In the dark, foreboding sewers of Deptford, a mysterious entity known as Jupiter, Lord of All, reigns supreme, worshipped by a horde of rats who cower in its presence. Into this world of fear and darkness wanders a small, frightened mouse named Albert, unwittingly triggering a chain of events that will hurl his fellow mice a world of terror and heroic adventure. As the rats seek to summon the demon hordes and bring about the end of the world, the Deptford Mice must confront treacherous enemies and ancient magic in a battle to save London and the world from eternal darkness.

Now in its fifth edition, this highly respected and popular text provides non-specialist accounting and finance students on business studies courses with an essential introduction to the role of accounting in a wider managerial setting. Completely updated to reflect recent changes in International Financial Reporting Standards (IFRS), Accounting in a Business Context is one of the most comprehensive texts available. The logical step-by-step approach introduces students to accounting initially by considering an accessible cash-based small business, then carefully builds layers of complexity (e.g. buying and selling on credit) to facilitate clear understanding. New to this Edition - Updated to reflect recent changes in International Financial Reporting Standards (IFRS) - New pedagogical features to aid learning, including "Learning Outcomes' and 'Activity' boxes - Increased use of real-life examples in the case studies - Use of more international companies in case studies and examples - Enhanced online support resources - Exciting new text design

The Romantic Period was one of the most exciting periods in English literary history. This book provides a comprehensive and up-to-date account of the intellectual and cultural background to Romantic literature. It is accessibly written and avoids theoretical jargon, providing a solid foundation for students to make their own sense of the poetry, fiction and other creative writing that emerged as part of the Romantic literary tradition.

A glorious new edition of Robin Jarvis’s classic and the inspiration for The Power of Dark and its sequels. Contains bonus material specially produced for this Egmont Modern Classics title.

When orphans Ben and Jennet arrive in the seaside town of Whitby to stay with Alice Boston, they have no idea what to expect. A lively 92-year-old, Miss Boston is unlike any other foster mother they’ve known.

Ben is gifted with ‘the sight’, which gives him the power to see things invisible to other mortals. He soon encounters the mysterious fisher folk who live under the cliffs and discovers that Alice and her friends are not quite what they seem.

But a darkness is stalking the streets of Whitby, bringing with it fear and death. Could it be a ghost from the Abbey? Or a beast from hell? Unless the truth is uncovered, the town and all its inhabitants is doomed.

The Romantic Period was one of the most exciting periods in English literary history.

This book provides a comprehensive and up-to-date account of the intellectual and cultural background to Romantic literature. Accessibly written and avoiding theoretical jargon, the author begins with two chapters that establish the broad historical and geographical coordinates of English Romanticism.

The book then goes on to look at:

• the changing literary marketplace and so-called Acirculation revolutionA

• the troubled territories of education and family life
• crucial developments in the natural sciences, religious controversies and the crisis of Anglicanism
• the emergence of a modern historical consciousness
• major trends in aesthetics and the visual arts

Also accompanied by a detailed chronology and plentiful suggestions for further reading, this book provides a solid foundation for students to make their own sense of the poetry, fiction and other creative writing that emerged as part of the Romantic literary tradition.

Robin Jarvis is Reader in the Department of English at the University of the West of England, Bristol.

Why and how did people read literature on North America by explorers, travellers, emigrants, and tourists? This is the central question Robin Jarvis takes up as he addresses a significant gap in scholarship on travel writing: its contemporary reception. Referencing reviews in the periodical press, personal journals, letters, autobiographies, marginalia, and bibliographical evidence relating to the production, distribution, and reception of travel literature, Jarvis focuses especially on the ideas and perceptions of North America expressed by individuals who never visited the subcontinent. Among the issues Jarvis explores are what the British reception of North American travel narratives says about the ways in which the United States was imagined in the Romantic period; how poets such as Samuel Taylor Coleridge, Felicia Hemans, Robert Southey, and William Wordsworth, all voracious travel readers, incorporated their readings of travel books into their works; and the ways in which the reception of North American travel writing should be contextualized within the broader contours of British society and culture. Significantly, Jarvis differentiates between different communities of readers to show the extent to which class or professional status affected the way travel literature was read. Of equally crucial importance, he discusses the reception of travel literature on Canada and the Arctic as distinct from that on the United States. His book constitutes the most thorough exploration to date of the private reading experiences of travel literature during the Romantic period.

Why and how did people read literature on North America by explorers, travellers, emigrants, and tourists? This is the central question Robin Jarvis takes up as he addresses a significant gap in scholarship on travel writing: its contemporary reception. Referencing reviews in the periodical press, personal journals, letters, autobiographies, marginalia, and bibliographical evidence relating to the production, distribution, and reception of travel literature, Jarvis focuses especially on the ideas and perceptions of North America expressed by individuals who never visited the subcontinent. Among the issues Jarvis explores are what the British reception of North American travel narratives says about the ways in which the United States was imagined in the Romantic period; how poets such as Samuel Taylor Coleridge, Felicia Hemans, Robert Southey, and William Wordsworth, all voracious travel readers, incorporated their readings of travel books into their works; and the ways in which the reception of North American travel writing should be contextualized within the broader contours of British society and culture. Significantly, Jarvis differentiates between different communities of readers to show the extent to which class or professional status affected the way travel literature was read. Of equally crucial importance, he discusses the reception of travel literature on Canada and the Arctic as distinct from that on the United States. His book constitutes the most thorough exploration to date of the private reading experiences of travel literature during the Romantic period.

This collection of essays by leading and new British scholars demonstrates the different ways in which Romanticism is currently being revalued and reconceived. No longer are scholars working within the constraints of the old canon which insisted on the division of the central and the marginal, for new Romanticism is being realised as a wider range of cultural activity unconfined by genre, gender, class, rhetoric or style.

Matt Haig, Derek Landy, Philip Reeve, Joseph Delaney, Susan Cooper, Mal Peet, Berlie Doherty, Robin Jarvis, Eleanor Updale, Jamila Gavin and Sam Llewellyn have come together to bring you eleven spine-tingling stories. Watch your step as you take a ghost walk around the ancient city of York and a long-ago woodland which is reawakening. Be warned of the drowned boy who will stop at nothing to find someone to play with for all time. Look into the mirror, where a lost child lurks, ready to pull you in, and try not to cry out at the monstrous creatures prowling for their next victim. Some stories will make you scream, some will make you shiver - but all will haunt you long after you've put the book down . . .

When Sylvia Van Kirk published her groundbreaking book, Many Tender Ties, in 1980, she revolutionized the historical understanding of the North American fur trade and introduced entirely new areas of inquiry in women's, social, and Aboriginal history. Finding a Way to the Heart examines race, gender, identity, and colonization from the early nineteenth to the late twentieth century, and illustrates Van Kirk's extensive influence on a generation of feminist scholarship.

When Sylvia Van Kirk published her groundbreaking book, Many Tender Ties, in 1980, she revolutionized the historical understanding of the North American fur trade and introduced entirely new areas of inquiry in women's, social, and Aboriginal history. Using Van Kirk's themes and methodologies as a jumping-off point, Finding a Way to the Heart examines race, gender, identity, and colonization from the early nineteenth to the late twentieth century, and illustrates Van Kirk's extensive influence on a generation of feminist scholarship.

This collection of essays by leading and new British scholars demonstrates the different ways in which Romanticism is currently being revalued and reconceived. No longer are scholars working within the constraints of the old canon which insisted on the division of the central and the marginal, for new Romanticism is being realised as a wider range of cultural activity unconfined by genre, gender, class, rhetoric or style.

"Fun for Hobbit-addicts and Potter-philes of all ages." -Publishers Weekly Dark forces are brewing in Hagwood The werlings of Hagwood live peacefully in the trees of the forest-overlooked and unbothered while they leisurely perfect the art of wergling (shape-changing). But unlike his fellow werlings, the bumbling Gamaliel Tumpin can't manage to wergle into even the simplest of forms-a mouse-like his peers. He's tormented by his sister, Kernella, and teased by his classmates. And he envies star student Finnen Lufkin, who can transform into almost any creature. But wergling will soon be the least of Gamaliel's troubles. The evil elf queen Rhiannon, the High Lady of the Hollow Hill, is desperately seeking a precious possession that was stolen long ago. Her evil knows no bounds, and with her army of monstrous thorn ogres, she will not stop until it's found. The werlings' peaceful existence is threatened by death and danger-and clumsy, awkward Gamaliel will need to call on the strength within him to fight for his family and his home. "Jarvis turns up the volume on his trademark suspense blended with whimsy, and readers are drawn deeper into the magical conflict through Gamaliel and Finnen's involvement. Fun for Hobbit-addicts and Potter-philes of all ages." -Publishers Weekly "The intriguing characters, fast-moving plot, and thrilling (and sometimes gruesome) action will be popular with many readers, and the ending will leave them waiting eagerly for another installment." -School Library Journal "A sure bet for fans of heroic fantasy." -Booklist " T]he narrative gradually builds tension to a furious, action-packed climax. Fantasy adventure fans will be grateful for the cliffhanger ending that promises another installment." -Kirkus Reviews "Here is a richly woven tale Robin Jarvis has created a marvelous, mysterious new landscape, peopled with characters who truly come alive for the reader. I look forward to returning often, and to following many quests deep into Hagwood." -T. A. Barron, author of The Lost Years of Merlin "Thorn Ogres of Hagwood is a rattling good fantasy adventure . . . Author Robin Jarvis has created wonderful characters . . . Most intriguing is young Gamaliel Tumpin-a werling with a pinch of Harry Potter and] a dash of Frodo Baggins . . . I am very much looking forward to the next book in the series." -Robert D. San Souci, author of the Short & Shivery series Robin Jarvis (b. 1963) spent most of his school years in art rooms. After a degree course in graphic design, he worked in television, making models and puppets. One evening, while doodling, he began inventing names and stories for his drawings, and thus began his writing career. His first book, The Depford Mice (1989), established Jarvis as a bestselling children's author. Jarvis came up with the story for Thorn Ogres of Hagwood while on a forest hike, when he heard a racket up in the trees and saw two squirrels chasing each other. He suddenly thought that perhaps only one of them was a real squirrel and the other an imposter, and so the werling creatures were born. Jarvis has been shortlisted for numerous awards, and won the Lancashire Libraries Children's Book of the Year Award. One of his trilogies, Tales from the Wyrd Museum, was on a list of books recommended by then-British Prime Minister Tony Blair for dads to read with their sons. He lives in Greenwich, London, and still makes model monsters, mostly on the computer.

The race to save Hagwood has begun Wicked queen Rhiannon, High Lady of the Hollow Hill, is more intent than ever on finding the enchanted casket containing her heart. Made immortal through evil sorcery, she has ruled the land of Hagwood heartlessly for far too long. If someone can discover the lost casket and destroy the beating heart within, her terrible reign will end. The werlings Finnen and Gamaliel-in possession of the golden key that will unlock the High Lady's casket-race to find it first. Their quest leads them to the Pool of the Dead, where the hideous Peg-tooth Meg resides with her slimy snails and mutated sluglungs. Caught between the armies of Peg-tooth Meg and the High Lady, Gamaliel and his friends must make a desperate stand to save the world of Hagwood from the forces of evil. This ebook features an illustrated biography of Robin Jarvis including rare photos from the author's personal collection. Praise for Thorn Ogres of Hagwood, Book One of the Hagwood Trilogy: "Fun for Hobbit-addicts and Potter-philes of all ages." -Publishers Weekly "A sure bet for fans of heroic fantasy." -Booklist "Here is a richly woven tale " -T. A. Barron, author of The Lost Years of Merlin Robin Jarvis (b. 1963) spent most of his school years in art rooms. After a degree course in graphic design, he worked in television, making models and puppets. One evening, while doodling, he began inventing names and stories for his drawings, and thus began his writing career. His first book, The Depford Mice (1989), established Jarvis as a bestselling children's author. Jarvis came up with the story for Thorn Ogres of Hagwood while on a forest hike, when he heard a racket up in the trees and saw two squirrels chasing each other. He suddenly thought that perhaps only one of them was a real squirrel and the other an imposter, and so the werling creatures were born. Jarvis has been shortlisted for numerous awards, and won the Lancashire Libraries Children's Book of the Year Award. One of his trilogies, Tales from the Wyrd Museum, was on a list of books recommended by then-British Prime Minister Tony Blair for dads to read with their sons. He lives in Greenwich, London, and still makes model monsters, mostly on the computer.

Who will survive the war in Hagwood? The war in Hagwood has begun. Rhiannon Rigantonan, the ruthless High Queen of Faerie, fights not only for her own immortality and her iron rule over Hagwood, but also to serve her most far-reaching ambition: to conquer every corner of the known world. While the enchanted casket that holds the High Lady’s mortal heart has been found, the golden key that can unlock it—and put an end to her reign of terror—has been lost. And if the queen gains possession of the key, no one will be able to oppose her. Meanwhile, the queen’s long-exiled sister, Princess Clarisant, joins together with the diminutive werlings to combat the forces of evil. Vastly outnumbered, their only hope is a miracle. Always the reluctant hero, Gamaliel Tumpin is chosen for a special destiny, but it will come at a cost. As lives are lost and a bloody battle rages, the fate of Hagwood will be decided once and for all.