In recent years, lexical argument structure, in the guise of thematic roles, has come to play an increasingly important part in syntactic theory. The first part of this book, first published in 1990, explores the interplay between thematic role assignment and movement processes, with particular reference to the explanatory problem of nominalisation. The second part explores the relationship between thematic roles and control. Particularly close attention is paid to implicit arguments, arbitrary control and adverbs of quantification. A theory of control is presented which unifies obligatory and non-obligatory control. The theory of control, furthermore, generalises to account for the binding gaps in purposive clauses, tough movement constructions, infinitival clauses and other constructions which have typically been analysed as involving long-distance dependencies. This title will be of interest to students of linguistics.

In recent years, lexical argument structure, in the guise of thematic roles, has come to play an increasingly important part in syntactic theory. The first part of this book, first published in 1990, explores the interplay between thematic role assignment and movement processes, with particular reference to the explanatory problem of nominalisation. The second part explores the relationship between thematic roles and control. Particularly close attention is paid to implicit arguments, arbitrary control and adverbs of quantification. A theory of control is presented which unifies obligatory and non-obligatory control. The theory of control, furthermore, generalises to account for the binding gaps in purposive clauses, tough movement constructions, infinitival clauses and other constructions which have typically been analysed as involving long-distance dependencies. This title will be of interest to students of linguistics.

Only 3 per cent of the world's water is freshwater and about one third of that is inaccessible. The rest is very unevenly distributed, parts of Canada and the Amazon, for example are both more than amply suppied. Terrible and permanent water stress can be seen, among other places, in the drylands of Africa caused not just by drought, but by poverty leading to poor land management and over-population.;As with so many other things, those most badly affected are the poor nations of the world who are frequently faced with an impossible dilemma: they must either limit their water use to decreasingly available unused water or they must make do with used but untreated and, therefore, dangerous water. They cannot afford the technology to recycle safely. In rural regions increased populations and frequent droughts mean that in addition to the lack of fresh, clean water for human consumption there are inadequate supplies for crop irrigation.;An enormous proportion of the world's population lives in countries which share their primary sources of water with other nations, for example 12 countries depend on the Danube, 10 on the Niger, 9 on the Nile. Water is essential to development, both in poor countries and in rich, the use made of a major river in one country can affect seriously the possibilities open to another. Hence the international shortage is a major threat to world security. To take but one example, if Turkey goes ahead with its plan to damn the Euphrates, then Iraq and Syria, already water-stressed countries could be in even more serious trouble - they are hardly likely to accept the situation.;This book describes the world situation, addresses the nature of the problems, shows the ways in which they have been shamefully neglected in all development and economic thinking and proposes some solutions, often simple and well-tried but which could ensure water security for the whole world.

During the 1960s and 1970s, a loosely affiliated group of Los Angeles artists--including Larry Bell, Mary Corse, Robert Irwin, James Turrell, and Doug Wheeler--more intrigued by questions of perception than by the crafting of discrete objects, embraced light as their primary medium. Whether by directing the flow of natural light, embedding artificial light within objects or architecture, or playing with light through the use of reflective, translucent, or transparent materials, each of these artists created situations capable of stimulating heightened sensory awareness in the receptive viewer. "Phenomenal: California Light, Space, Surface," companion book to the exhibition of the same name, explores and documents the unique traits of the phenomenologically engaged work produced in Southern California during those decades and traces its ongoing influence on current generations of international artists.
Foreword by Hugh M. Davies
Additional contributors:
Michael Auping
Stephanie Hanor
Adrian Kohn
Dawna Schuld

Artists:
Peter Alexander
Larry Bell
Ron Cooper
Mary Corse
Robert Irwin
Craig Kauffman
John McCracken
Bruce Nauman
Eric Orr
Helen Pashgian
James Turrell
De Wain Valentine
Doug Wheeler

John McCracken (1934-2011) occupies a singular position within the recent history of American art, as his work melds the restrained formal qualities of Minimalist sculpture with a distinctly West Coast sensibility expressed through colour, form and finish. He developed his early sculptural work while studying painting at the California College of Arts and Crafts in Oakland in the late 1950s and early 1960s. While experimenting with increasingly three-dimensional canvases, the artist began to produce objects made with industrial materials, including plywood, sprayed lacquer and pigmented resin, creating the highly reflective, smooth surfaces that he was to become known for. This catalogue charts the evolution of McCracken's diverse oeuvre, encompassing both well-known and lesser-seen examples of the artist's production from the early 1960s up through his death in 2011, presenting a range of sculptures, paintings and sketches.

Through exploring various disasters, Clarke ends up exploring memory-"the worst disaster since the last one"-writing about people lost through the prison system, disasters man-made we don't wish to think about, and just where the accumulation of disaster upon disaster might end up taking us. "What do you love about this / world? Without what is there nothing // else to say?"-rob mclennan, rob mclennan's blog Lines the Quarry writes of and into that ongoing disaster and possibility, interjecting into the commercial language of success the many violations-bodily and otherwise-that define capitalist exploitation. Within a span of 15 days, Massey Energy's Upper Big Branch coal mine exploded, killing 29 miners, and BP's Deepwater Horizon exploded, killing 11 workers and leaking over 5 million barrels of oil (and counting). A year and a half later, Occupy occurred. Lines the Quarry writes of and into that ongoing disaster and possibility, interjecting into the commercial language of success the many violations-bodily and otherwise-that define capitalist exploitation. Weaving together autobiography, lies, half-truths, corporate horror stories and labor's radical past, this book seeks to articulate both our devastation and our possibility in very human terms. In a language familiar yet strange, composed of fragments, multiple speech registers and broken syntactical arrangements, the book examines lives lived through very difficult circumstances and the corporate forces that range upon our earth.