Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

In this book, leading experts in the field examine the effects of the recent growth in concentration in the European food retailing sector. In particular, the book develops a number of buyer power propositions and builds on the previous work of several of the authors, to consider how the growth of large supermarket chains affects competition in food retailing. The authors outline the theoretical and policy analysis underpinning the work and assess evidence on the size and growth of supermarket chains across the EU. Whilst not entirely critical, they suggest that there is strong evidence in some countries that supermarkets use their buying power to impose unfair terms and conditions on suppliers, particularly affecting small suppliers. The authors use case studies, to provide an in-depth analysis of four European countries, namely France, Germany, Spain and the UK. The book ends with a discussion of policy issues against a backdrop of likely future trends in concentration in this area. Academics working in the areas of microeconomics and industrial economics as well as those involved in European competition policy more generally, such as lawyers, civil servants and consultancy groups, will find this volume enlightening.

Major developments have recently taken place in competition and antitrust policy in both the UK and EU. Following an informative overview, this timely volume presents authoritative accounts of recent changes and clear analyses of current policy. As well as discussing new developments in policy towards monopolies, mergers, cartels and state aids, it features chapters on the treatment of vertical restraints and regulated industries. The text also includes a discussion of the relationship between competition policy and intellectual property rights, and concludes with a forward-looking assessment. Offering a concise account of competition policy developments, this monograph will be of great interest to academics in business and economics, as well as lawyers in both jurisdictions.

With an Introduction by Roger Clark, University of Kent at Canterbury. Translation by Eleanor Marx-Aveling. Castigated for offending against public decency, Madame Bovary has rarely failed to cause a storm. For Flaubert's contemporaries, the fascination came from the novelist's meticulous account of provincial matters. For the writer, subject matter was subordinate to his anguished quest for aesthetic perfection. For his twentieth-century successors the formal experiments that underpin Madame Bovary look forward to the innovations of contemporary fiction. Flaubert's protagonist in particular has never ceased to fascinate. Romantic heroine or middle-class neurotic, flawed wife and mother or passionate protester against the conventions of bourgeois society, simultaneously the subject of Flaubert's admiration and the butt of his irony - Emma Bovary remains one of the most enigmatic of fictional creations. Flaubert's meticulous approach to the craft of fiction, his portrayal of contemporary reality, his representation of an unforgettable cast of characters make Madame Bovary one of the major landmarks of modern fiction.

This book investigates monopoly policy in the UK from 1973-1995 using all of the monopoly cases which the Monopolies and Mergers Commission (MMC) reported on during this period. It provides a rigorous analysis of 14 detailed case studies, and focuses specifically on those cases where the MMC sought to introduce change through price controls, termination of anti-competitive practices or divestment. It assesses how effective such measures have been in combating problems such as monopoly pricing, collusion, predatory and discriminatory pricing and different forms of vertical restraint. From the evidence, the authors discuss the strengths and weaknesses of current policy and examine the scope for reform. This book will be of interest to students and researchers interested in competition policy, industrial organisation, the British economy and business strategy.

Gender Inequality in Our Changing World: A Comparative Approach focuses on the contemporary United States but places it in historical and global context. Written for sociology of gender courses, this textbook identifies conditions that encourage greater or lesser gender inequality, explains how gender and gender inequality change over time, and explores how gender intersects with other hierarchies, especially those related to race, social class, and sexual identity. The authors integrate historical and international materials as they help students think both theoretically and empirically about the causes and consequences of gender inequality, both in their own lives and in the lives of others worldwide.

With an Introduction and Notes by Roger Clark, University of Kent at Canterbury. Translation by Charles E. Wilbour (1862). One of the great classics of western literature, Les Miserables is a magisterial work which is rich in both character portrayal and meticulous historical description. Characters such as the absurdly criminalised Valjean, the street urchin Gavroche, the rascal Thenardier, the implacable detective Javert, and the pitiful figure of the prostitute Fantine and her daughter Cosette, have entered the pantheon of literary dramatis personae. The reader is also treated to the unforgettable descriptions of the Battle of Waterloo and Valjean's flight through the Paris sewers. Volume 1 of 2

With an Introduction and Notes by Roger Clark, University of Kent at Canterbury. Translation by Charles E. Wilbour (1862). One of the great Classics of Western Literature, Les Miserables is a magisterial work which is rich in both character portrayal and meticulous historical description. Characters such as the absurdly criminalised Valjean, the street urchin Gavroche, the rascal Thenardier, the implacable detective Javert, and the pitiful figure of the prostitute Fantine and her daughter Cosette, have entered the pantheon of literary dramatis personae. Volume 2 of 2

"Told in Rhyme with hilarious illustrations, this book wonders how different animals would react when they try new foods." --I'm Not the Nanny Did you ever wonder why we eat what we do? And why we turn up our nose at something new? Why some people like what others don't? Why some people eat what others won't? Do you think that's true of other creatures too? Do Mice Eat Rice? is a witty, rhyming story by author Al Wight, with humorous and imaginative illustrations by Roger Clarke. Children are encouraged by this multicultural children's book to consider what animals might or might not eat, and by extension, what other people in different parts of the world from different cultures eat that is very different from what we do. Children will learn to eat lots of new foods and be introduced to new animals, in a fun way.

This book features the behind-the-scenes stories of eighty important moments in film history, both on and off the screen. From Robert DeNiro's iconic "You talkin' to me?" scene in Taxi Driver to the strange case of Brandon Lee's death while filming The Crow, this book details the unique circumstances of artistic creation: how the shot was made or the bizarre and often dangerous lengths a director or actor will go to for the perfect take. Roger Clarke is a Columnist and former Film Critic for "The Independent." He has reviewed for the major film magazines including "Screen International" and "Sight and Sound," written features for "Variety" and reviewed and contributed to nearly all the national newspapers in the UK. He has sat on international film juries panels for the BFI London Film Festival and Palm Springs and compared notes with Jonathan Ross for the BBC4 World Cinema Awards. "Story of the Scene "features the behind-the-scenes stories of eighty important moments in film history, both on and off the screen. From Robert DeNiro's iconic "You talkin' to me?" scene in Taxi Driver to the strange case of Brandon Lee's death while filming The Crow, this book details the unique circumstances of artistic creation: how the shot was made or the bizarre and often dangerous lengths a director or actor will go to for the perfect take. "Opens up the true stories behind the myths and legends, and reveals much more besides."--"Sight and Sound" "Opens up the true stories behind the myths and legends, and reveals much more besides."--"Sight and Sound" "The concept here is one that will have film buffs in seventh heaven . . . Clarke's obvious enthusiasm for his subject communicates itself on every page."--"Good Book Guide"

When the world-weary dandy Eugene Onegin moves from St Petersburg to take up residence in the country estate he has inherited, he strikes up an unlikely friendship with his neighbour, the poet Vladimir Lensky. Coldly rejecting the amorous advances of Tatyana and cynically courting her sister Olga - Lensky's fiancee - Onegin finds himself dragged into a tragedy of his own making. Eugene Onegin - presented here in a sparkling translation by Roger Clarke, along with extensive notes and commentary - was the founding text of modern Russian literature, marking a clean break from the high-flown classical style of its predecessors and introducing the quintessentially Russian hero and heroine, which would remain the archetypes for novelists throughout the nineteenth century.

White Cargo is the forgotten story of the thousands of Britons who lived and died in bondage in Britain's American colonies. In the seventeenth and eighteenth centuries, more than 300,000 white people were shipped to America as slaves. Urchins were swept up from London's streets to labor in the tobacco fields, where life expectancy was no more than two years. Brothels were raided to provide breeders for Virginia. Hopeful migrants were duped into signing as indentured servants, unaware they would become personal property who could be bought, sold, and even gambled away. Transported convicts were paraded for sale like livestock. Drawing on letters crying for help, diaries, and court and government archives, Don Jordan and Michael Walsh demonstrate that the brutalities usually associated with black slavery alone were perpetrated on whites throughout British rule. The trade ended with American independence, but the British still tried to sell convicts in their former colonies, which prompted one of the most audacious plots in Anglo-American history. This is a saga of exploration and cruelty spanning 170 years that has been submerged under the overwhelming memory of black slavery. White Cargo brings the brutal, uncomfortable story to the surface.

A drama of ambition, murder, remorse and retribution, Boris Godunov charts the decline of a Russian statesman, whose dynastic aims were foiled by a guilty past and an audacious upstart. Based on history and inspired by Shakespeare, Alexander Pushkin's daring masterwork is presented here in its rarely published uncensored version of 1825. Set in Vienna, Flanders, Madrid and London, Pushkin's celebrated Little Tragedies - Mozart and Salieri, The Mean-Spirited Knight, The Stone Guest and A Feast during the Plague - each focus on a protagonist's driving obsession - with status, money, sex or risk-taking - and its devastating consequences.

First published in 1831, Belkin's Stories was the first completed work of fiction by the founding father of Russian literature. Through a series of interlinked stories purporting to have been told by various narrators to the recently deceased country squire Ivan Belkin, Pushkin offers his own variation on themes and genres that were popular in his day and provides a vivid portrayal of the Russian people. From the story of revenge served cold in 'The Shot' to the havoc wreaked by a blizzard on the life of two young lovers, from the bittersweet tones of 'The Station Master' to the supernatural atmosphere of 'The Undertaker', this collection - presented here in a brand-new translation by Roger Clarke - sparkles with humour and is a testament to the brilliance and versatility of Pushkin's mind.

The fascinating true history of ghosts - how we see them and why we believe in them, from Roger Clarke What explains spectral sightings? Why do we fear the supernatural? What proof is there? Growing up in a haunted house, Roger Clarke spent much of his childhood trying to see a ghost. From the terrifying true events behind Henry James's The Turn of the Screw to the frenzy of the Cock Lane poltergeist, he takes us on a journey of belief with ghosts of every kind.