Little is known about Walter Leblanc (1932-1986), one of the key representatives of kinetic and optical art in the mid-20th century. This comprehensive monograph, the first on this artist for an international audience, includes unpublished materials, which provide insight not only into the art of LeBlanc, but also into the ZERO artist movement to which he was connected and with which he was in close dialogue beginning in the 1950s. Walter Leblanc is based on extensive studies of the artist's work: with about 150 images of his paintings and sculptures, comparative works, historical photos and documents, it includes a selection of Leblanc's writings, an iconographic mapping of selected works in museums around the world, and a bio-bibliographical appendix. Demonstrating the wealth of his creative output, the book reaffirms the enduring role Leblanc played in the development of modern and contemporary art on a global scale. Distributed for Mercatorfonds

Considered the first Chinese artist to work in video, Zhang Peili (b. 1957) manipulates perspective, close-ups, and framing to create astonishing recordings of banal repeated actions, such as breaking glass, reading, washing, shaving, and blowing bubble gum. He is a pioneering figure, experimenting with a video camera in the late 1980s, exploring digital formats in the early 2000s, and developing large-scale, immersive scenes today. Despite Zhang's pivotal role in the global history of video art, his oeuvre has received relatively little attention. This book, which includes insightful essays, color plates, and an illustrated chronology, is one of the few in-depth explorations in English of this important artist's work. Distributed for the Art Institute of Chicago Exhibition Schedule: The Art Institute of Chicago (03/31/17-07/09/17)