Wall Street Journal reporters Joshua Robinson and Jonathan Clegg offer a deeply reported account of the intertwined sagas and legacies of two of the greatest soccer players of all time—Lionel Messi and Cristiano Ronaldo—examining how their rivalry has grown from a personal competition to a multi-billion-dollar industry, paralleling the stunning rise, overwhelming excesses, and uncertain future of modern international soccer.

For over fifteen years, almost any conversation about international soccer has always come back to two players—Lionel Messi and Cristiano Ronaldo—undoubtedly the greatest of their generation but with styles, attitudes, and fanbases that couldn’t be more different. For millions of people around the world “Messi or Ronaldo?” isn’t simply a barroom argument, or an affirmation of fandom, so much as a statement of philosophy, of values, of what global soccer is today and of what it will be tomorrow.

Now Wall Street Journal reporters and co-authors of The Club, Joshua Robinson and Jonathan Clegg, unite the stories of Messi and Ronaldo into a single modern epic of global sports, detailing how one rivalry changed both the game and the business of international soccer—forever. Based on dozens of firsthand accounts and years of original reporting, Messi vs. Ronaldo weaves together the stakes, color, and characters at the heart of each man’s story, going inside the locker rooms and boardrooms where their legends were forged and revealing off-field drama as gripping as anything that happened on it. From their contrasting origin stories to their divergent career arcs and their conflicting reputations, these players have built their successes on opposite paths, yet each, in his own way, offers a riveting tale of triumph and excess. Taken together, their story embodies the astronomical growth of international soccer, how social media has revolutionized the power of sports celebrity, and how the desire to capitalize on the billions of dollars these players represent electrified some of the most storied clubs in Europe—Barcelona, Real Madrid, and Manchester United among them—and cost them almost everything.

Updated with a new epilogue detailing Messi and Argentina’s remarkable victory in the 2022 World Cup, Messi vs. Ronaldo offers a deeply researched look at their legacy and grapples with the impact that their talents have had on the game for better and for worse. Much more than a retelling of the dual accomplishments of these great players, this is truly a biography of a rivalry, one that has become a crucial lens for understanding the past, present, and future of global soccer.

From the international bestselling author of The Element, Ken Robinson is one of the world's most influential voices in education. In this inspiring, empowering book, he sets out a new vision for how education can be transformed to enable all young people to flourish.

Filled with practical examples and groundbreaking research, it will inspire the change our children urgently need.

Marvel Entertainment was a struggling toymaker not even twenty years ago. Today, Marvel Studios is the dominant player both in Hollywood and in global pop culture. But what accounts for its stunning rise?

In MCU, beloved culture writers Joanna Robinson, Dave Gonzales, and Gavin Edwards draw on more than a hundred interviews with actors, producers, directors, and writers to present the definitive chronicle of Marvel Studios and its sole, ongoing production, the Marvel Cinematic Universe. As they delve into the studio’s key moments – from the contentious hiring of Robert Downey Jr. for Iron Man to the negotiations over Disney’s acquisition of Marvel to studio head Kevin Feige’s embrace of streaming TV – the authors demonstrate that the genius of Marvel was its resurrection and modification of Hollywood’s old studio system.

Dishy and authoritative, MCU is the first book to tell the Marvel Studios story in full – and an essential, effervescent account of popular culture.

A compassionate, shame-free guide for your darkest days

What happens when loving Jesus doesn’t cure you of depression, anxiety, or suicidal thoughts? You might be crushed by shame over your mental illness, only to be told by well-meaning Christians to “choose joy” and “pray more.” So you beg God to take away the pain, but nothing eases the ache inside. As darkness lingers and color drains from your world, you’re left wondering if God has abandoned you.

You just want a way out.

But there’s hope.

In I Love Jesus, But I Want to Die, Sarah J. Robinson offers a healthy, practical, and shame-free guide for Christians struggling with mental illness. With unflinching honesty, Sarah shares her story of battling depression and fighting to stay alive despite toxic theology that made her afraid to seek help outside the church. Pairing her own story with scriptural insights, mental health research, and simple practices, Sarah helps you reconnect with the God who is present in our deepest anguish and discover that you are worth everything it takes to get better.

Beautifully written and full of hard-won wisdom, I Love Jesus, But I Want to Die offers a path toward a rich, hope-filled life in Christ, even when healing doesn’t look like what you expect.

Head over heels The Great Depression has left heiress Jolie Cramer’s family destitute! To save them, Jolie must abandon her dreams of independence and marry wealthy Randal Osterlund. Thank goodness Randal only wants a wife to secure a business deal and shares her feelings about love – nothing but heartache! Jolie quickly realises that’s not all they have in common, but falling for her charismatic husband wasn’t part of their agreement… • Growing up, heiress Randi Osterlund found the only person who didn’t care who her parents were was penniless Jason Heim – until a bitter exchange left bad blood between them. Now, years later, Randi needs Jason’s land for a business venture, but he refuses to sell. There was always something burning between them, and when their arguing turns into one unforgettable night, the consequences could be lasting…

For an understanding of the early Christian movement, two matters are essential. One is the size of the movement. The other is the distribution of the movement. In regard to the first matter, it has been widely assumed that there were 6 million Christians (or 10% of the population of the Roman Empire) around the year 300. But those kinds of calculations have no substantial ancient bases or any modern method by which such numbers can be established. As to the distribution of the movement, the consensus view is that Christianity was an urban movement until the conversion of Emperor Constantine. On close examination, these two popular views-an urban Christianity of 6 million-would nearly saturate every urban area of the entire Roman Empire with Christians, leaving no room for Jews or pagans. That scenario simply does not work. But where does the solution lie? Were there fewer Christians in the Roman world? Was the Roman world much more urbanized that we previously thought? Did large numbers of Jews convert to Christianity? Or, as Thomas Robinson argues, is the urban thesis defective, and the neglected countryside must now be considered in any reconstruction of early Christian growth? In Who Were the First Christians? Robinson deconstructs the "urban thesis, " and then goes further; he asks what was the makeup of the typical Christian congregation, and whether it was a lower-class movement or an upwardly mobile middle-class movement. In answering these questions, Robinson engages with the influential writings of Wayne Meeks, Rodney Stark, and Ramsay MacMullen, among others. He argues persuasively that more attention needs to be given to the countryside and to the considerable contingent of the marginal and the rustic even within urban populations. The result is that this book effectively dismantles the long-accepted urban thesis, and proves that a profoundly revised vision of early Christian growth and development is required.

The 28th twisting installment in the DCI Alan Banks mystery series that Stephen King calls "the best now on the market." In November 1980, Nick Hartley returns home from a university lecture to find his house crawling with police. His ex-girlfriend, Alice Poole, has been found murdered, and her new boyfriend Mark Woodcroft is missing. Nick is the prime suspect. The case quickly goes cold, but Nick cannot let it go. He embarks on a career in investigative journalism, determined to find Alice's murderer--but his obsession leads him down a dangerous path. Decades later, in November 2019, an archaeologist unearths a skeleton that turns out to be far more contemporary than the Roman remains she is seeking. Detective Superintendent Alan Banks and his team are called in to investigate, but there is little to be gleaned from the remains themselves. Left with few clues, Banks and his team must rely on their wits to hunt down a killer. As the two cases unfurl, the investigations twist and turn to an explosive conclusion.

What are the rights of religious institutions? Should those rights extend to for-profit corporations? Houses of worship have claimed they should be free from anti-discrimination laws in hiring and firing ministers and other employees. Faith-based institutions, including hospitals and universities, have sought exemptions from requirements to provide contraception. Now, in a surprising development, large for-profit corporations have succeeded in asserting rights to religious free exercise. The Rise of Corporate Religious Liberty explores this "corporate" turn in law and religion. Drawing on a broad range perspectives, this book examines the idea of "freedom of the church," the rights of for-profit corporations, and the implications of the Supreme Court's landmark decision in Burwell v. Hobby Lobby for debates on anti-discrimination law, same-sex marriage, health care, and religious freedom.

Folly Beach native Gretchen Stringer-Robinson takes the reader through a history of this delightful beach town covering the war years, the innocence of the fifties, the recession of the seventies, Hurricane Hugo and times in between. Visiting colorful characters and beautiful locations, this book will be enjoyed by both residents and visitors.

The Future of our Religious Past The Festschrift produced to celebrate Rudolf Bultmann's eightieth birthday contained articles by an international team of distinguished scholars relating to all the major areas in which Dr Bultmann has worked, and made a volume of over eight hundred pages. It was clearly impossible to make the whole of this tribute available in English, but the present book contains a selection of articles ofparticular interest to the English-speaking world. Contributors include, in the section discussing exegetical questions : Nils Dahl on Qumran, Werner Kummel on Jesus and Eschatology, Ernst Kasemann on Atonement, James M. Robinson on Q, Gunther Bornkamm on Matt. 28.16-2o and Hans Conzelmann on the origin of the Johannine Logos. Those writing on theology and philosophy include : Gerhard Ebeling on 'Time and the Word', Ernst Fuchs on Hermeneutics, Friedrich Gogarten on the task of theology and Martin Heidegger on Leibniz.

This masterful survey of world religions presents a clear and concise portrait of the history, beliefs, and practices of Eastern and Western religions. The authors, both respected scholars of world religions, have over 50 years of combined teaching experience. Their book is accessibly written for introductory classes, can be easily adapted for one- or two-semester courses, and employs a neutral approach for broad classroom use. The third edition has been revised throughout, with updated material on the history and contemporary configurations of each tradition and new sections addressing gender, sexuality, and the environment. It also includes effective sidebars, photographs, timelines, charts, calendars, glossaries, and a spelling guide. Online resources through Baker Academic's Textbook eSources include Powerpoint/Keynote slides, new maps and videos, and a large question bank of multiple-choice test questions (available to professors upon request).

In the exhilarating second romantasy novel in Rebecca Robinson’s Dark Inheritance Trilogy, a fiery couple forced apart must navigate a deadly maze of politics and power to reunite across a continent at war.

Torn from her husband Reid’s arms and dragged back to her homeland in chains, Vaasa is no longer a ruler, but a political pawn. Now under the control of Ozik—a cunning Zetyr witch with a stranglehold on her magic—she faces annulment, forced betrothal, and a kingdom that no longer feels like her own. As Ozik’s machinations aim to install himself as the true power behind the Asteryan throne, Vaasa is forced to take part in his game.

Meanwhile, across the continent, Reid is done playing politics. But waging war is never simple, and a soldier’s fury cannot stand up against Icruria’s bureaucracy. With allies fading and time slipping away, Reid may have no choice but to infiltrate Asterya on his own to find the woman he loves and bring her home.

As Vaasa’s magic begins to flare, she desperately seeks control, even if Ozik is the only one who can offer it. She then finds a cryptic final message from her mother about a precious missing necklace that might just be the answer to finally freeing her magic from Ozik. Yet when a ghost from Vaasa’s past reemerges among the suitors vying for her hand, escape might be within reach—but will it demand a betrayal that real love may not survive?

This volume offers a reconstruction of the court culture of the taifa kings of al-Andalus (11th century A.D.), using both visual and textual evidence. A focus of particular attention is the court of the Ban? H?d at Zaragoza, and that dynasty's palace, the Aljaferma. Principle written sources are not histories and chronicles, but the untranslated poetic anthologies of al-?imyar? and al-Fat? ibn Kh?q?n.
The first part of the book addresses taifa visual and literary languages, with especial emphasis on connections between the literary and visual aspects of taifa aesthetics. The sections on the Aljaferma's ornamental program will be of particular interest, not only to historians of Islamic art, but to students of all visual traditions with strong non-figural components.
In addition, Part One also proposes that taifa court culture has been considered as a culture of "courtly love," and this argument also forms the point of departure for Part Two. The second part of the study uses luxury objects of Islamic and Limousine production as a point of departure for a detailed comparison of the thematics of taifa poetry in classical Arabic on the themes of courtly love and pleasures with those of the better-known Provengal tradition.

Modern Moves traces the movement of American social dance styles between black and white cultural groups and between immigrant and migrant communities during the early twentieth century. Its central focus is New York City, where the confluence of two key demographic streams - an influx of immigrants from Eastern Europe and the growth of the city's African American community particularly as it centered Harlem - created the conditions of possibility for hybrid dance forms like blues, ragtime, ballroom, and jazz dancing. Author Danielle Robinson illustrates how each of these forms came about as the result of the co-mingling of dance traditions from different cultural and racial backgrounds in the same urban social spaces. The results of these cross-cultural collisions in New York City, as she argues, were far greater than passing dance trends; they in fact laid the foundation for the twentieth century's social dancing practices throughout the United States. By looking at dance as social practice across conventional genre and race lines, this book demonstrates that modern social dancing, like Western modernity itself, was dependent on the cultural production and labor of African diasporic peoples - even as they were excluded from its rewards. A cornerstone in Robinson's argument is the changing role of the dance instructor, which was transformed from the proprietor of a small-scale, local dance school at the end of the nineteenth century to a member of a distinct, self-identified social industry at the beginning of the twentieth. Whereas dance studies has been slow to connect early twentieth century dancing with period racial politics, Modern Moves departs radically from prior scholarship on the topic, and in so doing, revises social and African American dance history of this period. Recognizing the rac(ial)ist beginnings of contemporary American social dancing, it offers a window into the ways that dancing throughout the twentieth century has provided a key means through which diverse groups of people have navigated shifting socio-political relations through their bodily movement. Modern Moves asserts that the social practice of modern dancing, with its perceived black origins, empowered displaced people such as migrants and immigrants to grapple with the effects of industrialization, urbanization, and the rise of North American modernity. Far more than simple appropriation, the selling and practicing of "black" dances during the 1910s and 1920s reinforced whiteness as the ideal racial status in America through embodied and rhetorical engagements with period black stereotypes.

The complete first and second series of the BBC's fast-paced modernised crime drama based on the characters created by Arthur Conan Doyle. Laptops, mobile phones and the internet are the new tools for crime in a modern London under threat from serial killers, bombings and gang warfare. Sherlock Holmes (Benedict Cumberbatch), the most brilliant intellect of his generation, has a unique analytical brain unlike anyone else's, and staves off the ever-present threat of boredom by solving crimes, the more intricate and baffling the better. Meanwhile, his friend and flatmate, John Watson (Martin Freeman), is an army doctor invalided home from the battlefields of Afghanistan. Episodes are: 'A Study in Pink', 'The Blind Banker', 'The Great Game', 'A Scandal in Belgravia', 'The Hounds of Baskerville' and 'The Reichenbach Fall'.

Robin Williams, Peter Dinklage and Mila Kunis star in this comedy drama directed by Phil Alden Robinson. Henry Altmann (Williams), a cynical and curmudgeonly Brooklynite, undergoes a drastic transformation when he is mistakenly told by Dr. Sharon Gill (Kunis) he only has 90 minutes to live. Desperate to make amends with the people closest to him before he dies, he leaves the doctor's surgery frantically and sets off on a path of redemption. Meanwhile, Sharon, who has realised her mistake but has become aware of a potentially life-threatening brain aneurysm, tries to track Henry down to get him into care.

I, Maggie Banks, solemnly swear to uphold the rules of Cobblestone Books. If only, I, Maggie Banks, believed in following the rules. When Maggie Banks arrives in Bell River to run her best friend's struggling bookstore, she expects to sell bestsellers to her small-town clientele. But running a bookstore in a town with a famously bookish history isn't easy. Bell River's literary society insists on keeping the bookstore stuck in the past, and Maggie is banned from selling anything written this century. So, when a series of mishaps suddenly tip the bookstore toward ruin, Maggie will have to get creative to keep the shop afloat. And in Maggie's world, book rules are made to be broken. To help save the store, Maggie starts an underground book club, running a series of events celebrating the books readers actually love. But keeping the club quiet, selling forbidden books, and dodging the literary society is nearly impossible. Especially when Maggie unearths a town secret that could upend everything. Maggie will have to decide what's more important: the books that formed a small town's history, or the stories poised to change it all.

Lora inherits Blackstone Cottage from her Aunt May. With rumours of ghosts and a mysterious black cat will she be able to settle? Strange things start to happen. Does somebody not want her there?