An Obeisance to Frogs, is Robin Winckel Mellish's third poetry collection.

In these pieces the contrast between the natural worlds of South Africa and Europe are brought into sharp focus, and her eye for detail and emotional connectedness to place and people are especially highlighted. The poems cross thresholds between animals, love and finally The Kaggen cycle, which is rich in mythology both personal and cultural.

These poems offer up a precise honouring of the wild, with a deeply felt sense of attachment to a planet in peril.

In this second collection Messages from the Bees Robin Winckel-Mellish shows the same qualities as A Lioness at my Heels, but this time runs deeper, darker and stronger. She delves not only into the riotous colours of southern Africa: birds, bees and caracals, but also climate change, while different kinds of love are pinpointed. Her poems of loss and grief are candid and even sensuous, showing the beauty of simplicity in bleakness. Both delicate and reflective these poems honour the wild while retaining a deeply-felt sense of connection with all that is relevant to our lives.

The hemispheric pull between Europe and Africa and the restlessness that results from inhabiting both worlds is reflected in A Lioness at my Heels. Robin Winckel-Mellish reconciles the muted tones of her Europe with the riotous colour of Africa. The immediacy, vividness and dustiness of the harsh African sun is carefully offset by the softer quality of the Netherlands. All poems are mediated and considered in the light of a spiritual home. Robin Winckel-Mellish lives in the Netherlands and runs a poetry critique group in Amsterdam. Her work has been published in many international literary journals. Her first collection, A Lioness at my Heels, explores living in Europe and being South African.