Within a century of the Arab Muslim conquest of vast territories in the Middle East and North Africa, Islam became the inheritor of the intellectual legacy of classical antiquity. In an epochal cultural transformation between the eighth and tenth centuries CE, most of what survived in classical Greek literature and thought was translated from Greek into Arabic. This translation movement, sponsored by the ruling Abbasid dynasty, swiftly blossomed into the creative expansion and reimagining of classical ideas that were now integral parts of the Islamic tradition. Romance and Reason, a lavishly illustrated catalogue accompanying the exhibition of the same name at New York University's Institute for the Study of the Ancient World, explores the breadth and depth of Islamic engagement with ancient Greek thought. Drawing on manuscripts and artifacts from the collections of the National Library of Israel and prominent American institutions, the catalogue's essays focus on the portrayal of Alexander the Great as ideal ruler, mystic, lover, and philosopher in Persian poetry and art, and how Islamic medicine, philosophy, and science contended with and developed the classical tradition. Contributors include Roberta Casagrande-Kim, Leigh Chipman, Steven Harvey, Y. Tzvi Langermann, Rachel Milstein, Julia Rubanovich, Samuel Thrope, and Raquel Ukeles. Exhibition Dates: February 14-May 13, 2018

An in-depth archaeological report featuring graffiti found during a recent excavation at the Ancient Greek city of Smyrna. The graffiti published in this richly-illustrated volume were discovered during an excavation of the Roman basilica in the Ancient Greek city of Smyrna, known today as Izmir, which is situated on the Aegean coast of modern Turkey. The project, which began in 2003, has unearthed a multitude of graffiti and drawings encompassing a wide range of subjects and interests, including local politics, nautical vessels, sex, and wordplay. Each graffito artifact holds the potential for vast historical and cultural data, rescued in this volume from the passage of time and razing ambitions of urban development. Given the city's history, the potential wealth of knowledge to be gleamed from these discoveries is substantial: Smyrna has an uninterrupted history of settlement since the Neolithic-Copper ages, and remains today a major city and Mediterranean seaport at the crossroads of key trade routes. The present volume provides comprehensive editions of the texts, descriptions of the drawings, and an extensive introduction to the subjects of the graffiti, how they were produced, and who was responsible for them. A complete set of color photographs is included.