Terence Donovan (1936-1996) was one of the foremost photographers of his generation, with a career spanning almost 40 years. He came to prominence in London as part of a post-war renaissance in art, design and music, representing a new force in fashion and, later, advertising and portrait photography. He operated at the heart of London's Swinging Sixties, both as participant in, and observer of, the world he so brilliantly and incisively captured with his camera. Born into a working-class family in East London, Donovan was fascinated by photography and printmaking from an early age. He opened his own studio in 1959 at the age of twenty-two and was immediately sought after by a range of clients, including leading advertising agencies and fashion and lifestyle magazines of the time, including Vogue, Harper's Bazaar and Elle. Terence Donovan: 100 Fashion Photos brings together the very best of his fashion photography, from his ground-breaking work in the sixties to the superlative glamour of the supermodels of the nineties. Gifted with an unerring eye for the iconic as well as the transformative, Donovan was a master of his craft, a technical genius who pushed the limits of what was possible with a camera. This stylish book contains some of his most famous shots, as well as previously unseen images, and is a perfect gift for lovers of both fashion and photography.

A captivating photographic odyssey spanning fashion, Hollywood and travel, this is the first publication in almost 40 years on the work of George Hoyningen-Huene, the photographer whose images defined an era. Baron George Hoyningen-Huene (1900–1968), known simply as Huene, worked during the golden age of couture fashion and Hollywood cinema. He was born in St Petersburg to a wealthy family, but they had to flee their home during the Russian revolution in 1917. Huene spent time in England before moving to Paris, where he was employed to create photographs for Vogue and Vanity Fair and rapidly established himself as a visual innovator, fusing elements of neoclassicism and surrealism to create chic, arresting images. In 1935, Huene joined Harper’s Bazaar magazine, where he remained a contributor until 1946, following which he settled in California and embarked on a second career as a colour coordinator for Hollywood films. Supported by an international exhibition opening at Chanel Nexus Hall in Tokyo, this book combines elegant design and production values with rigorous new research and scholarship. Organized into eight chapters, each supported by texts by contributing writers from the worlds of fashion, cinema and photography, and featuring names and faces that have defined our view of style, glamour and grace in the 20th century, it reminds us of Huene’s position among the greats of photography.

'What a fabulous book - a must for any royal watcher! It's elegant, stylish and gloriously illustrated. I didn't want it to end. I loved the original and innovative approach to the subject, and the new insights I gained. I cannot recommend it highly enough.' Alison Weir One of the Independent's 'best books to give this Christmas'. A lavishly illustrated celebration of the 70-year reign of Queen Elizabeth II and the British Royal Family from the unrivalled archive of British Vogue. 'Vogue, like the royal family, has been through many evolutions of its own, and to view Her Majesty's life though the record of our pages is truly a document of history.' - Edward Enninful, Editor-in-Chief of British Vogue Four monarchs (crowned and uncrowned); one abdication; one royal investiture; a jewel box of jubilees and many, many royal marriages... British Vogue has borne witness to a century of royal history. The Crown in Vogue is the magazine's 'special royal salute' to our longest serving monarch and her 'assured and unwavering' presence in the lives of a nation. Vogue's first star photographer, Cecil Beaton, was entranced by the House of Windsor and the admiration was mutual. A younger star photographer, Antony Armstrong Jones, left Vogue to marry the Queen's sister and returned as Lord Snowdon. The Queen's cousin, Vogue's Lord Lichfield proved an insightful photographer of royal style along with many of Vogue's fashion photographers including Horst, Norman Parkinson and David Bailey. With visual treasures from Vogue's unrivalled archive and contributions through the decades from the most perceptive of royal commentators - from Evelyn Waugh to Zadie Smith - The Crown in Vogue is the definitive, authoritative portrait of Queen Elizabeth II's magnificent reign - and of royalty in the modern age.

Throughout history, fashion models have occupied a curious position: while their faces were instantly familiar, virtually nothing else was known about them. But their impression upon Vogue's readership has always been considerable -- they reflect and represent the ever-changing ideal of beauty. It was models such as Barbara Goalen and Fiona-Campbell Walter in Britain and Lisa Fonssagrives and Dorien Leigh in the US, in the 1950s, who were the first to become household names and to achieve the glamour and prestige that came with world fame. The supermodels of the 1990s turned the profession into a billion-dollar industry, and today models like Kate Moss, Claudia Schiffer and Gisele Bundchen are brand names. Our fascination with these sublime creatures never seems to wane. Shining a light on these women's lives, Vogue Model uses photographs and illustrations from more than ninety years of Vogue's history to tell the fascinating story of the real faces of fashion.

The archives of British Vogue define modern portraiture. Its collection remains the essential barometer of the social and cultural changes of the last century. So, portrayed here are the great, the good, and, frequently, the infamous too. PEOPLE IN VOGUE provides an insight into those who, through talent, beauty, personality or an alchemical combination of all three, set a stamp on their age. From life-enhancers to the great catalysts of change. Princesses and pop stars. Models, writers and actors. Architects and designers. Society beauties and style dictators. Scientists and world leaders. They all appear here, fixed in their time by the 20th- century's leading photographers: Hoppe, Baron de Meyer, Horst, Beaton, Steichen, Snowdon, Parkinson, Bailey, Newton, Weber, Knight, Teller, Testino and others. A commentary accompanies each picture, describing the subject and their allure (or notoriety) in terms of their era, circumstance and lifestyle, frequently with the reactions of Vogue's critics and commentators. PEOPLE IN VOGUE is a unique modern archive of a century and beyond -- as stunningly produced as the people within its pages.

UNSEEN VOGUE goes beyond the cliches and often repeated 'greatest hits' of fashion photography and tells a completely new story. Drawn from the archives of British Vogue, an immense resource of over 1,000,000 images, the book presents hundreds of images never seen before - the killed pictures, rejects and out-takes - to form a fresh, new history of fashion photography. Featuring the first attempts of many now internationally famous photographers, great pictures by forgotten masters, out-takes from famous shoots and many other extraordinary and sometimes controversial pictures. By showing contact sheets and unedited film UNSEEN VOGUE opens up the process of making fashion images, previously the reserve of fashion's inner circle. From Irving Penn to David Bailey, from Cecil Beaton to Mario Testino - the new book will be an authoritative addition to the documented history of fashion photography.

Cecil Beaton (1904-1980) is one of the most celebrated British Portrait photographers of the twentieth century and is renowned for his images of elegance, glamour and style. His influence on portrait photography was profound and lives on today in the work of many contemporary photographers. Beaton used his camera, his ambition and his larger-than-life personality to mingle with a flamboyant and rebellious group of artists, writers, socialites and partygoers. These 'Bright Young Things' captured the spirit of the roaring twenties and thirties as they cut a dramatic swathe through the epoch. Beaton quickly developed a reputation for his beautiful, often striking and fantastic photographs, which culminated in his portraits of Queen Elizabeth in 1939. More than a photographer, Beaton became a society fixture in his own right. In a series of themed chapters, covering Beaton's first self-portraits and earliest sitters to his time at Cambridge and as principle society photographer for Vogue and Vanity Fair, over 60 leading figures who sat for him are profiled and the dazzling parties, pageants and balls of the period are brought to life. Among this glittering cast are Beaton's socialite sisters Baba and Nancy Beaton, Stephen Tennant, the Mitfords, Siegfried Sassoon, Evelyn Waugh and Daphne Du Maurier. Beaton's photographs are complemented by a wide range of letters, drawings and ephemera and contextualised by artworks created by those in his circle, including Christopher Wood, Rex Whistler and Henry Lamb.

Inventive, glamorous, gorgeous - since the beginning VOGUE has set the platinum standard for fashion magazines the world over and has become an icon in its own right. VOGUE's covers sum up the superlative visual ideals of the whole magazine. For the first time, this book brings together in one volume nearly a century of covers both illustrated and photographic. Over two hundred stunning images have been selected from an archive of more than fifteen hundred. What sets VOGUE's covers apart is that each is so bold, so beautiful and so emphatically different. They mark the course of history, chart changing fashions and ideas of beauty and hold up a mirror to the cultural and social revolutions of the twentieth century. Since 1916 VOGUE's covers have celebrated the most striking women of our age, captured by the century's leading photographers, the greatest artists and the most inventive fashion. Brilliant, captivating and full of life, this is the face of the world's most influential magazine and the original style bible.

In the quest for beauty there has only ever been one authority - Vogue. The magazine's pursuit of perfection has chronicled the changing face of beauty at its seductive best; its photographs and illustrations represent the power of the transformation of self, the creative statement made with a brush of make-up, the seduction implied in a gloss of lipstick. Having created a world where the female form rules supreme, Vogue is the fairy godmother to beauty's fable and Vogue Beauty celebrates the fashion and form that has shaped our viewpoint: clothed or naked; dramatically enhanced or naturally simplistic; the face, the mask, the luxury, the allure of the aesthetic. Capturing the scent of glamour alongside the romance of woman, Vogue Beauty is as classic as a stick of red lipstick.