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Covers key theory and clinical practice * Covers key social,
cultural and political issues affecting psychoanalysis * Offers
guidance for contemporary interpersonal practice
Covers key theory and clinical practice * Covers key social,
cultural and political issues affecting psychoanalysis * Offers
guidance for contemporary interpersonal practice
In contemporary forms of psychoanalysis, particularly
intersubjective systems theory, the turn towards contextualism has
permitted the development of new ways of thinking and practicing
that have dispensed with the notion of isolated individuality. For
many who embrace this "post-subjectivist" way of thinking and
practicing, the recognition that all human experience is
fundamentally immersed in the world makes the question of
individuality seem confusing, even anachronistic. Yet the challenge
of individuality remains an important and pressing issue for
contemporary theory and practice; many clinicians are left to
wonder about the role of "individual" experience and how to
approach it conceptually or clinically.
This volume of original essays gives the problem of
individuality its due, without losing sight of the importance of
contextualized experience. Drawing on a variety of disciplinary
backgrounds - philosophical, developmental, biological, and
neuroscientific - the contributors address the tension that exists
between individuality and the emergence of contextualism as a
dominant mode of psychoanalytic theory and practice, thereby
providing unique insights into the role and place of individuality
both in and out of the clinical setting. Ultimately, these essays
demonstrate that individuality, no matter how it may be defined,
always occurs within a contextual web that forms the basis of human
experience.
Contributors: William J. Coburn, Philip Cushman, James L.
Fosshage, Roger Frie, Frank M. Lachmann, Jack Martin, Donna Orange,
Robert D. Stolorow, Jeff Sugarman
History Flows through Us introduces a new dialogue between leading
historians and psychoanalysts and provides essential insights into
the nature of historical trauma. The contributors - German
historians, historians of the Holocaust and psychoanalysts of
different disciplinary backgrounds - address the synergy between
history and psychoanalysis in an engaging and accessible manner.
Together they develop a response to German history and the
Holocaust that is future-oriented and timely in the presence of
today's ethnic hatreds. In the process, they help us to appreciate
the emotional and political legacy of history's collective crimes.
This book illustrates how history and the psyche shape one another
and the degree to which history flows through all of us as human
beings. Its innovative cross-disciplinary approach draws on the
work of the historian and psychoanalyst Thomas Kohut. The volume
includes an extended dialogue with Kohut in which he reflects on
the study of German history and the Holocaust at the intersection
of history and psychoanalysis. This book demonstrates that the
fields of history and psychoanalysis are each concerned with the
role of empathy and with the study of memory and narrative. History
Flows through Us will appeal to general readers, students and
professionals in cultural history, Holocaust and trauma studies,
sociology, psychoanalysis, psychotherapy and psychology.
Beyond Postmodernism identifies ways in which psychoanalysis has
moved beyond the postmodern debate and discusses how this can be
applied to contemporary practice.
Roger Frie and Donna Orange bring together many of the leading
authorities on psychoanalytic theory and practice to provide a
broad scope of psychoanalytic viewpoints and perspectives on the
growing interdisciplinary discourse between psychoanalysis,
continental philosophy, social theory and philosophy of mind.
Divided into two parts, Psychoanalytic Encounters with
Postmodernism and Psychoanalysis Beyond Postmodernism, this
book:
- elaborates and clarifies aspects of the postmodern turn in
psychoanalysis
- furthers an interdisciplinary perspective on clinical theory
and practice
- contributes to new understandings of theory and practice beyond
postmodernism.
Beyond Postmodernism: New Dimensions in Clinical Theory and
Practice provides a fresh perspective on the relationship between
psychoanalysis and postmodernism and raises new issues for the
future. It will be of interest to practicing psychoanalysts and
psychologists as well as students interested in psychoanalysis,
postmodernism and philosophy.
History Flows through Us introduces a new dialogue between leading
historians and psychoanalysts and provides essential insights into
the nature of historical trauma. The contributors - German
historians, historians of the Holocaust and psychoanalysts of
different disciplinary backgrounds - address the synergy between
history and psychoanalysis in an engaging and accessible manner.
Together they develop a response to German history and the
Holocaust that is future-oriented and timely in the presence of
today's ethnic hatreds. In the process, they help us to appreciate
the emotional and political legacy of history's collective crimes.
This book illustrates how history and the psyche shape one another
and the degree to which history flows through all of us as human
beings. Its innovative cross-disciplinary approach draws on the
work of the historian and psychoanalyst Thomas Kohut. The volume
includes an extended dialogue with Kohut in which he reflects on
the study of German history and the Holocaust at the intersection
of history and psychoanalysis. This book demonstrates that the
fields of history and psychoanalysis are each concerned with the
role of empathy and with the study of memory and narrative. History
Flows through Us will appeal to general readers, students and
professionals in cultural history, Holocaust and trauma studies,
sociology, psychoanalysis, psychotherapy and psychology.
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Last Lectures (Paperback)
Roger Fry; Introduction by Kenneth Clark
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R1,160
Discovery Miles 11 600
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Ships in 10 - 15 working days
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Last Lectures (Hardcover)
Roger Fry; Introduction by Kenneth Clark
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R1,470
Discovery Miles 14 700
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Ships in 10 - 15 working days
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This is a new release of the original 1927 edition.
This is a new release of the original 1927 edition.
1927. Fry, English art critic and painter and champion of modern
French schools of art introduced Cezanne and the postimpressionists
to England. From 1905 to 1910 he was curator of paintings at the
Metropolitan Museum of Art. In 1933 he was made Slade Professor of
Fine Arts at Cambridge. Interested in all eras, he consistently
stressed the importance of analyzing the formal qualities within a
work of art. His biography was written by Virginia Woolf in 1940.
This volume contains his influential work on Cezanne, who today is
regarded as one of the great forerunners of modern painting, both
for the way he evolved of putting down on canvas exactly what his
eye saw in nature and for the qualities of pictorial form that he
achieved through a unique treatment of space, mass, and color.
1927. Fry, English art critic and painter and champion of modern
French schools of art introduced Cezanne and the postimpressionists
to England. From 1905 to 1910 he was curator of paintings at the
Metropolitan Museum of Art. In 1933 he was made Slade Professor of
Fine Arts at Cambridge. Interested in all eras, he consistently
stressed the importance of analyzing the formal qualities within a
work of art. His biography was written by Virginia Woolf in 1940.
This volume contains his influential work on Cezanne, who today is
regarded as one of the great forerunners of modern painting, both
for the way he evolved of putting down on canvas exactly what his
eye saw in nature and for the qualities of pictorial form that he
achieved through a unique treatment of space, mass, and color.
FRENCH, FLEMISH AND BRITISH ART ROGER FRY Coward-McCann, Inc. NEW
YORK FOREWORD THE three books here reprinted, Characteristics of
French Art, Flemish Art, and Reflections on British Painting, were
each k of them originally given as lectures at the time of
Burlington House Ex hibitions, We believe they will be welcomed by
a new genera tion of readers since in spite of their occasional
origin they contain much of permanent interest. It has not been
possible under present conditions to reproduce all the original
illustrations where these have been omitted slight verbal
alterations in the text have had to be made. MARGERY FRY PAMELA
DIAMAND Contents CHARACTERISTICS OF FRENCH ART PART PAGE 1
Primitive 3 2 Classic 14 3 Rococo 33 4 Neo-Classic and Romantic 51
5 Realism 65 6 Impressionism 80 FLEMISH ART PART 1 99 2 117
REFLECTIONS ON BRITISH PAINTING 137 Illustrations Figure Following
Page 1 THIRTEENTH CENTURY FRENCH A Musician 12 Rheims 2 FOURTEENTH
CENTURY FRENCH Jeanne de Bourbon Giraudon Photo Poitiers 3
FIFTEENTH CENTURY BURGUNDIAN Virgin and Child Toulouse 4 JAN VAN
EYCK Man with a Pink Bruckmann Photo Berlin 5 FOUQUET Virgin and
Child Bruckmann Photo Antwerp ERRATA PAGE X, FIGURE 35 For
Collection of Sir Herbert Cook, Bt, read Privately owned in
Holland. PAGE 107, LINE 9 Read JFormer y in Sir Herbert Cooks
Collection. n 11 POUSSIN Bruckmann Photo Leningrad 12 LE SUEUR St.
Bruno and Raymond Diocres Louvre 13 INGRES Voeue de Louis XIII
Bulloz Photo Cathedral, Montaubdn 14 POUSSIN Baptism Copyright of
the Earl ofEtlesmere Bridge water House 15 CHARDIN Still Life
Giraudon Photo Louvre 1 6 CLAUDE Landscape water colour 60 British
Museum 17 GERICAULT Slaves holding a Horse, , Bulloz PhotoRouen ix
x ILLUSTRATIONS Figure Following Page 1 8 RUBENS The Garden of Love
60 Anderson Photo Praclo 19 WATTEAU Fetes Venitieunes . Annan Photo
Edinburgh 20 COROT Nude Giraudon Photo Private Collection 21
COURBET Demoiselles au bord de la Seine, , Archives Photographiques
22 COROT Venice Rosenberg Melbourne 23 DAUMIER The Chess-players
Bulloz Photo Ville de Paris 24 COURBET La Toilette de la Mariee 76
Bernheim Jeune Photo Smith College, U. S. A. 25 MANET Portrait of
his Parents Courtesy ofMme. Rouart 26 DEGAS Dans les coulisses, ,
Collection Rouart 27 BAZILLE Reunion de famille, Giraudon Photo
Louvre 28 SEURAT Le Port de Gravelines Vizzavona Photo Cargill
Collection, Lanark 29 CEZANNE Maisons a LEstaque Vizzavona Photo 30
RENOIR Mme Charpentier 92 Vizzavona Photo Metropolitan Museum, Neiv
York 3 1 DEGAS Le Comte Le pic, Durand-Ruel Photo 32 CONSTABLE
Dedham Granville-Proby Collection 33 ROGIER VAN DER WEYDEN Portrait
of a Lady Formerly in the Mellon Collection 34 Miniature from the
Heures de Turin Turin 35 HUBERT VAN EYCK The Three Maries at the
Sepulchre Collection of Sir Herbert Cook, Bt. ILLUSTRATIONS xi
Figure Following Page 36 JANVANEYCK Portrait of the Artists Wife
108 Bruges 37 PETRUS CHRISTUS Portrait of a Carthusian 38 ROGIER
VAN DER WEYDEN Deposition from the Cross Private Collection 39
ROGIER VAN DER WEYDEN Deposition from the Cross Brussels 40 METSYS
Madonna and Child with Angel Dyson Perrins Collection 41 METSYS
Madonna and Child with Two Angels Lionel Harris Collection 42 BOSCH
St. Jerome Ghent 43 PIETER BRUEGHEL The Fall of Icarus 5 Brussels
44 RUBENS Adoration of the Magi K 132 Antwerp 45 RUBENS Martyrdom
of St. Ursula Brussels 46 RUBENS Portrait of Yrsselius 5JCopenhagen
47 HOLBEIN Portrait 148 Metropolitan Museum, New York 48 LELY Nell
Gwynn National Portrait Gallery, London 49 KNELLER Marquis of
Tweeddale National Gallery, London 50 HOGARTH The Rakes Levee Sir
John Soane Museum, London by permission of the Trustees 51 MORLAND
Landscape 172 National Gallery, London 52 ZOFFANY Garrick
entertaining Dr. Johnson Earl of Durham Collection 53 REYNOLDS Self
Portrait Royal Academy, London 54 GAINSBOROUGH Viscountess
Folkestone Mrs. G. Holt U. S. A...
1927. Fry, English art critic and painter and champion of modern
French schools of art introduced Cezanne and the postimpressionists
to England. From 1905 to 1910 he was curator of paintings at the
Metropolitan Museum of Art. In 1933 he was made Slade Professor of
Fine Arts at Cambridge. Interested in all eras, he consistently
stressed the importance of analyzing the formal qualities within a
work of art. His biography was written by Virginia Woolf in 1940.
This volume contains his influential work on Cezanne, who today is
regarded as one of the great forerunners of modern painting, both
for the way he evolved of putting down on canvas exactly what his
eye saw in nature and for the qualities of pictorial form that he
achieved through a unique treatment of space, mass, and color.
In the first decades of the twentieth century, the art critic Roger
Fry introduced English-speaking audiences to modern French art and
formalist aesthetic theory. "A Roger Fry Reader," edited by
Christopher Reed, brings together for the first time a
comprehensive selection of Fry's essays. Most appear here for the
first time since their original publication in scholarly journals
and art magazines, while some have never been published before.
Representing 40 years of engagement with the arts, the essays cover
a broad spectrum of topics, from Fry's influential promotion of
Post-Impressionism to art education, museums, architecture,
decorative art, and the implications of literature and dance for
the visual arts. Reed also provides valuable historical background
and considers Fry's legacy for the present. "A Roger Fry Reader"
affords an opportunity to examine both the foundations of modern
art criticism from the point of view of one of its foremost
practitioners and current debates about the nature ofart and
aesthetic experience.
Beyond Postmodernism identifies ways in which psychoanalysis has
moved beyond the postmodern debate and discusses how this can be
applied to contemporary practice.
Roger Frie and Donna Orange bring together many of the leading
authorities on psychoanalytic theory and practice to provide a
broad scope of psychoanalytic viewpoints and perspectives on the
growing interdisciplinary discourse between psychoanalysis,
continental philosophy, social theory and philosophy of mind.
Divided into two parts, Psychoanalytic Encounters with
Postmodernism and Psychoanalysis Beyond Postmodernism, this
book:
- elaborates and clarifies aspects of the postmodern turn in
psychoanalysis
- furthers an interdisciplinary perspective on clinical theory
and practice
- contributes to new understandings of theory and practice beyond
postmodernism.
Beyond Postmodernism: New Dimensions in Clinical Theory and
Practice provides a fresh perspective on the relationship between
psychoanalysis and postmodernism and raises new issues for the
future. It will be of interest to practicing psychoanalysts and
psychologists as well as students interested in psychoanalysis,
postmodernism and philosophy.
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