Examining the surrealist novels of several contemporary writers including Edwidge Danticat, Tananarive Due, Nalo Hopkinson, Junot Diaz, Helen Oyeyemi, and Colson Whitehead, AfroSurrealism, the first book-length exploration of AfroSurreal fiction, argues that we have entered a new and exciting era of the black novel, one that is more invested than ever before in the cross sections of science, technology, history, folklore, and myth. Building on traditional surrealist scholarship and black studies criticism, the author contends that as technology has become ubiquitous, the ways in which writers write has changed; writers are producing more surrealist texts to represent the psychological challenges that have arisen during an era of rapid social and technological transitions. For black writers, this has meant not only a return to Surrealism, but also a complete restructuring in the way that both past and present are conceived, as technology, rather than being a means for demeaning and brutalizing a black labor force, has become an empowering means of sharing information. Presenting analyses of contemporary AfroSurreal fiction, this volume examines the ways in which contemporary writers grapple with the psychology underlying this futuristic technology, presenting a cautiously optimistic view of the future, together with a hope for better understanding of the past. As such, it will appeal to scholars of cultural, media and literary studies with interests in the contemporary novel, Surrealism, and black fiction.

Tourism in Cuba - described by Fidel Castro as 'the evil we have to have' - has been regarded both with ambivalence, and as a crucial aspect of development and poverty alleviation. The result is a remarkable approach to tourism, one which often compels tourists to become agents of development through solidarity. Drawing on her experiences of working in an NGO in Cuba, the author uses a multi-sited ethnographic approach to investigate tourism motivations and experiences, and to examine the very nature of development. Her analysis covers a wide range of issues including social change, globalization, social theory, and sustainability. Also discussed is the way in which tourism in Cuba relates to broader debates surrounding transformation, capacity building, social action and solidarity.

Tourism in Cuba - described by Fidel Castro as 'the evil we have to have' - has been regarded both with ambivalence, and as a crucial aspect of development and poverty alleviation. The result is a remarkable approach to tourism, one which often compels tourists to become agents of development through solidarity. Drawing on her experiences of working in an NGO in Cuba, the author uses a multi-sited ethnographic approach to investigate tourism motivations and experiences, and to examine the very nature of development. Her analysis covers a wide range of issues including social change, globalization, social theory, and sustainability. Also discussed is the way in which tourism in Cuba relates to broader debates surrounding transformation, capacity building, social action and solidarity.

This book explores three particular strategies in the extractives sector for creating shared wealth, increased labour opportunities and positive social, environmental and economic outcomes from corporate projects, namely: state wealth funds (SWF), local content policies (LCP) and corporate social responsibility (CSR) practices. Collectively, the chapters explore the associated experiences and challenges in different parts of the world with the view to inform equitable and sustainable development for the communities living adjacent to extractives sites and the wider society and environment. Examples of LCPs, SWFs and CSR practices from 12 jurisdictions with diverse experiences offer usefull insights. The book illuminates challenges and opportunities for sustainable development outcomes of the extractives sector. It reflects the need to take on board the lessons of these global experiences in order to improve outcomes for poverty reduction, inequality reduction and sustainable development.

This book explores three particular strategies in the extractives sector for creating shared wealth, increased labour opportunities and positive social, environmental and economic outcomes from corporate projects, namely: state wealth funds (SWF), local content policies (LCP) and corporate social responsibility (CSR) practices. Collectively, the chapters explore the associated experiences and challenges in different parts of the world with the view to inform equitable and sustainable development for the communities living adjacent to extractives sites and the wider society and environment. Examples of LCPs, SWFs and CSR practices from 12 jurisdictions with diverse experiences offer usefull insights. The book illuminates challenges and opportunities for sustainable development outcomes of the extractives sector. It reflects the need to take on board the lessons of these global experiences in order to improve outcomes for poverty reduction, inequality reduction and sustainable development.

Examining the surrealist novels of several contemporary writers including Edwidge Danticat, Tananarive Due, Nalo Hopkinson, Junot Diaz, Helen Oyeyemi, and Colson Whitehead, AfroSurrealism, the first book-length exploration of AfroSurreal fiction, argues that we have entered a new and exciting era of the black novel, one that is more invested than ever before in the cross sections of science, technology, history, folklore, and myth. Building on traditional surrealist scholarship and black studies criticism, the author contends that as technology has become ubiquitous, the ways in which writers write has changed; writers are producing more surrealist texts to represent the psychological challenges that have arisen during an era of rapid social and technological transitions. For black writers, this has meant not only a return to Surrealism, but also a complete restructuring in the way that both past and present are conceived, as technology, rather than being a means for demeaning and brutalizing a black labor force, has become an empowering means of sharing information. Presenting analyses of contemporary AfroSurreal fiction, this volume examines the ways in which contemporary writers grapple with the psychology underlying this futuristic technology, presenting a cautiously optimistic view of the future, together with a hope for better understanding of the past. As such, it will appeal to scholars of cultural, media and literary studies with interests in the contemporary novel, Surrealism, and black fiction.