This sequel to Julian Green's epic novel of the ante-bellum South, The Distant Lands, opens with the last tense moments of peace that led up to the final confrontation and all-out war between the North and South. As one state after another secedes from the Union, the gracious-living aristocracy of the old South goes on dancing and feasting and intriguing among themselves as never before. Once again we meet the personages of The Distant Lands: the aunts and uncles and the cousins, the omniscient Charlie Jones, the sinister Miss Llewelyn and, above all, Elizabeth, the beautiful widowed Englishwoman, living with her little son in slightly reduced splendor in Savannah, Georgia. The picture which the nonagenarian Julian Green paints is a nostalgic, poetic and romantic one of a world doomed to extinction but still scintillating brightly, engrossed in its own courtly passions and genteel observances. This feast of story-telling is partly based upon reminiscences of the old South told to him by the author's own 'Southern belle' mother, with a historical background that is both authentic and enthralling.

Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil. Jean-Baptiste Clamence - refined, handsome, forty, a former successful lawyer - is in turmoil. Over several drunken nights he regales a chance acquaintance with his story. He talks of parties and his debauchery, of Parisian nights and the Aegean sea, and, ultimately, of his self-loathing. One of Albert Camus' most famous works, The Fall is a brilliant, complex portrayal of lost innocence and the true face of man.

The townspeople of Oran are in the grip of a deadly plague, which condemns its victims to a swift and horrifying death. Fear, isolation and claustrophobia follow as they are forced into quarantine, each responding in their own way to the lethal bacillus: some resign themselves to fate, some seek blame and a few, like Dr Rieux, resist the terror. An immediate triumph when it was published in 1947, Camus’s novel is in part an allegory for France’s suffering under Nazi occupation, and also a story of bravery and determination against the precariousness of human existence.

‘An impressive new translation … of this matchless fable of fear, courage and cowardice’
Independent

Translated by Robin Buss with an Introduction by Tony Judt

Thrown in prison for a crime he has not committed, Edmond Dantes is confined to a great fortress. There he learns of a hoard of treasure hidden on the Isle of Monte Cristo and determines not only to escape, but to unearth the treasure and use it to plot the destruction of his enemies.

From the seething internal aftermath of the German Occupation to the stylish radicalism of the New Wave and the slick post-modern fantasies of today, French directors such as Melville, Becker, Godard, Truffaut, and Chabrol have adapted American crime movie conventions to create their own cinema of good and evil. Fully illustrated with stills from a wide selection of movies, "French Film Noir" also contains a complete filmography listing over 100 films.

Robin Buss writes for several newspapers and magazines. He has translated Jean Cocteau's "The Art of Cinema" for Marion Boyars. He lives in the UK.

A philosophical novel described by fellow existentialist Sartre as 'perhaps the most beautiful and the least understood' of his novels, Albert Camus' The Fall is translated by Robin Buss in Penguin Modern Classics. Jean-Baptiste Clamence is a soul in turmoil. Over several drunken nights in an Amsterdam bar, he regales a chance acquaintance with his story. From this successful former lawyer and seemingly model citizen a compelling, self-loathing catalogue of guilt, hypocrisy and alienation pours forth. The Fall (1956) is a brilliant portrayal of a man who has glimpsed the hollowness of his existence. But beyond depicting one man's disillusionment, Camus's novel exposes the universal human condition and its absurdities - for our innocence that, once lost, can never be recaptured ... Albert Camus (1913-60) is the author of a number of best-selling and highly influential works, all of which are published by Penguin. They include The Fall, The Outsider and The First Man. Awarded the Nobel Prize for Literature in 1957, Camus is remembered as one of the few writers to have shaped the intellectual climate of post-war France, but beyond that, his fame has been international. If you enjoyed The Fall, you might like Jean-Paul Sartre's Nausea, also available in Penguin Modern Classics. 'An irresistibly brilliant examination of modern conscience' The New York Times 'Camus is the accused, his own prosecutor and advocate. The Fall might have been called "The Last Judgement" ' Olivier Todd

Profiles Jean Shrimpton, Suzy Parker, Capucine, and other leading models of a period when the fashion ideal was a sophisticated adult woman, rather than the more childlike figure that became popular in the late 1960s.

A beautiful new clothbound edition of Alexandre Dumas' classic novel of wrongful imprisonment, adventure and revenge. Thrown in prison for a crime he has not committed, Edmond Dantes is confined to the grim fortress of the Chateau d'If. There he learns of a great hoard of treasure hidden on the Isle of Monte Cristo and becomes determined not only to escape but to unearth the treasure and use it to plot the destruction of the three men responsible for his incarceration. A huge popular success when it was first serialized in the 1840s, Dumas was inspired by a real-life case of wrongful imprisonment when writing his epic tale of suffering and retribution.

The Lost Estate is Robin Buss's translation of Henri Alain-Fournier's poignant study of lost love, Le Grand Meaulnes. 'I read it for the first time when I was seventeen and loved every page. I find its depiction of a golden time and place just as poignant now as I did then' Nick Hornby When Meaulnes first arrives at the local school in Sologne, everyone is captivated by his good looks, daring and charisma. But when Meaulnes disappears for several days, and returns with tales of a strange party at a mysterious house - and his love for the beautiful girl hidden within it, Yvonne de Galais - his life has been changed forever. In his restless search for his Lost Estate and the happiness he found there, Meaulnes, observed by his loyal friend Francois, may risk losing everything he ever had. Poised between youthful admiration and adult resignation, Alain-Fournier's compelling narrator carries the reader through this evocative and unbearably poignant portrayal of desperate friendship and vanished adolescence. Robin Buss's translation of Le Grand Meaulnes sensitively and accurately renders Alain-Fournier's poetically charged, expressive and deceptively simple style. In his introduction, New Yorker writer Adam Gopnik discusses the life of Alain-Fournier, who was killed in the First World War after writing this, his only novel. If you liked Le Grand Meaulnes, you might enjoy Gustave Flaubert's Sentimental Education, also available in Penguin Classics.

'An irresistibly brilliant examination of modern conscience' The New York Times Jean-Baptiste Clamence is a soul in turmoil. Over several drunken nights in an Amsterdam bar, he regales a chance acquaintance with his story. From this successful former lawyer and seemingly model citizen a compelling, self-loathing catalogue of guilt, hypocrisy and alienation pours forth. The Fall (1956) is a brilliant portrayal of a man who has glimpsed the hollowness of his existence. But beyond depicting one man's disillusionment, Camus's novel exposes the universal human condition and its absurdities - for our innocence that, once lost, can never be recaptured ... 'Camus is the accused, his own prosecutor and advocate. The Fall might have been called "The Last Judgement" ' Olivier Todd

‘To have discovered the black tulip, to have seen it for a moment … then to lose it, to lose it forever!’

Cornelius van Baerle, a respectable tulip-grower, lives only to cultivate the elusive black tulip and win the magnificent prize for its creation. But after his powerful godfather is assassinated, the unwitting Cornelius becomes caught up in deadly political intrigue and is falsely accused of high treason by a bitter rival. Condemned to life imprisonment, his only comfort is Rosa, the jailer’s beautiful daughter, and together they concoct a plan to grow the black tulip in secret. Dumas’s last major historical novel is a tale of romantic love, jealousy and obsession, interweaving historical events surrounding the brutal murders of two Dutch statesmen in 1672 with the phenomenon of ‘Tulipomania’ that gripped seventeenth-century Holland.

This new translation follows the unabridged edition of 1865 and includes a chronology and list of further reading. In his introduction, Robin Buss discusses Dumas' use of elements from the history of the Dutch Republic, ‘Tulipomania’ and the paintings of the period, and places the novel in the context of Dumas' life and career.

Perhaps his most famous work, Emile Zola's Therese Raquin is a dark and gripping story of lust, violence and guilt, set in the gloomy back streets of Paris. This Penguin Classics edition is translated with notes and an introduction by Robin Buss. In the claustrophobic atmosphere of a dingy haberdasher's shop on the Passage du Pont-Neuf in Paris, Therese Raquin is trapped in a loveless marriage to her sickly cousin, Camille. The numbing tedium of her life is suddenly shattered when she embarks on a turbulent affair with her husband's earthy friend Laurent, but their animal passion for each other soon compels the lovers to commit a crime that will haunt them forever. Therese Raquin caused a scandal when it appeared in 1867 and borught its twenty-seven-year-old author a notoriety that followed him throughout his life. Zola's novel is not only an uninhibited portrayal of adultery, madness and ghostly revenge, but also a devastating exploration of the darkest aspects of human existence. Robin Buss's translation superbly conveys Zola's fearlessly honest and matter-of-fact style. In his introduction, he discusses Zola's life and literary career, and the influence of art, literature and science on his writing. This edition also includes the preface to the second edition of 1868, a chronology, further reading and notes. Emile Zola (1840-1902) was the leading figure in the French school of naturalistic fiction. His principal work, Les Rougon-Macquart, is a panorama of mid-19th century French life, in a cycle of 20 novels which Zola wrote over a period of 22 years, including Au Bonheur des Dames (1883), The Beast Within (1890), Nana (1880), and The Drinking Den (1877). If you enjoyed Therese Raquin, you might like Zola's Germinal, also available in Penguin Classics.

Previously published as L'assommoir (The Dram Shop), Emile Zola's The Drinking Den is an unflinching study of a desperate young woman struggling against the ravages of vice. This Penguin Classics edition is translated from the French with an introduction by Robin Buss. Abandoned by her lover and left to bring up their two children alone, Gervaise Macquart has to fight to earn an honest living. When she accepts the marriage proposal of Monsieur Coupeau, it seems as though she is on the path to a decent, respectable life at last. But with her husband's drinking and the unexpected appearance of a figure from her past, Gervaise's plans begin to unravel tragically. The Drinking Den caused a sensation when it was first published, with its gritty depiction of the poverty and squalor, slums and drinking houses of the Parisian underclass. The seventh novel in Zola's great Rougon-Macquart cycle, it was the work that made his reputation. And, in his moving portrayal of Gervaise's struggle for happiness, Zola created one of the most sympathetic heroines in nineteenth-century literature. Robin Buss's translation renders Zola's street argot into clear, contemporary English. This edition also includes an introduction discussing Zola's Naturalistic method, with maps of Paris, Zola's preface responding to his critics, notes, a chronology and further reading. Emile Zola (1840-1902) was the leading figure in the French school of naturalistic fiction. His principal work, Les Rougon-Macquart, is a panorama of mid-19th century French life, in a cycle of 20 novels which Zola wrote over a period of 22 years, including Au Bonheur des Dames (1883), The Beast Within (1890), Nana (1880), and The Drinking Den (1877). If you enjoyed The Drinking Den, you might like Zola's The Beast Within, also available in Penguin Classics.

Emile Durkheim's On Suicide (1897) was a groundbreaking book in the field of sociology. Traditionally, suicide was thought to be a matter of purely individual despair but Durkheim recognized that the phenomenon had a social dimension. He believed that if anything can explain how individuals relate to society, then it is suicide: Why does it happen? What goes wrong? Why do certain social, religious or racial groups have higher incidences of suicide than others? As Durkheim explored these questions he became convinced that abnormally high or low levels of social integration lead to an increased likelihood of suicide. On Suicide was the result of his extensive research. Divided into three parts - individual reasons for suicide, social forms of suicide and the relation of suicide to society as a whole - Durkheim's revelations have fascinated, challenged and informed readers for over a century.

This romance about a woman’s dangerous but platonic liaison is one of the first feminist novels and a precursor to the psychological realism of Proust.

Designed for a new generation of readers, this superb anthology includes Sartre's personal responses to New York and Naples, an essay on surrealism and on Brecht, a spoof psychoanalytical dialogue, an extended essay on sexual desire and shorter pieces on maternal love and masturbation. It explores Sartre's celebrated quarrel with Camus, his constant but clear-eyed fascination with communism and, in 'Portraits' of Gide, Genet, Tintoretto and Baudelaire, his revolutionary approach to biography. There could be no better introduction to one of the greatest witnesses to the twentieth century.