogmatic theology in the classic format. This is the second and concluding volume of the work. Here, Jenson considers the works of God, examining such topics as the nature and role of the Church, and God's works of creation.

At the time of his death in the autumn of 2017, Robert W. Jenson was arguably America's foremost theologian. Over the course of a career spanning more than five decades, much of Jenson's thought was dedicated to the theological description of how Scripture should be read-what has come to be called theological interpretation. In this rapidly expanding field of scholarship, Jenson has had an inordinate impact. Despite its importance, study of Jenson's theology of scriptural interpretation has lagged, due in large part to the longevity of his career and volume of his output. In this book, all of Jenson's writings on Scripture and its interpretation have been collected for the first time. Here readers will be able to see the evolution of Jenson's thought on this topic, as well as the scope and intensity of his late-period engagement with it. Where other twentieth-century thinkers rely on non-theological, secular methods of scriptural investigation, Jenson is willing to let go of "respectability" for the sake of a truly Christian theological interpretation. The result is a genuinely free, intellectually invigorating exercise in reading and theory from one of the greatest theologians in the last century.

A great deal has recently been written about Jonathan Edwards. Most of it, however, does not make central Edwards's own intention to speak truth about God and the human situation; his systematic theological intention is regarded merely as an historical phenomenon. In this book, Robert Jenson provides a different sort of interpretation, asking not only, "Why was Edwards great?" but also, "Was Edwards right?" As a student of the ideas of Newton and Locke, Jenson argues, Edwards was very much a figure of the Enlightenment; but unlike most other Americans, he was also a discerning critic of it, and was able to use Enlightenment thought in his theology without yielding to its mechanistic and individualistic tendencies. Alone among Christian thinkers of the Enlightenment, Edwards conceived an authentically Christian piety and a creative theology not in spite of Newton and Locke but by virtue of them. Jenson sees Edwards's understanding as a radical corrective to what commitment to the Enlightenment brought about in American life, religious and otherwise. Perhaps, Jenson proposes, recovery of Edwards's vision might make the mutual determination of American culture and American Christianity more fruitful than it has yet been.

Robert Jenson offers a systematic theologian's careful reading of the Song of Songs. Jenson focuses on the overt sense of the book as an erotic love poem in order to discover how this evocative poetry solicits a theological reading. Jenson finds a story of human love for God in this complex poetic book and offers a commentary that elucidates and inspires.

Since the Council of Ephesus (A.D. 431), orthodox Christianity has confessed Mary as "Theotokos, "Mother of God." Yet neither this title nor Mary's significance has fared well in Protestant Christianity. In the wake of new interest in Mary following Vatican II and recent ecumenical dialogues, this volume seeks to makes clear that Mariology is properly related to Christ and his church in ways that can and should be meaningful for all Christians.

Written with insight and sensitivity by Orthodox, Catholic, and Protestant scholars, these seven studies inquire into Mary's place in the story of salvation, in personal devotion, and in public worship.

Contributors: Carl E. Braaten
Lawrence S. Cunningham
Kyriaki Karidoyanes FitzGerald
Beverly Roberts Gaventa
Timothy George
Robert W. Jenson
Jaroslav Pelikan
David S. Yeago