Poverty-stricken and cut off from society, former law student Rodion Romanovich Raskolnikov leads a desolate life in a dreary little room in St Petersburg. Having abandoned all hopes of sustaining himself through work, he now obsesses over the idea of changing his fortunes through an extreme act of violence: the killing of an elderly pawnbroker. His mind baulks at the horror of his plan, but when he hears that his sister Dunya is about to agree to a loveless marriage in order to escape the advances of her employer, his disgust for the world becomes unbounded, and his feelings of rebellion and revenge push him closer and closer to the edge of the precipice. A masterpiece of psychological insight, Dostoevsky's 1866 novel features some of its author's most memorable characters - from the temperamental protagonist Raskolnikov to the amoral sensualist Svidrigailov and the immoral lawyer Luzhin. Presented here in a sparkling new translation by Roger Cockerell, Crime and Punishment is a towering work in Russian nineteenth-century fiction and a landmark of world literature.

Over the last fifteen years of his life, Tolstoy collected and published the maxims of some of the world's greatest masters of philosophy, religion and literature, adding his own contributions to various questions that preoccupied him in old age, such as faith and existence, as well as matters of everyday life. Banned in Russia under Communism, A Calendar of Wisdom was Tolstoy's last major work, and one of his most popular both during and after his lifetime. This new translation by Roger Cockrell will offer today's generation of readers the chance to discover, day by day, these edifying and carefully selected pearls of wisdom.

The Voice of a Giant looks at seven masterpieces of Russian nineteenth-century prose fiction-Pushkin's "The Queen of Spades", Lermontov's "A Hero of Our Time", Gogol's "The Greatcoat", Turgenev's "Fathers and Sons", Dostoevsky's "Notes from Underground", Tolstoy's "War and Peace" and Chekhov's "The Lady with the Dog". Each chapter concentrates primarily on a detailed analysis of one of these works but reference is also made to historical background, the seven author's general attitudes and the distinguishing characteristics of Russian literature. The book is intended for A-Level students, for first- and second-year undergraduates, and for the general reader exploring the richness and subtlety of a body of writing which has profoundly influenced the modern European consciousness.

Presented in a new translation by Roger Cockrell, The Village of Stepanchikovo and Its Inhabitants was originally conceived as a play and first published in 1859, shortly after the author’s release from forced military service. Gogolian in style and tone, and waspish in its description of the villainous Opiskin, it is a sustained exercise in caricatural cruelty and a comedic tour de force. The young Sergei is summoned from St Petersburg by his uncle, the retired colonel Yegor Rostanev, to the remote country estate of Stepanchikovo. Rostanev’s household, populated by a medley of remarkable characters, is dominated by the figure of Foma Opiskin, a devious, manipulative hanger-on who has everyone in thrall and plots to marry the colonel to the woman of his choice, Tatyana Ivanova. When Opiskin finds that his plans are being thwarted, a confrontation with Rostanev ensues, and all hell is let loose.

Professor Persikov, an eccentric zoologist, stumbles upon a new light ray that accelerates growth and reproduction rates in living organisms. In the wake of a plague that has decimated the country's poultry stocks, Persikov's discovery is exploited as a means to correct the problem. As foreign agents, the state and the Soviet media all seize upon the red ray, matters get out of hand... Set in 1928 but written four years earlier, during Stalin's rise to power, The Fatal Eggs is both an early piece of science fiction reminiscent of H.G. Wells and a biting, brilliant satire on the consequences of the abuse of power and knowledge.

As ideological ferment grips Russia, a small group of revolutionaries, led by Pyotr Verkhovensky and inspired by Nikolai Stavrogin, plan to spread destruction and anarchy throughout the country. Morally bankrupt, they are prepared to use whatever means necessary to achieve their goal, including murder and incitement to suicide. But when they are forced to test the limits of their doctrine and kill one of their own to secure the secrecy of their mission, the ragtag group breaks up in mutual recrimination.Devils is at once a compelling political statement and a study of atheism and its calamitous effect on a country that is teetering on the edge of an abyss. Seen as Dostoevsky's most powerful indictment of man's propensity to violence, this darkly humorous work, shot through with grotesque comedy, is presented here in Roger Cockrell's masterful new translation.

After being saved from a suicide attempt by the appearance of a literary editor, the journalist and failed novelist Sergei Maxudov has a book suddenly accepted for stage adaptation at a prestigious venue and finds himself propelled into Moscow's theatrical world. In a cut-throat environment tainted by Soviet politics, censorship and egomania - epitomized by the arrogant and tyrannical director Ivan Vasilyevich - mayhem gradually gives way to absurdity. Unpublished in Bulgakov's own lifetime, Black Snow is peppered with darkly comic set pieces and draws on its author's own bitter experience as a playwright with the Moscow Arts Theatre, showcasing his inimitable gift for shrewd observation and razor-sharp satire.

Set in the Ukrainian capital of Kiev during the chaotic winter of 1918-19, The White Guard, Bulgakov's first full-length novel, tells the story of a Russian-speaking family trapped in circumstances that threaten to destroy them. As in Tolstoy's War and Peace, the narrative centres on the stark contrast between the cosy domesticity of family life on the one hand, and wide-ranging and destructive historical events on the other. The result is a disturbing, often shocking story, illuminated, however, by shafts of light that testify to people's resilience, humanity and ability to love in even the most adverse circumstances.

"The Exeter English-Russian Dictionary of Cultural Terms" is a unique work of reference whose aim is to provide English speakers who possess at least some knowledge of Russian with the Russian equivalents of foreign and cultural terms in widespread use.

Begun in 1920 while Bulgakov was employed in a hospital in the remote Caucasian outpost of Vladikavkaz, and continued when he started working for a government literary department in Moscow, Notes on a Cuff is a series of journalistic sketches which show the young doctor trying to embark on a literary career among the chaos of war, disease, politics and bureaucracy. Stylistically brilliant and brimming with humour and literary allusion, Notes on a Cuff is presented here in a new translation, along with a collection of other short pieces by Bulgakov, many of them - such as 'The Cockroach' and 'A Dissolute Man' - published for the first time in the English language.

On a train journey, Pozdnyshev tells his story to a stranger: how his relationship with his wife gradually deteriorated from one of love and passion to jealousy and resentfulness, culminating in a mad act of desperation while she practised Beethoven's Kreutzer Sonata with her violin teacher. An uncompromising examination of lust, suspicion and infidelity which was once forbidden by censors in Russia and banned in the US due to its shocking content, Tolstoy's controversial novella - here presented in a new translation, along with 'The Prisoner of the Caucasus', 'Master and Man' and 'After the Ball' - is now considered one of the masterpieces of Tolstoy's late period.

On a visit to a provincial town to see his sister Nina who is suffering from cancer, Alexei Laptev, who works for his father's Moscow haberdashery business, falls in love with Yulia, the daughter of her doctor, and proposes to her. Although she does not reciprocate his feelings, she agrees to marry him and live with him in the capital, where the couple's relationship is marred by tensions: Yulia is filled with regrets about her choice and boredom with her new existence, while Alexei is nagged by the suspicion that she married him for his money alone. However, as time passes and misfortune strikes, they both learn to reassess all of their assumptions. Chekhov's second-longest prose work after The Steppe, Three Years is, in the author's own words, " a novel of Moscow life" and an examination of its merchant classes. A powerful story of redemption and the nuances of human relationships, the novella helped cement Chekhov's reputation as a major figure in Russian literature.

The small town of Mordasov is all abuzz at the arrival of Prince K-, a wealthy, ageing landowner, after an absence of several years. Marya Alexandrovna Moskaleva, a local gossip and fearsome schemer, decides that he would be an advantageous match for her daughter Zina. But in her endeavours to make such a union come about, she must contend with rival matchmakers and Zina's existing suitors. The first book Dostoevsky wrote after serving his sentence in a Siberian prison camp - an experience that inspired his semi-autobiographical novel The House of the Dead - Uncle's Dream shares none of that work's gloomy tone or weighty subject matter: it is a humorous drawing-room novella, a satire of Russian society that can be enjoyed as a lighter counterpoint to the author's later works.

The career of Mikhail Bulgakov, the author of Master and Margarita - now regarded as one of the masterpieces of twentieth-century literature - was characterized by a constant and largely unsuccessful struggle against state censorship. This suppression did not only apply to his art: in 1926 his personal diary was seized by the authorities. From then on he confined his thoughts to letters to his friends and family, as well as to public figures such as Stalin and his fellow Soviet writer Gorky, while also encouraging his wife Yelena to keep a diary, with many entries influenced or even dictated by him. This ample selection from the diaries and letters of the Bulgakovs, mostly translated for the first time into English, provides an insightful glimpse into a fascinating period of Russian history and literature, telling the tragic tale of the fate of an artist under a totalitarian regime.

V.F. Odoevskii (1804-69) was one of the most original and versatile writers of his generation. Written in 1839 and published the following year, The Cosmorama reflects the author's deep interest in the mystical and the non-rational. It tells tale of a small boy's involvement with a seemingly harmless child's toy which has fateful consequences for him and for those he encounters. During the course of the story the narrator, Vladimir, is transformed from a rational man of the world into an incoherent and isolated wreck, fated apparently to live out the rest of his life in tormented despair. The pathway to doom is marked by a series of seemingly fortuitous but interlinked events of an increasingly grotesque, violent character. Not simply a melodramatic tale, this is in fact an unsettling intellectually challenging story giving rise to a range of philosophical, moral and social issues, including questions about the nature of reality, the conflict between social convention and passionate instinct. This edition contains an introduction, generous notes in English, the text in Russian and a glossary and bibliography.