Kaarle Krohn's Folklore Methodology was the first systematic attempt to state a method of studying folkloristic materials. For centuries scholars had collected folkloristic texts and had commented on them, but they had not tried to formulate a method of investigating folklore.

Folklore Methodology became the handbook for the great Finnish School of folklore research. It provided for its students a guide to the geographical research of traditional materials, a radical departure from the literary scholarship that had dominated folklore studies.

Krohn's book explores the causes and modes of folklore diffusion, development, and destruction; it outlines the influences that cause change in folklore; it provides valuable insights into the nature of folklore; and, finally, it develops geographic methods for analyzing, classifying, and reconstructing individual items from the folk repertoire.

While many developments have taken place since Krohn first published his guide, important new concepts of folklore research sprang from his efforts. For this reason, Folklore Methodology is mandatory reading for every serious student of folklore.

One day Roger Welsch ventured to ask his father a delicate personal question: "Why am I an only child?" His father's answer is one of many examples of the delightful and laughter-inducing ribald tales Welsch has compiled from a lifetime of listening to and sharing the folklore of the Plains. More narrative than simple jokes, and the product of multiple retellings, these coarse tales were even delivered by such prudish sources as Welsch's stern and fearsome German great-aunts. Speaking of cucumbers and sausages in a toast to a newly married couple, the prim and proper women of Welsch's memory voice the obscene and unspeakable in stories fit for general company. Why I'm an Only Child and Other Slightly Naughty Plains Folktales is Welsch's celebration of the gentle and evocative bits of humor reflecting the personality of the people of the Plains.

Roger Welsch is a fierce fan of Nebraska--not just the football team, or the state's famous beef, or its endless sky, or its ferocious and ferociously unpredictable weather, but the whole thing. His license plate says CAPT NEB, and he means it. Welsch loves Nebraska as the heart of America's Great Plains. His perception of the state is not always conventional--occasionally it's even abrasive--but he's thought a lot about this place some call "Fly-Over Country" or "The Middle of Nowhere" or even "The End of the Earth." And what he has to say about it makes interesting reading not just for natives but certainly also for outsiders, for those who love the place and those who would rather travel through hell than make another drive across Nebraska's endless miles.

In 1935, in the depths of the Great Depression, Franklin Roosevelt issued an executive order creating the Federal Writers' Project (FWP). Out-of-work teachers, writers, and scholars fanned out across the country to collect and document local lore. This book reveals the remarkable results of the FWP in Wyoming at a time when it was still possible to interview Civil War veterans and former slaves, homesteaders and Oregon Trail migrants, soldiers of the Great War and Native Americans who remembered Little Big Horn. The work of the FWP in Wyoming, collected and edited here for the first time, comprises a rich repository of folklore and history and a firsthand look at the Old West in the process of becoming the new American frontier. "Wyoming Folklore" presents the legends, local and oral histories, and pioneer stories that defined the state in the early twentieth century.

Roger Welsch did what many Americans only dream of doing. While still in his professional prime, the folklorist and humorist quit a tenured professorship and headed toward the hinterland. Resettled in the open heart of Nebraska with his wife, Welsch proceeded to learn how to live. "It's Not the End of the Earth, but You Can See It from Here" is, in his own words, "a celebration" of his "rural education." These twenty-eight tales of the Great Plains convey in familiar Welschian style "the importance, charm, beauty, and value of the typical." They describe the wisdom that Welsch's new-found teachers share with him. From everyday country people, he learns the fine arts of relaxing, using his noggin, trusting his instincts, and laughing a lot more, while Omaha Indian friends teach him the most profound lessons of all.

The Turtle Creek band of the fictional Nehawka Indians wages a battle for the return of their sacred Sky Bundle, a medicine pouch containing artifacts. It reposes under glass in an eastern museum at the beginning of "Touching the Fire." Seven interlinked stories, beginning with a court battle in the year 2001 and going far back in time to the origin of the Bundle and the first Nehawka village on the Great Plains, reveal the richness and depth of Indian cultural heritage. "Touching the Fire" is multilayered--sad, humorous, and always informative.

"More than corn grows tall on the American Plains. Here for the delectation of amateur folklorists is a collection of country whoppers from the frontier of Nebraska, Oklahoma and Iowa-funny and fantastic yarns and anecdotes of pioneer vintage that belie the erroneous notion that the men and women who settled the Plains were 'grimly serious' forerunners of Grant Wood's farming couple."-Publishers WeeklyRoger Welsch has written numerous books. He delivers a "Postcard from Nebraska" on CBS Sunday Morning.

Forty years ago, while paging through a book sent as an unexpected gift from a friend, Roger Welsch came across a curious reference to stones that were round, "like the sun and moon." According to Tatonka-ohitka, Brave Buffalo (Sioux), these stones were sacred. "I make my request of the stones and they are my intercessors," Brave Buffalo explained. Moments later, another friend appeared at Welsch's door bearing yet another unusual gift: a perfectly round white stone found on top of a mesa in Colorado. So began Welsch's lesson from stones, gifts that always presented themselves unexpectedly: during a walk, set aside in an antique store, and in the mail from complete strangers. The Reluctant Pilgrim shares a skeptic's spiritual journey from his Lutheran upbringing to the Native sensibilities of his adoptive families in both the Omaha and Pawnee tribes. Beginning with those round stones, increasing encounters during his life prompted Welsch to confront a new way of learning and teaching as he was drawn inexorably into another world. Confronting mainstream contemporary culture's tendency to dismiss the magical, mystical, and unexplained, Welsch shares his personal experiences and celebrates the fact that even in our scientific world, "Something Is Going On," just beyond our ken.

A distinguished scholar and writer who, in the words of H. L. Mencken, "put the study of American English on its legs," Louise Pound (1872-1958) was always intensely interested in the folklore of her home state. "Nebraska Folklore," first published in 1959, collects her best work in that rich vein.
Included are cave legends, snake superstitions, weather lore, tales of strong men who rival Paul Bunyan, stories of Indian lovers' leaps, hoaxes of a petrified man and a land-locked sea monster, and the legends of Weeping Water and Lincoln Salt Basin. A section on old Nebraska folk customs provides a wealth of information about holiday observances, literary and debating societies, political rallies, spelling contests, and various social traditions. Going beyond Nebraska, the book ends with studies of the origins of American cowboy and folk songs and of the use of dialect in folklore. Its wit and honesty will appeal to readers everywhere. Roger Welsch provides an introduction to this new Bison Books edition.