'Happiness beyond all words! A life of peace and love, entire and whole!' A collection of cantos from Paradiso, the most original and experimental part of the Divina Commedia. One of 46 new books in the bestselling Little Black Classics series, to celebrate the first ever Penguin Classic in 1946. Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.

'I truly thought I'd never make it back.' Ten of the most memorable and most terrifying cantos from Dante's Inferno. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Dante Alighieri (1265-1321). Dante's works available in Penguin Classics are Inferno, Purgatorio, Paradiso, The Divine Comedy and Vita Nuova.

This is the first comprehensive critical comparison of English and Italian literature from the three centuries from Dante to Shakespeare. It begins by examining Chaucer's relationship with Dante, Petrarch and Boccaccio, and then looks at similar relationships within the areas of humanist education, lyric poetry, the epic, theatrical comedy, the short story and the pastoral drama. It provides a detailed comparison of major works from both traditions including descriptive and critical readings of Italian works. It shows why English writers valued such works and demonstrates the ways in which they departed from or tried to outdo the Italian original. Assuming no prior knowledge of Italy or Italian literary history, this book introduces the student and general reader to one of the most important and fascinating phases in European literary history.

This is the first comprehensive critical comparison of English and Italian literature from the three centuries from Dante to Shakespeare. It begins by examining Chaucer's relationship with Dante, Petrarch and Boccaccio, and then looks at similar relationships within the areas of humanist education, lyric poetry, the epic, theatrical comedy, the short story and the pastoral drama. It provides a detailed comparison of major works from both traditions including descriptive and critical readings of Italian works. It shows why English writers valued such works and demonstrates the ways in which they departed from or tried to outdo the Italian original. Assuming no prior knowledge of Italy or Italian literary history, this book introduces the student and general reader to one of the most important and fascinating phases in European literary history.

Dante's masterpiece of literature is well matched by the peerless art of Gustave Dore. Dante and his guides, Virgil and Beatrice, journey through the cantos in an allegory of the passage of the soul through the Afterlife, with the subtle engraving of Dore's illustrations perfectly complementing the movement from darkness through to light.

Discover Dante's original Inferno in this modern and acclaimed Penguin translation. Describing Dante's descent into Hell with Virgil as a guide, Inferno depicts a cruel underworld in which desperate figures are condemned to eternal damnation for committing one or more of seven deadly sins. As he descends through nine concentric circles of increasingly agonising torture, Dante encounters many doomed souls before he is finally ready to meet the ultimate evil in the heart of Hell: Satan himself. This new edition of Inferno includes explanatory notes and illustrations showing the different layers of hell. Robin Kirkpatrick's masterful translation is also available in a bilingual Penguin edition, with the original Italian on facing pages, and in a complete edition of The Divine Comedy with an introduction and other editorial materials. Dante Alighieri was born in 1265. He studied at the university of Bologna, married at the age of twenty and had four children. His first major work was La Vita Nuova (1292), a tribute to Beatrice Portinari, the great love of his life who had died two years earlier. In 1302, Dante's political activism resulted in his being exiled from Florence. After years of wandering, he settled in Ravenna and in about 1307 began writing The Divine Comedy. Dante died in 1321. Robin Kirkpatrick is a poet and widely-published Dante scholar. He has taught courses on Dante's Divine Comedy in Hong Kong, Dublin and Cambridge, where is Fellow of Robinson College and Professor of Italian and English Literatures. 'The perfect balance of tightness and colloquialism...likely to be the best modern version of Dante' - Bernard O'Donoghue

With Italy at its centre, but encompassing the whole of Renaissance Europe, this evocative history challenges some of the popularly-held views on the Renaissance period. In particular, whilst always acknowledging the brilliance and exhuberance of Renaissance culture, Robin Kirkpatrick draws equal attention to the strangeness and often unresolved tensions that lay beneath the surface of that culture.Insisting on a European rather than purely Italian viewpoint, he embraces Renaissance thinking and culture in all its diversity: from Northern thinkers such as Cusanus, Luther and Calvin, to the painting of Van der Weyden and El Greco, and the music of the Flemish musicians, Josquin des Prez and Orlando Lassus. Special attention is also paid to the unique contribution made by Margueritte of Navarre to the development of humanist culture. The book concludes with a study of Shakespeare in which his plays are viewed as a searching critique of some of the main principles of Renaissance culture.

This evocative history reviews both the artistic production of the European Renaissance, and the social and economic soil in which it flourished.

This is a beautifully presented and lavishly illustrated history which brings together all Renaissance arts throughout Europe - plays, music, literature and philosophy. With Italy at its center, but encompassing the visual and literary arts throughout Renaissance Europe, it examines the familiar literary and artistic giants of the time and also pays attention to less recognized artists and craftsmen, and examines the crafts of marquetry, silver-work and architectural ornamentation which were central to that period.

Part of Penguin's beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality colourful, tactile cloth with foil stamped into the design. Describing Dante's descent into Hell midway through his life with Virgil as a guide, Inferno depicts a cruel underworld in which desperate figures are condemned to eternal damnation for committing one or more of seven deadly sins. As he descends through nine concentric circles of increasingly agonising torture, Dante encounters doomed souls including the pagan Aeneas, the liar Odysseus, the suicide Cleopatra, and his own political enemies, damned for their deceit. Led by leering demons, the poet must ultimately journey with Virgil to the deepest level of all. For it is only by encountering Satan, in the heart of Hell, that he can truly understand the tragedy of sin.

Robin Kirkpatrick's masterful verse translation of The Divine Comedy, published in a single volume, is the ideal edition for students as well as the general reader coming to this great masterpiece of Italian literature for the first time The Divine Comedy describes Dante's descent into Hell with Virgil as a guide; his ascent of Mount Purgatory and encounter with his dead love, Beatrice; and finally, his arrival in Heaven. Examining questions of faith, desire and enlightenment, the poem is a brilliantly nuanced and moving allegory of human redemption. This volume includes a new introduction, notes, maps and diagrams 'The perfect balance of tightness and colloquialism... likely to be the best modern version of Dante' - Bernard O'Donoghue 'The most moving lines literature has achieved' - Jorge Luis Borges 'This version is the first to bring together poetry and scholarship in the very body of the translation - a deeply-informed version of Dante that is also a pleasure to read' - Professor David Wallace, University of Pennsylvania Individual editions of Robin Kirkpatrick's translation - Inferno, Purgatorio and Paradiso - are also available in Penguin Classics, and include Dante's Italian printed alongside the English text.

In this 1978 book, it is Dr Kirkpatrick's contention that critics have yet to present a satisfactory account of Dante's originality in the Paradiso. We shall best appreciate the Paradiso, he argues, if we recognise that poetry can not only dramatise thought, but also offer a thorough analysis of religious and philosophical belief. Considering Dante's own discussions of poetry and language in the Convivio and De Vulgari Eloquentia, Dr Kirkpatrick claims that, for Dante, direct and careful statement is itself a special responsibility of the poet. This attitude is shown in detail to conflict with a view that critics continue to derive from T. S. Eliot and from theoreticians such as Croce and Terracini, whereby poetic language is allowed only an expressive and imaginative function. Dr Kirkpatrick demonstrates how in practice Dante's adoption of analytical language influences the organisation of his poem and his handling of word and image.

This book represents a major re-assessment of Dante's Inferno, and of the place which the Inferno occupies in the plan of the whole Commedia. On evidence drawn also from the Paradiso and Purgatorio, Dr Kirkpatrick argues that Dante's thinking and poetry are subject to far greater internal tension than is commonly supposed. He then proceeds to analyse each of the thirty-four cantos of the Inferno, and to relate each canto in turn to its thematic and narrative context. Throughout, Dr Kirkpatrick is particularly concerned with features of language and structure which scholars have tended to overlook in emphasising the philosophical character of Dante's poetry. And while he chooses, for the sake of clarity, to write in the accessible language of interpretative criticism, he continually stresses the extent to which advances in modern critical practice may usefully be brought to bear upon Dante's writing.

A stunning 3-in-1 deluxe edition of one of the great works of Western literature An epic masterpiece and a foundational work of the Western canon, "The Divine Comedy" describes Dante's descent into Hell with Virgil as his guide; his ascent of Mount Purgatory and reunion with his dead love, Beatrice; and, finally, his arrival in Heaven. Examining questions of faith, desire, and enlightenment and furnished with semiautobiographical details, Dante's poem is a brilliantly nuanced and moving allegory of human redemption. This acclaimed blank verse translation is published here for the first time in a one-volume edition.

In this accessible critical introduction to Dante's Divine Comedy Robin Kirkpatrick principally focuses on Dante as a poet and storyteller. He addresses important questions such as Dante's attitude towards Virgil, and demonstrates how an early work such as the Vita nuova is a principal source of the literary achievement of the Comedy. His detailed reading reveals how the great narrative poem explores the relationship that Dante believed to exist between God as creator of the universe and the human being as a creature of God. In addition, Kirkpatrick takes due account of the historical and philosophical dimensions of the poem.

Inferno is the first part of Dante's epic poem The Divine Comedy, revealing the eternal punishment reserved for such sins as greed, self-deception, political double-dealing and treachery. This Penguin Classics edition is translated and edited with an introduction and notes by Robin Kirkpatrick. Describing Dante's descent into Hell midway through his life with Virgil as a guide, Inferno depicts a cruel underworld in which desperate figures are condemned to eternal damnation for committing one or more of seven deadly sins. As he descends through nine concentric circles of increasingly agonising torture, Dante encounters doomed souls including the pagan Aeneas, the liar Odysseus, the suicide Cleopatra, and his own political enemies, damned for their deceit. Led by leering demons, the poet must ultimately journey with Virgil to the deepest level of all. Portraying a huge diversity of characters culminating in a horrific vision of Satan, the Inferno broke new ground in the vigour of its language and storytelling. It has had a particular influence on Modernist writers and their successors throughout the world. Printed in English with facing pages in Dante's Italian, this edition offers commentaries and notes on each canto by Robert Kirkpatrick. Dante Alighieri (1265-1321), scion of a Florentine family, mastered in the art of lyric poetry at an early age. His first major work is La Vita Nuova (1292) an exercise in sonnet form constructed as a tribute to Beatrice Portinari, the great love of his life. It is believed that The Divine Comedy - comprised of three canticles, Inferno, Purgatorio, and Paradiso - was written between 1308 and 1320. If you enjoyed the Inferno you might like Giovanni Boccaccio's Decameron, also available in Penguin Classics. 'Kirkpatrick brings to this English Dante both his perfect knowledge of the Italian and an extraordinarily good ear in his own language' Professor Piero Boitani, University of Rome

In Purgatorio Dante, having described his journey into Hell, narrates his ascent of Mount Purgatory with Virgil, as he encounters penitents who toil through physical agonies, starvation and flames to assuage their earthly vices. Only by learning from them can he achieve his final enlightened transition to the lost Earthly Paradise at the mountain's summit, where he meets his dead love, Beatrice, and prepares to ascend to Heaven. Depicting a realm of intense sensation and physical experience, Dante's poem transformed the traditional Christian idea of Purgatory by showing how the free will of the aspiring soul could change wordly perversions into perfection. It is a brilliantly nuanced and moving allegory of human possibility, hope and redemption.

The second part and the radiant climax to Dante's awe-inspiring epic, in a definitive new translation
Having plunged to the utmost depths of Hell and climbed Mount Purgatory in the first two parts of "The Divine Comedy," Dante now ascends to Heaven, guided by his beloved Beatrice, to continue his search for God. As he progresses through the spheres of Paradise, he grows ever closer to experiencing divine love in the overwhelming presence of the deity. Examining eternal questions of faith, desire, and enlightenment, Dante exercised all of his learning and wit, wrath and tenderness in his creation of one of the greatest of all Christian allegories.