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Australia is increasingly recognised as a multicultural and diverse
society. Nationally, all accrediting bodies for allied health,
nursing, midwifery and medical professions require tertiary
educated students to be culturally safe with regards to cultural
and social diversity. This text, drawing on experts from a range of
disciplines, including public health, nursing and sociology, shows
how the theory and practice of cultural safety can inform effective
health care practices with all kinds of diverse populations. Part 1
explores key themes and concepts, including social determinants of
health and cultural models of health and health care. There is a
particular focus on how different models of health, including the
biomedical and Indigenous perspectives, intersect in Australia
today. Part 2 looks at culturally safe health care practice
focusing on principles and practice as well as policy and advocacy.
The authors consider the practices that can be most effective,
including meaningful communication skills and cultural
responsiveness. Part 3 examines the practice issues in working with
diverse populations, including Indigenous Australians, Culturally
and Linguistically Diverse Australians, Australians with
disabilities, Australians of diverse sexual orientation and gender
identity, and ageing Australians. Part 4 combines all learnings
from Parts 1-3 into practical learning activities, assessments and
feedback for learners engaging with this textbook. Culture,
Diversity and Health in Australia is a sensitive, richly nuanced
and comprehensive guide to effective health practice in Australia
today and is a key reference text for either undergraduate or
postgraduate students studying health care. It will also be of
interest to professional health care practitioners and policy
administrators.
This book reflects multidisciplinary and cross-jurisdictional
analysis of issues surrounding Fetal Alcohol Spectrum Disorders
(FASD) and the criminal justice system, and the impact on
Aboriginal children, young people, and their families. This book
provides the first comprehensive and multidisciplinary account of
FASD and its implications for the criminal justice system - from
prevalence and diagnosis to sentencing and culturally secure
training for custodial officers. Situated within a 'decolonising'
approach, the authors explore the potential for increased diversion
into Aboriginal community-managed, on-country programmes, enabled
through innovation at the point of first contact with the police,
and non-adversarial, needs-focussed courts. Bringing together
advanced thinking in criminology, Aboriginal justice issues, law,
paediatrics, social work, and Indigenous mental health and
well-being, the book is grounded in research undertaken in
Australia, Canada, and New Zealand. The authors argue for the
radical recalibration of both theory and practice around diversion,
intervention, and the role of courts to significantly lower rates
of incarceration; that Aboriginal communities and families are best
placed to construct the social and cultural scaffolding around
vulnerable youth that could prevent damaging contact with the
mainstream justice system; and that early diagnosis and assessment
of FASD may make a crucial difference to the life chances of
Aboriginal youth and their families. Exploring how, far from
providing solutions to FASD, the mainstream criminal justice system
increases the likelihood of adverse outcomes for children with FASD
and their families, this innovative book will be of great value to
researchers and students worldwide interested in criminal and
social justice, criminology, youth justice, social work, and
education.
This book reflects multidisciplinary and cross-jurisdictional
analysis of issues surrounding Fetal Alcohol Spectrum Disorders
(FASD) and the criminal justice system, and the impact on
Aboriginal children, young people, and their families. This book
provides the first comprehensive and multidisciplinary account of
FASD and its implications for the criminal justice system - from
prevalence and diagnosis to sentencing and culturally secure
training for custodial officers. Situated within a 'decolonising'
approach, the authors explore the potential for increased diversion
into Aboriginal community-managed, on-country programmes, enabled
through innovation at the point of first contact with the police,
and non-adversarial, needs-focussed courts. Bringing together
advanced thinking in criminology, Aboriginal justice issues, law,
paediatrics, social work, and Indigenous mental health and
well-being, the book is grounded in research undertaken in
Australia, Canada, and New Zealand. The authors argue for the
radical recalibration of both theory and practice around diversion,
intervention, and the role of courts to significantly lower rates
of incarceration; that Aboriginal communities and families are best
placed to construct the social and cultural scaffolding around
vulnerable youth that could prevent damaging contact with the
mainstream justice system; and that early diagnosis and assessment
of FASD may make a crucial difference to the life chances of
Aboriginal youth and their families. Exploring how, far from
providing solutions to FASD, the mainstream criminal justice system
increases the likelihood of adverse outcomes for children with FASD
and their families, this innovative book will be of great value to
researchers and students worldwide interested in criminal and
social justice, criminology, youth justice, social work, and
education.
Performing arts centers (PACs) are an integral part of the cultural
and creative industries, significantly influencing the cultural,
social, and economic vitality of communities around the world.
Virtually all PACs are community-based and serve the public
interest, whether structured as a public, nonprofit, for-profit, or
hybrid entity. However, there is a lack of knowledge about the
important community role of performing arts centers, especially
those that mainly host and present work produced by other arts
organizations. This gap is startling, given the ubiquitous presence
of PACs in urban centers, small communities, as well as colleges
and universities. This co-edited reference book provides valuable
information at the intersection of theory and practice in the
professional field of executive leadership of performing arts
centers. Drawing on the expertise of leading academics,
consultants, and executives, this book focuses on institutions and
practices in the United States, and is contextualized within
additional fields such as cultural planning, urban revitalization,
and economic development. Performing Arts Center Management aims to
provide valuable theoretical, conceptual, empirical, and
practice-based information to current and future leaders in
creative and cultural industries management. It serves as a unique
reference for researchers, university students, civic leaders,
urban planners, public venue managers, and arts administrators
aspiring to improve or advance their work in successfully managing
performing arts centers.
Australia is increasingly recognised as a multicultural and diverse
society. Nationally, all accrediting bodies for allied health,
nursing, midwifery and medical professions require tertiary
educated students to be culturally safe with regards to cultural
and social diversity. This text, drawing on experts from a range of
disciplines, including public health, nursing and sociology, shows
how the theory and practice of cultural safety can inform effective
health care practices with all kinds of diverse populations. Part 1
explores key themes and concepts, including social determinants of
health and cultural models of health and health care. There is a
particular focus on how different models of health, including the
biomedical and Indigenous perspectives, intersect in Australia
today. Part 2 looks at culturally safe health care practice
focusing on principles and practice as well as policy and advocacy.
The authors consider the practices that can be most effective,
including meaningful communication skills and cultural
responsiveness. Part 3 examines the practice issues in working with
diverse populations, including Indigenous Australians, Culturally
and Linguistically Diverse Australians, Australians with
disabilities, Australians of diverse sexual orientation and gender
identity, and ageing Australians. Part 4 combines all learnings
from Parts 1-3 into practical learning activities, assessments and
feedback for learners engaging with this textbook. Culture,
Diversity and Health in Australia is a sensitive, richly nuanced
and comprehensive guide to effective health practice in Australia
today and is a key reference text for either undergraduate or
postgraduate students studying health care. It will also be of
interest to professional health care practitioners and policy
administrators.
Performing arts centers (PACs) are an integral part of the cultural
and creative industries, significantly influencing the cultural,
social, and economic vitality of communities around the world.
Virtually all PACs are community-based and serve the public
interest, whether structured as a public, nonprofit, for-profit, or
hybrid entity. However, there is a lack of knowledge about the
important community role of performing arts centers, especially
those that mainly host and present work produced by other arts
organizations. This gap is startling, given the ubiquitous presence
of PACs in urban centers, small communities, as well as colleges
and universities. This co-edited reference book provides valuable
information at the intersection of theory and practice in the
professional field of executive leadership of performing arts
centers. Drawing on the expertise of leading academics,
consultants, and executives, this book focuses on institutions and
practices in the United States, and is contextualized within
additional fields such as cultural planning, urban revitalization,
and economic development. Performing Arts Center Management aims to
provide valuable theoretical, conceptual, empirical, and
practice-based information to current and future leaders in
creative and cultural industries management. It serves as a unique
reference for researchers, university students, civic leaders,
urban planners, public venue managers, and arts administrators
aspiring to improve or advance their work in successfully managing
performing arts centers.
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