"Sylvan's thesis furnishes far more of the same valued experiences than is usually realized: ritual activity, communal ceremony, a philosophy and worldview, a code for living one's life, a cultural identity, a social structure, a sense of belonging, and crucially, Sylvan argues encounters with the numinous."
--"Journal of Religion"

Most studies of the religious significance of popular music focus on music lyrics, offering little insight into the religious aspects of the music itself. Traces of the Spirit examines the religious dimensions of popular music subcultures, charting the influence and religious aspects of popular music in mainstream culture today and analyzing the religious significance of the audience's experiences, rituals, and worldviews. Sylvan contends that popular music subcultures serve the function of religious communities and represent a new and significant religious phenomenon.

Drawing on ethnographic fieldwork using interviews and participant observation, Sylvan examines such subcultures as the Deadheads, raves and their participants, metalheads, and Hip Hop culture. Based on these case studies, he offers a comprehensive theoretical framework in which to study music and popular culture. In addition, he traces the history of West African possession religion from Africa to the diaspora to its integration into American popular music in such genres as the blues, rock and roll, and contemporary musical youth subcultures.

The first book to provide a comprehensive exploration of the spiritual and religious dimensions of global rave culture, Trance Formation is a fascinating study of the rich spiritual subcultures which continue to flourish across the world, from Nevada, to London and Berlin. From warehouse raves and clubs, to Burning Man and the Love Parade, author Robin Sylvan combines colourful firsthand interviews with cutting-edge scholarly analysis and paints a compelling portrait of global rave culture as an important new spiritual and religious phenomenon. Over the course of two decades, the rave scene has evolved into much more than just an electronic dance party. For thousands of people around the world, it has become an important source of spirituality and the closest thing they have to religion. Trance Formation examines: innovative forms of religious experience; ritual practice; alternative lifestyle; and spiritual community. Trance Formation will not only be central reading for all electronic and pop music fans, it will also prove an invaluable read for alternative culture aficionados and religious studies students.

The first book to provide a comprehensive exploration of the spiritual and religious dimensions of global rave culture, Trance Formation is a fascinating study of the rich spiritual subcultures which continue to flourish across the world, from Nevada, to London and Berlin. From warehouse raves and clubs, to Burning Man and the Love Parade, author Robin Sylvan combines colourful firsthand interviews with cutting-edge scholarly analysis and paints a compelling portrait of global rave culture as an important new spiritual and religious phenomenon. Over the course of two decades, the rave scene has evolved into much more than just an electronic dance party. For thousands of people around the world, it has become an important source of spirituality and the closest thing they have to religion. Trance Formation examines: innovative forms of religious experience; ritual practice; alternative lifestyle; and spiritual community. Trance Formation will not only be central reading for all electronic and pop music fans, it will also prove an invaluable read for alternative culture aficionados and religious studies students.

"Sylvan's thesis furnishes far more of the same valued experiences than is usually realized: ritual activity, communal ceremony, a philosophy and worldview, a code for living one's life, a cultural identity, a social structure, a sense of belonging, and crucially, Sylvan argues encounters with the numinous."
--"Journal of Religion"

Most studies of the religious significance of popular music focus on music lyrics, offering little insight into the religious aspects of the music itself. Traces of the Spirit examines the religious dimensions of popular music subcultures, charting the influence and religious aspects of popular music in mainstream culture today and analyzing the religious significance of the audience's experiences, rituals, and worldviews. Sylvan contends that popular music subcultures serve the function of religious communities and represent a new and significant religious phenomenon.

Drawing on ethnographic fieldwork using interviews and participant observation, Sylvan examines such subcultures as the Deadheads, raves and their participants, metalheads, and Hip Hop culture. Based on these case studies, he offers a comprehensive theoretical framework in which to study music and popular culture. In addition, he traces the history of West African possession religion from Africa to the diaspora to its integration into American popular music in such genres as the blues, rock and roll, and contemporary musical youth subcultures.