Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

In Arabs and the Art of Storytelling, the eminent Moroccan literary historian and critic Kilito revisits and reassesses, in a modern critical light, many traditional narratives of the Arab world. He brings to such celebrated texts as A Thousand and One Nights, Kalila and Dimna, and Kitab al-Bukhala' refreshing and iconoclastic insight, giving new life to classic stories that are often treated as fossilized and untouchable cultural treasures. For Arab scholars and readers, poetry has for centuries taken precedence, overshadowing narrative as a significant literary genre. Here, Kilito demonstrates the key role narrative has played in the development of Arab belles lettres and moral philosophy. His urbane style has earned him a devoted following among specialists and general readers alike, making this translation aninvaluable contribution to an English-speaking audience.

An award-winning novelist's vibrant portrayal of the struggle to create a more unified society in medieval Egypt and how this has shaped Egypt today. Brimming with intrigue, adventure, and romance, Al-Qata'i: Ibn Tulun's City Without Walls tells the epic story of visionary Egyptian leader Ahmad Ibn Tulun who built Al-Qata'i (now Cairo) into a thriving multicultural empire. The novel begins with the rediscovery of the Ibn Tulun Mosque in 1918 and recounts Ibn Tulun's life and legacy in the ninth and tenth centuries. Bassiouney presents Ibn Tulun's benevolent vision to unify all Egyptians in a new city, Al-Qata'i. He becomes so focused on his vision, however, that he cannot see the impact it has on his family or the fate of Egypt. When a betrayal leads to his demise, the rival Abbasid caliph threatens to regain control of Al-Qata'i. In the aftermath of Ibn Tulun's death, his daughter Aisha emerges as a pivotal figure, bravely taking a stand against the Abbasids to preserve her life, the city, and the iconic mosque. This contemporary Egyptian writer forces us to consider universal themes, such as diversity and equality, through both a historical and intercultural lens that enriches our understanding of these issues in our world today.

Between the late 1970s and the early 1980s, Nayra Atiya gathered the oral histories of five Egyptian men: a fisherman, an attorney, a scholar, a businessman, and a production manager. Through personal interviews over the course of several years, Atiya intimately captured the everyday triumphs and struggles of these young men in a rapidly changing Egyptian society. These tender stories of childhood experiences in the rural countryside, of the rigors of schooling, and of the many challenges in navigating adulthood shed light on both the rich diversity of Egyptian society and the values and traditions that are shared by all Egyptians. The concept of shahaama-a code of honor that demands loyalty, generosity, and a readiness to help others-is threaded throughout the narratives, reflecting its deeply rooted presence in Egyptian culture. Moving beyond leaden stereotypes of the oppressive Middle Eastern male, these candid selfportraits reveal the complexity of male identity in contemporary Egyptian society, highlighting the men-s desires for economically viable lives, the same desires that fuel the many Egyptians today working toward revolutionary change.

This edition includes new material on the Arabic novel up to 1993. It is a survey of the Arabic novel and its development from its beginnings in the 19th century until today. It traces the origin, early cultivation and the mature period after World War II of the Arabic novel.

An engaging collection of contemporary short stories from various Arabic countries develops students’ mastery of literary analysis and cultural awareness Aswat Mu’asira introduces advanced level students to contemporary short stories from across the Middle East. Fifty-five stories in Arabic from twenty countries engage students with current topics and literary approaches that open the door to discovering both established and emerging authors and literary traditions. The book includes voices from often overlooked Arabic-speaking countries and peoples, giving readers the opportunity to broaden their understanding of Arabic cultures. While most Arabic literature textbooks include only excerpts of longer works, the short stories in this collection are designed to be read in one sitting, giving students the opportunity to immerse themselves in a complete piece of literature. Stories are organized into chapters based on their country of origin. Each story is preceded by an author biography and followed by exercises to help students practice vocabulary and comprehension, explore the literary tradition, and master literary analysis. Scholars of Arabic literature will also welcome these new stories, many of which are available outside the Middle East for the first time in this collection and expand the understanding of the short story and of contemporary literature from this important region.

Roger Allen here offers an account of the cultural tradition of literary texts in Arabic, from their unknown beginnings in the fifth century AD to the present day. Allen's organising principle is not that of traditional literary histories, but is rather based on an account of the major genres of Arabic literature. After introductory chapters on principles and contexts, there are chapters devoted to the Qur'an as literature, poetry, belletristic prose, drama and criticism. Within each chapter the emphasis is on the texts themselves, and those who created and commented on them, but Allen also demonstrates his awareness of recent Western theoretical and critical approaches. The volume as a whole, which contains extensive quotations in English translation, a chronology and a guide to further reading, makes a major non-Western literary tradition newly accessible to students and scholars of the West.

Spies, Scandals, and Sultans is the first English translation of a fascinating and acidly critical portrait of the Ottoman capital of Istanbul during the days of the Sultan Abd al-Hamid. This is the first time that the text, written by an Egyptian journalist and politician, has been available since 1896. Originally published as a series of newspaper articles in the mid-1890s, and then as a book entitled Ma Hunalik, the text was ordered to be banned and burned by the Sultan's representatives in Cairo. The ban was carried out, but a few copies survived, one of which has been used for this translation. The text of the Arabic original is prefaced with an extensive introduction in which the author's life is discussed and the highly controversial contents of the book are contextualized and evaluated for their accuracy against other contemporary accounts of life in the Ottoman capital. Spies, Scandals, and Sultans presents a highly critical view of the Ottoman government in Istanbul during the 1890s, with reference to earlier eras in Ottoman history. It is an Egyptian perspective of the Ottoman administration in one of its most problematic periods and is highly critical of every aspect of life in the capital city_not least, the elaborate spy system. Spies, Scandals, and Sultans takes on the theme of modernization and the role of more traditional values, including Islamic ones, in the process of setting the goals for a modern Middle Eastern state_a process that was to come to fruition after World War One in the creation of the modern state of Turkey. This first English translation should arouse intense interest among historians of the Ottoman Empire and Egypt, as well as those who study modernization in the Middle East and the status of Islam within both traditional and modernizing societies in the region. Spies, Scandals, and Sultans has a great deal to say about the processes of decline and the causes for it, and the ever increasing role of European nations in the establishment of priorities within the Ottoman government system.

Spies, Scandals, and Sultans is the first English translation of a fascinating and acidly critical portrait of the Ottoman capital of Istanbul during the days of the Sultan Abd al-Hamid. This is the first time that the text, written by an Egyptian journalist and politician, has been available since 1896. Originally published as a series of newspaper articles in the mid-1890s, and then as a book entitled Ma Hunalik, the text was ordered to be banned and burned by the Sultan's representatives in Cairo. The ban was carried out, but a few copies survived, one of which has been used for this translation. The text of the Arabic original is prefaced with an extensive introduction in which the author's life is discussed and the highly controversial contents of the book are contextualized and evaluated for their accuracy against other contemporary accounts of life in the Ottoman capital. Spies, Scandals, and Sultans presents a highly critical view of the Ottoman government in Istanbul during the 1890s, with reference to earlier eras in Ottoman history. It is an Egyptian perspective of the Ottoman administration in one of its most problematic periods and is highly critical of every aspect of life in the capital city-not least, the elaborate spy system. Spies, Scandals, and Sultans takes on the theme of modernization and the role of more traditional values, including Islamic ones, in the process of setting the goals for a modern Middle Eastern state-a process that was to come to fruition after World War One in the creation of the modern state of Turkey. This first English translation should arouse intense interest among historians of the Ottoman Empire and Egypt, as well as those who study modernization in the Middle East and the status of Islam within both traditional and modernizing societies in the region. Spies, Scandals, and Sultans has a great deal to say about the processes of decline and the causes for it, and the ever increasing role of European nations in the establishment o

The revised and updated edition of "Modern Arabic" takes this authoritative, concise linguistic description of the structure and use of modern Arabic to an invaluable new level. Clive Holes traces the development of the Arabic language from Classical Arabic, the written language used in the 7th century for the Qur'an and poetry, through the increasingly symbiotic use of Modern Standard Arabic or MSA (the language of writing and formal speech) and dialectal Arabic (the language of normal conversation). He shows how Arabic has been shaped over the centuries by migration, urbanization, and education - giving us "a balanced, dispassionate, and accurate picture of the structures, functions, and varieties of the contemporary Arabic language". Holes explains the structural characteristics - phonology, morphology, syntax, semantics, and lexical and stylistic developments - that the majority of the dialects share, as distinguished from Modern Standard Arabic. He also shows how native speakers use both types of Arabic for different purposes, with MSA being the language of power and control as used on television and in political speeches, and the dialects serving as the language of intimacy and domesticity. He further shows how MSA and spoken dialects are not as compartmentalized as one might be led to believe. "Modern Arabic" illustrates the use of the Arabic language in real life, whether in conversation, news bulletins and newspaper articles, serious literature, or song. This new edition takes into account research published in several areas of Arabic linguistics since the first edition was published in 1995. It includes more extensive comment on the North African Arabic vocabulary of Modern Standard Arabic, more information about "mixed" varieties of written Arabic that are not in MSA (especially in Egypt), updated references, explanations, and many new examples. All Arabic is transcribed, except for an appendix presenting the Arabic alphabet and script. Students of the Arabic language will find "Modern Arabic" without peer - as will those general linguists who are interested in discovering how Arabic compares structurally and sociolinguistically with European languages.

This guide clearly and succinctly presents the basic tenets of teaching foreign languages specifically for Arabic teachers. Consolidating findings from second language acquisition (SLA) research and applied linguistics, it covers designing curricula, theory and methods, goals, testing, and research, and intersperses practical information with background literature in order to help teachers improve their teaching of Arabic as a foreign language (TAFL). Karin C. Ryding, a well-regarded scholar of Arabic linguistics and former president of the American Association of Teachers of Arabic, frames the discussion with SLA literature and suggests practical and effective ways of helping students learn. Ryding discusses issues at the core of Arabic teaching effectiveness and the achievement of communicative competence, such as the teaching of pronunciation, speaking, reading, listening, and writing; teaching mixed-level classes; creative classroom organization; corrective feedback; and use of activities and exercises, with plenty of examples from Arabic and tips for teachers. She also covers materials development and proficiency testing, providing study questions and recommended readings for each chapter. This guide, which can be used as a textbook, is the first of its kind aimed specifically at TAFL, and should be of interest to Arabic instructors-in-training, academics, graduate students, linguists, department chairs, language coordinators, and teacher trainers. It also serves as a resource for teachers of other less commonly taught languages (LCTLs), who struggle with similar issues.

A pathbreaking, new intellectual biography of the composer and conductor Wilhelm Furtwangler. Wilhelm Furtwangler (1886-1954) has entered the historical memory as a renowned interpreter of the canon of Austro-German musical masterworks. His extensive legacy of recorded performances of Beethoven, Brahms, Bruckner and Wagneris widely regarded as unsurpassed. Yet more than sixty years after his death he remains a controversial figure: the complexities and equivocacy of his high-profile position within the Third Reich still cast a long shadow over hisreputation. This book builds an intellectual biography of Furtwangler, probing this ambiguity, through a critical examination of his extensive series of essays, addresses and symphonies. It traces the development of his thought from its foundations in late nineteenth-century traditions of Bildung and associated discourses of conservative-minded nationalism, through the turbulent years of the Weimar Republic and the cultural and moral dilemmasof the Nazi period, to the post-World War II years of Bundesrepublik reconstruction, in which the beleaguered idealist found himself adrift in an alien cultural environment overshadowed by the unfolding narrative of the Nazi holocaust. The book will be of interest not only to music scholars but to cultural and intellectual historians as well. ROGER ALLEN is a Fellow of St Peter's College, Oxford and author of Richard Wagner's Beethoven (1870): A New Translation (Boydell Press, 2014)

Indispensable reading for historians and musicologists as well as those interested in Wagner's philosophy and the aesthetics of music. Despite the enormous and accelerating worldwide interest in Wagner leading to the bicentenary of his birth in 2013, his prose writings have received scant scholarly attention. Wagner's book-length essay on Beethoven, written to celebrate the centenary of Beethoven's birth in 1870, is really about Wagner himself rather than Beethoven. It is generally regarded as the principal aesthetic statement of the composer's later years, representing a reassessment ofthe ideas of the earlier Zurich writings, especially Oper und Drama, in the light of the experience gained through the composition of Tristan und Isolde, Die Meistersinger von Nurnberg and the greater part of DerRing des Nibelungen. It contains Wagner's most complete exegesis of his understanding of Schopenhauer's philosophy and its perceived influence on the compositional practice of his later works. The essay also influenced the young Nietzsche. It is an essential text in the teaching of not only Wagnerian thought but also late nineteenth-century musical aesthetics in general. Until now the English reader with no access to the German original has been obliged to work from two Victorian translations. This brand new edition gives the German original and the newly translated English text on facing pages. It comes along with a substantial introduction placing the essay not onlywithin the wider historical and intellectual context of Wagner's later thought but also in the political context of the establishment of the German Empire in the 1870s. The translation is annotated throughout with a full bibliography. Richard Wagner's Beethoven will be indispensable reading for historians and musicologists as well as those interested in Wagner's philosophy and the aesthetics of music. ROGER ALLEN is Fellow and Tutor in Music at St Peter's College, Oxford.

New essays demonstrating and exploring the abiding fascination of Wagner's controversial work. Richard Wagner's Parsifal remains an inexhaustible yet highly controversial work. This "stage consecration festival play," as the composer described it, represents the culmination of his efforts to bring medieval myth and modern music together in a dynamic relationship. Wagner's engagement with religion--Buddhist as well as Christian--reaches a climax here, as he seeks through artistic means "to rescue the essence of religion by perceiving its mythical symbols . . . according to their figurative value, enabling us to see their profound, hidden truth through idealized representation." The contributors to this collection break fresh ground in exploring the text, the music, andthe reception history of Parsifal. Wagner's borrowings-and departures-from the medieval sources of the Grail legend, Wolfram's Parzival and Chretien's Perceval, are considered in detail, and the tensional relation of the work to Christianity is probed. New perspectives emerge that bear on the long genesis of the text and music, its affinities to Wagner's earlier works, particularly Tristan und Isolde, and the precise way in which the music was composed. Essays address the work's bold, modernistic musical language and its unprecedented soundscape involving hidden choruses and other unseen sources of sound. The turbulent, astonishing, and sometimes disturbing history of Parsifal performances from 1882 until 2004 is traced in vivid detail for the first time, demonstrating the abiding fascination exerted by this uniquely challenging work of art. Contributors: MaryA. Cicora, James M. McGlathery, Ulrike Kienzle, Warren Darcy, Roger Allen. William Kinderman and Katherine Syer teach at the University of Illinois at Urbana-Champaign, and often lead study seminars during the Wagner Festival in Bayreuth, Germany.

"The Theocrat" takes as its subject one of Arab and Islamic history's most perplexing figures, al-Hakim bi-Amr Illah ('the ruler by order of God'), the Fatimid caliph who ruled Egypt during the tenth century and whose career was a direct reflection of both the tensions within the Islamic dominions as a whole and of the conflicts within his own mind. In this remarkable novel, Bensalem Himmich explores these tensions and conflicts and their disastrous consequences on an individual ruler and on his people. Himmich does not spare his readers the full horror and tragedy of al-Hakim's reign, but in employing a variety of textual styles-including quotations from some of the best-known medieval Arab historians; vivid historical narratives; a series of extraordinary decrees issued by the caliph; and, most remarkably, the inspirational utterances of al-Hakim during his ecstatic visions, recorded by his devotees and subsequently a basis for the foundation of the Druze community-he succeeds brilliantly in painting a portrait of a character whose sheer unpredictability throws into relief the qualities of those who find themselves forced to cajole, confront, or oppose him.

Roger Allen here offers an account of the cultural tradition of literary texts in Arabic, from their unknown beginnings in the fifth century AD to the present day. Allen's organising principle is not that of traditional literary histories, but is rather based on an account of the major genres of Arabic literature. After introductory chapters on principles and contexts, there are chapters devoted to the Qur'an as literature, poetry, belletristic prose, drama and criticism. Within each chapter the emphasis is on the texts themselves, and those who created and commented on them, but Allen also demonstrates his awareness of recent Western theoretical and critical approaches. The volume as a whole, which contains extensive quotations in English translation, a chronology and a guide to further reading, makes a major non-Western literary tradition newly accessible to students and scholars of the West.

Roger Allen provides a comprehensive introductory survey of literary texts in Arabic, from their unknown beginnings in the fifth century AD to the present day, and from Islam's sacred text, the Qur'an, to popular literature including The Arabian Nights and a wealth of poetry, narrative prose, drama and criticism. With extensive quotations in English translation, a chronology and a guide to further reading, this revised and abridged version of Allen's acclaimed study, The Arabic Literary Heritage (CUP 1998), provides an invaluable student introduction to a major non-Western literary tradition.

Trenchant and witty critiques of life in Cairo under British rule What 'Isa ibn Hisham Told Us is a masterpiece of early twentieth-century Arabic prose. Penned by the Egyptian journalist Muhammad al-Muwaylihi, this highly original work was first introduced in serialized form in his family's pioneering newspaper Misbah al-Sharq (Light of the East) and later published in book form in 1907. Widely hailed for its erudition and mordant wit, What 'Isa ibn Hisham Told Us was embraced by Egypt's burgeoning reading public and soon became required reading for generations of school students. Bridging classical genres and modern Arabic fiction, What 'Isa ibn Hisham Told Us is divided into two parts. Sarcastic in tone and critical in outlook, the first part of the book relates the excursions of its narrator, 'Isa ibn Hisham, and his companion, the Pasha, through a rapidly westernizing Cairo and provides vivid commentary on a society negotiating-however imperfectly-the clash between traditional norms and imported cultural values. The second half takes the narrator to Paris to visit the Exposition Universelle of 1900, where al-Muwaylihi casts a critical eye on European society, modernity, and the role of Western imperialism as it ripples across the globe. Paving the way for the modern Arabic novel, What 'Isa ibn Hisham Told Us is invaluable both for its insight into colonial Egypt and its pioneering role in Arabic literary history. An English-only edition.

The complete short stories of acclaimed Moroccan author Mohamed Choukri, translated into English and collected in one volume for the first time.

Mohamed Choukri’s vivid stories invite the reader to wander the streets of Tangier, the ancient coastal crossroads between Europe and Africa, and to meet its denizens at markets, beaches, cafés, and brothels. Choukri’s Tangier is a place where newborns are for sale, swindlers hawk the Prophet’s shoes, and boys collect trash to sell for food.

Choukri says that “writing is a protest, not a parade.” And in these thirty-one stories he privileges the voices of those ignored by society: the abused, the abandoned, the addicted. The tales are at once vibrant local vignettes and profound reflections on the lives, sufferings, and hopes of Choukri’s fellow Tangerines.

Roger Allen provides a comprehensive introductory survey of literary texts in Arabic, from their unknown beginnings in the fifth century AD to the present day, and from Islam's sacred text, the Qur'an, to popular literature including The Arabian Nights and a wealth of poetry, narrative prose, drama and criticism. With extensive quotations in English translation, a chronology and a guide to further reading, this revised and abridged version of Allen's acclaimed study, The Arabic Literary Heritage (CUP 1998), provides an invaluable student introduction to a major non-Western literary tradition.

No Western scholar has contributed as much to the study of modern Arabic narrative as has Roger Allen. His doctoral dissertation was the very first Oxford D.Phil. in modern Arabic literature, completed in 1968 under the supervision of Mustafa Badawi. That same year, he took a position in Arabic language and literature at the University of Pennsylvania, the oldest professorial post in Arabic in the United States. Roger Allen has been phenomenally prolific: fifty books and translations, two hundred articles and counting-on Arabic language pedagogy, on translation, on Arabic literary history, criticism and literature. He is also one of the most decorated and acclaimed translators of Arabic literature. The present volume brings together sixteen of Roger Allen's articles on modern Arabic narrative, with a focus on genre, translation and literary history, and features analyses of the works of Rashid Abu Jadrah, Bensalem Himmich, Yusuf Idris, Naguib Mahfouz, and Tayeb Salih.

With What 'Isa ibn Hisham Told Us, the Library of Arabic Literature brings readers an acknowledged masterpiece of early twentieth-century Arabic prose. Penned by the Egyptian journalist Muhammad al-Muwaylihi, this exceptional title was first introduced in serialized form in his family's pioneering newspaper Misbah al-Sharq (Light of the East), on which this edition is based, and later published in book form in 1907. Widely hailed for its erudition and its mordant wit, What 'Isa ibn Hisham Told Us was embraced by Egypt's burgeoning reading public and soon became required reading for generations of Egyptian school students. Bridging classical genres and the emerging tradition of modern Arabic fiction, What 'Isa ibn Hisham Told Us is divided into two parts, the second of which was only added to the text with the fourth edition of 1927. Sarcastic in tone and critical in outlook, the book relates the excursions of its narrator 'Isa ibn Hisham and his companion, the Pasha, through a rapidly Westernized Cairo at the height of British occupation, providing vivid commentary of a society negotiating-however imperfectly-the clash of imported cultural values and traditional norms of conduct, law, and education. The "Second Journey" takes the narrator to Paris to visit the Exposition Universelle of 1900, where al-Muwaylihi casts the same relentlessly critical eye on European society, modernity, and the role of Western imperialism as it ripples across the globe. Paving the way for the modern Arabic novel, What 'Isa ibn Hisham Told Us is invaluable both for its sociological insight into colonial Egypt and its pioneering role in Arabic literary history. A bilingual Arabic-English edition.

When celebrated mahjar writer Ameen Rihani returned to his native Lebanon from his long stay in New York, he set out on nine journeys through the Lebanese countryside, from the rising mountains to the shores of the Mediterranean, to experience and document the land in intimate detail. Through his travelogue The Heart of Lebanon, Rihani brings his readers along by foot and by mule to explore rural villages like his childhood home of Freike, the flora and fauna of massive cedar forests, and archaeological sites that reveal the history of Lebanon. Meeting goatherds, healers, monks, and more along the way, Rihani offers more than vivid descriptions of the country's sweeping scenery. His candid and often humorous narration captures what he sees as the soul of Lebanon and its people. Allen's fluid translation transports English-language readers to an early twentieth-century rural Lebanon of the writer's time in a way that only Rihani's firsthand account can accomplish.

With What 'Isa ibn Hisham Told Us, the Library of Arabic Literature brings readers an acknowledged masterpiece of early twentieth-century Arabic prose. Penned by the Egyptian journalist Muhammad al-Muwaylihi, this exceptional title was first introduced in serialized form in his family's pioneering newspaper Misbah al-Sharq (Light of the East), on which this edition is based, and later published in book form in 1907. Widely hailed for its erudition and its mordant wit, What 'Isa ibn Hisham Told Us was embraced by Egypt's burgeoning reading public and soon became required reading for generations of Egyptian school students. Bridging classical genres and the emerging tradition of modern Arabic fiction, What 'Isa ibn Hisham Told Us is divided into two parts, the second of which was only added to the text with the fourth edition of 1927. Sarcastic in tone and critical in outlook, the book relates the excursions of its narrator 'Isa ibn Hisham and his companion, the Pasha, through a rapidly Westernized Cairo at the height of British occupation, providing vivid commentary of a society negotiating-however imperfectly-the clash of imported cultural values and traditional norms of conduct, law, and education. The "Second Journey" takes the narrator to Paris to visit the Exposition Universelle of 1900, where al-Muwaylihi casts the same relentlessly critical eye on European society, modernity, and the role of Western imperialism as it ripples across the globe. Paving the way for the modern Arabic novel, What 'Isa ibn Hisham Told Us is invaluable both for its sociological insight into colonial Egypt and its pioneering role in Arabic literary history. A bilingual Arabic-English edition.