The Nightmare On Elm Street Collection features seven films across seven discs plus a disc of bonus content.

A Nightmare On Elm Street
Nancy (Heather Langenkamp) is having grisly nightmares. Meanwhile, her high-school friends, who are having the very same dreams, are being slaughtered in their sleep by the hideous fiend of their shared nightmares. When the police ignore her explanation, she herself must confront the killer in his shadowy realm... From modern horror master Wes Craven comes a timeless shocker that remains the standard bearer for terror. Featuring Johnny Depp in his first starring role, this horror classic gave birth to one of the most infamous undead villains in cinematic history: Freddy Krueger.

A Nightmare on Elm Street 2: Freddy's Revenge
Five years have passed since Freddy Krueger (Robert Englund) was sent howling back to hell. But now, a new kid on Elm Street is being haunted every night by gruesome visions of the deadly dream stalker and if his twisted soul takes possession of the boy's body, Freddy will return from the dead to wreak bloody murder and mayhem upon the entire town.

A Nightmare On Elm Street 3: Dream Warriors
The last of the Elm Street kids are now at a psychiatric ward where Freddy haunts their dreams with unspeakable horrors. Their only hope is dream researcher and fellow survivor Nancy Thompson (Heather Langenkamp of the original Nightmare), who helps them battle the supernatural psycho on his own hellish turf.

A Nightmare On Elm Street 4: The Dream Master
Proving there's no rest for the wicked, the unspeakably evil Freddy Krueger is again resurrected from the grave to wreak havoc upon those who dare to dream. As her friends succumb one by one to Freddy's wrath, telepathically gifted Kristen embarks on a desperate mission to destroy the satanic dream stalker and release the tortured souls of his victims once and for all.

A Nightmare On Elm Street 5: The Dream Child
Unable to overpower the Dream Master who vanquished him in A Nightmare On Elm Street 4, Freddy haunts the innocent dreams of her unborn child and preys upon her friends with sheer horror. Will the child be saved from becoming Freddy's newest weapon or will the maniac again resurrect his legacy of evil?

A Nightmare On Elm Street 6: Freddy's Dead - The Final Nightmare
They tried to burn him, bury him, wash him away with holy water. Freddy hitches a ride inside some poor soul's dream to the nearest town and hey, quicker than you can say "Nine, ten, never sleep again", the dreamstalker's back in business...

A Nightmare On Elm Street 7: Wes Craven's New Nightmare
In a frightening new twist in the terror on Elm street, Wes Craven (director of the original film) finds that his dreams have begun to dictate real-life horrors for the stars of the film.

The African Struggle for Independent Education focuses on the Wilberforce Institute, one of the first major independent African schools in segregationist South Africa. It became the epicentre of the independent school movement in the Transvaal in the early twentieth century, demonstrating how newly urbanised mission-educated Africans, despite profound linguistic differences and regional backgrounds, shared far-reaching educational aspirations in the rapidly growing cosmopolitan, gold-driven Johannesburg after the South African War (1899-1902).

Take your Classic Fantasy characters to the next level with The Expert Set.This expansion adds new Rank 4 and 5 Arcane and Divine Spells to the rules, and provides corrections and clarifications on several areas.The Expert Set also features a new foe in the shape of the abominable Mind Slayer and offers new rules for psychic abilities.

Adapted from a five-and-a-half-hour television miniseries, this three-hour biopic chronicles 20 years in the life of Venezuelan revolutionary Ilich Ramírez Sánchez aka Carlos the Jackal. Édgar Ramírez stars in the title role as the ambitious, egotistical, yet powerfully charismatic man who founded a worldwide terrorist organisation and raided the OPEC headquarters in 1975 before finally being captured by the French police.

Elgar Advanced Introductions are stimulating and thoughtful introductions to major fields in the social sciences, business and law, expertly written by the world's leading scholars. Designed to be accessible yet rigorous, they offer concise and lucid surveys of the substantive and policy issues associated with discrete subject areas. Taking an innovative look at how megaprojects are managed, including the important Why, What, Who and How elements, this insightful Advanced Introduction is enhanced with case studies of megaprojects from across the globe. Throughout, the authors highlight the fundamental issues in an accessible format, such as why megaprojects are undertaken, what their challenges are, how to market projects and who deals with stakeholder engagement. It also investigates key areas such as governance, social value creation, management, contractual and decision-making issues. Key features: Discusses how the creation of narratives can address uncertainty in projects Illustrates the pros and cons of a conventional approach to decision-making versus a naturalistic approach Provides a post-modernist approach to the management of megaprojects based on flexibility, versatility and ambidexterity Highlights the importance of megaproject leadership engaging with stakeholders to align interests and create value effectively This Advanced Introduction will provide essential reading for practitioners, specifically megaproject leaders, as well as academics of megaproject studies and management studies and projects. Students engaging in project and management studies will also find this enlightening and informative.

This book examines the foundation of the London Jews Society (LJS) in 1809, and the construction of Palestine Place in 1813 at Bethnal Green in East London. The early supporters of the LJS from 1815 were Anglican Evangelicals, including William Wilberforce and Charles Simeon. A mission centre was established at Palestine Place on a five-acre site, which incorporated an Episcopal Jews' Chapel; separate schools for boys and girls; staff houses; a missionary training college and a House of Industry, which provided work for converted Jews, especially by printing leaflets and books.

Christian Philosemitism is a new genre of research into the development of the positive response by Evangelicals towards the Jews from the Puritan era. Lewis Way has been chosen as the leading example of Evangelical Anglican philosemitism between 1810 and 1840. The London Jews Society (LJS) was founded in 1809, Way was actively involved from 1811 and his substantial financial gift rescued the Society from ruin in 1815. Christian Philosemitism developed from the Puritan period and was strengthened by the Readmission of the Jews in 1656. A new impetus was given at the end of the eighteenth century, when in the challenging context of the social, religious and political upheaval in England following the French Revolution the LJS was founded.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.