The second in a series of republished classic literature, The Ghost Stories of M. R. James collects the tales that best illustrate his quiet mastery of the ghost story form. Running through each of these stories is a slowly escalating sense of unease and dread, which ultimately shifts into the wildly uncanny. James' characters exist in a world of ancient objects whose atrocious histories begin to repeat when they are disturbed, and the blinkered repression common to James' narratives only amplifies the shock of the spectral appearance.

STUNNING DETAIL - Adam Simpson's strong line makes for a jigsaw experience that is both challenging and richly rewarding, with visual interest on every single piece PERENNIAL APPEAL - Frankenstein's monster is a character who has transcended the novel to become part of the cultural consciousness. Even if you've never read the book you will still enjoy the puzzle PERFECT FOR GIFTING - Appeals to core bookshop and gift-shop audience as well as to a general puzzle audience GOOD SIZE - Completed puzzle measures 48.5 x 68 cm (19 x 27 in.) Packed with characters from the story, the illustration covers all the key scenes in incredible detail so that every piece has something to capture the imagination. This richly rewarding puzzle is accompanied by an illustrated poster and explanatory text detailing who's who in the grisly world of Victor Frankenstein and his monster.

Crumbling ruins, undead fiends, dark alleys and forests teeming with horrors seen and unseen: the tendrils of the Gothic have crept out of the architecture of churches, mosques and grand houses and into suburban malls, overcrowded cities, the deserted corners of the world and beyond, taking the shape of monsters from Beowulf to Gojira, Cthulhu or the wendigo to our own terrifying, warped reflections. Across time, form and media, this book traces the weaving path of the Gothic from the shadows of history to the very heart of popular culture today. With over 350 illustrations

In this book, Roger Luckhurst both introduces and advances the fields of cultural memory and trauma studies, tracing the ways in which ideas of trauma have become a major element in contemporary Western conceptions of the self. The Trauma Question outlines the origins of the concept of trauma across psychiatric, legal and cultural-political sources from the 1860s to the coining of Post-Traumatic Stress Disorder in 1980. It further explores the nature and extent of 'trauma culture' from 1980 to the present, drawing upon a range of cultural practices from literature, memoirs and confessional journalism through to photography and film. The study covers a diverse range of cultural works, including writers such as Toni Morrison, Stephen King and W. G. Sebald, artists Tracey Emin, Christian Boltanski and Tracey Moffatt, and film-makers David Lynch and Atom Egoyan. The Trauma Question offers a significant and fascinating step forward for those seeking a greater understanding of the controversial and ever-expanding field of trauma research.

'Instantly the spirit of hell awoke in me and raged...I was suddenly struck through the heart by a cold thrill of terror.' Stevenson's short novel, published in 1886, became an instant classic. It was a Gothic horror that originated in a feverish nightmare, whose hallucinatory setting in the murky back streets of London gripped a nation mesmerized by crime and violence. The respectable doctor's mysterious relationship with his disreputable associate is finally revealed in one of the most original and thrilling endings in English literature. In addition to Jekyll and Hyde, this edition also includes a number of short stories and essays written by Stevenson in the 1880s, minor masterpieces of fiction and comment: 'The Body Snatcher', 'Markheim', and 'Olalla' feature grave-robbing, a sinister double, and degeneracy, while 'A Chapter on Dreams' and 'A Gossip on Romance' discuss artistic creation and the 'romance' form. Appendixes provide extracts from contemporary writings on personality disorder, which set Stevenson's tale in its full historical context. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

A 1000-PIECE JIGSAW FOR LITERATURE LOVERS - Piece together the grisly world of Dracula with a comprehensive poster guide WORLD EXPERT ON DRACULA - Text by world Dracula expert Roger Luckhurst, the editor of The Cambridge Companion to Dracula and the Oxford World's Classics edition of Dracula HOURS OF SPOOKY FUN - Stalk graveyards, climb castle stairs and fraternize with the undead - all from the comfort of home! THE PERFECT GIFT - Illustration-led, highly finished jigsaw and illustrated poster for maximum gift appeal AMAZING ARTWORK - Adam Simpson's intricately drawn world is bursting with minute detail GOOD SIZE - Completed puzzle measure 48.5 x 68 cm (19 x 27 in.) ENTER CASTLE DRACULA... IF YOU DARE Immerse yourself in the Gothic World of Dracula in this stunning jigsaw puzzle by Adam Simpson. Packed with characters from the story, the illustration includes all the key scenes from the novel in incredible detail - every piece has something to capture the imagination. This richly rewarding puzzle is accompanied by an illustrated poster and explanatory text by leading Dracula expert Roger Luckhurst detailing who's who in the Count's grisly world.

'it was butcher work...the horrid screeching as the stake drove home; the plunging of writhing form, and lips of bloody foam' Bram Stoker's 1897 Gothic shocker introduced Count Dracula to the world, an ancient creature bent on bringing his contagion to London, the very heart of the British Empire. Only a handful of men and women stand between Dracula and his long-cherished goal, but they are vulnerable and weak against the cunning and supernatural powers of the Count and his legions. As the horrifying story unfolds in the diaries and letters of young Jonathan Harker, Lucy, Mina, and Dr Seward, Dracula will be victorious unless his nemesis Professor Van Helsing can persuade them that monsters still lurk in the era of electric light. The most famous of all vampire stories, Dracula is a mirror of its age, its underlying themes of race, religion, science, superstition, and sexuality never far from the surface. A compelling read, rattling along at break-neck speed, it is a modern classic. This new edition includes Stoker's companion piece, 'Dracula's Guest'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Bram Stoker's Dracula is the most famous vampire in literature and film. This new collection of sixteen essays brings together a range of internationally renowned scholars to provide a series of pathways through this celebrated Gothic novel and its innumerable adaptations and translations. The volume illuminates the novel's various pre-histories, critical contexts and subsequent cultural transformations. Chapters explore literary history, Gothic revival scholarship, folklore, anthropology, psychology, sexology, philosophy, occultism, cultural history, critical race theory, theatre and film history, and the place of the vampire in Europe and beyond. These studies provide an accessible guide of cutting-edge scholarship to one of the most celebrated modern Gothic horror stories. This Companion will serve as a key resource for scholars, teachers and students interested in the enduring force of Dracula and the seemingly inexhaustible range of the contexts it requires and readings it might generate.

At the end of the century, much criticism has become devoted to `last things': the end of history, the end of the subject, the end of the novel, the end, even, of the end. Literature and the Contemporary, in contrast, aims to provide through twelve essays evidence of the way in which the literature of the 1990s is constantly engaging in questions of memory and history and the representation of time in the present day. The essays in the book survey theories of temporality from various cultural and philosophical standpoints, and represent critics writing from feminist, postcolonial and `queer' perspectives discussing literature in `our time'. The collection addresses such central issues as the politics of memory, colonial legacies, women's time, racial and sexual identities in the 1990s, and covers a wide range of contemporary authors, works and issues, some of which are treated for the first time. Among the contemporary works discussed are the prize-winning books Graham Swift's Last Orders, Anne Michaels' Fugitive Pieces, and Jane Smiley's A Thousand Acres. While discussing some of the most significant novels of the 1990s, this collection also offers a diverse yet cohesive critique of the millennial leanings of much `postmodernist' criticism, which it argues should be replaced by more variously nuanced engagements with literature and the contemporary.

At the end of the century, much criticism has become devoted to `last things': the end of history, the end of the subject, the end of the novel, the end, even, of the end. Literature and the Contemporary, in contrast, aims to provide through twelve essays evidence of the way in which the literature of the 1990s is constantly engaging in questions of memory and history and the representation of time in the present day. The essays in the book survey theories of temporality from various cultural and philosophical standpoints, and represent critics writing from feminist, postcolonial and `queer' perspectives discussing literature in `our time'. The collection addresses such central issues as the politics of memory, colonial legacies, women's time, racial and sexual identities in the 1990s, and covers a wide range of contemporary authors, works and issues, some of which are treated for the first time. Among the contemporary works discussed are the prize-winning books Graham Swift's Last Orders, Anne Michaels' Fugitive Pieces, and Jane Smiley's A Thousand Acres. While discussing some of the most significant novels of the 1990s, this collection also offers a diverse yet cohesive critique of the millennial leanings of much `postmodernist' criticism, which it argues should be replaced by more variously nuanced engagements with literature and the contemporary.

Following the great success of our Gothic Fantasy, deluxe edition short story compilations, Ghosts, Horror, Science Fiction, Murder Mayhem and Crime & Mystery this latest title crawls with the dark fingers of terror, the chilling sensation of another presence sitting alongside you while you read the tales of horror laid out before you. Contains a fabulous mix of classic and brand new writing, with authors from the US, Canada, and the UK.

This eight-volume, reset edition in two parts collects rare primary sources on Victorian science, literature and culture. The sources cover both scientific writing that has an aesthetic component - what might be called 'the literature of science' - and more overtly literary texts that deal with scientific matters.

This eight-volume, reset edition in two parts collects rare primary sources on Victorian science, literature and culture. The sources cover both scientific writing that has an aesthetic component - what might be called 'the literature of science' - and more overtly literary texts that deal with scientific matters.

This eight-volume, reset edition in two parts collects rare primary sources on Victorian science, literature and culture. The sources cover both scientific writing that has an aesthetic component - what might be called 'the literature of science' - and more overtly literary texts that deal with scientific matters.

This eight-volume, reset edition in two parts collects rare primary sources on Victorian science, literature and culture. The sources cover both scientific writing that has an aesthetic component - what might be called 'the literature of science' - and more overtly literary texts that deal with scientific matters.

This is the first theoretically informed book on Ballard, reading his work not only within the science fiction genre, but also connecting it to issues of popular culture and legitimisation, postmodernism and the legacy of the avant-garde. Aiming where necessary to contextualise Ballard's fiction within the science fiction genre, Luckhurst's study also travels over many terrains more or less foreign to SF: existentialism, Surrealism, Pop Art, psychoanalysis, ethnologies of contemporary modernity, and the theory of autobiography.

Bram Stoker's Dracula is the most famous vampire in literature and film. This new collection of sixteen essays brings together a range of internationally renowned scholars to provide a series of pathways through this celebrated Gothic novel and its innumerable adaptations and translations. The volume illuminates the novel's various pre-histories, critical contexts and subsequent cultural transformations. Chapters explore literary history, Gothic revival scholarship, folklore, anthropology, psychology, sexology, philosophy, occultism, cultural history, critical race theory, theatre and film history, and the place of the vampire in Europe and beyond. These studies provide an accessible guide of cutting-edge scholarship to one of the most celebrated modern Gothic horror stories. This Companion will serve as a key resource for scholars, teachers and students interested in the enduring force of Dracula and the seemingly inexhaustible range of the contexts it requires and readings it might generate.

A collection of new tales with brilliant new writers and lost souls from the darkest corners of literature and legend: Morrigan's ravens in Celtic myth mingle with Dante's infernal spirits and the work of John Milton. And with the dark fiction of William Hope Hodgson and Arthur Machen this promises to be a haunting, chilling read. Classic authors include: E.F. Benson, Ambrose Bierce, Mary Elizabeth Braddon, F. Marion Crawford, Dante, Charles Dickens, Amelia B. Edwards, Sheridan le Fanu, Mary E. Wilkins Freeman, W.F. Harvey, William Hope Hodgson, E.T.A Hoffmann, James Hogg, Washington Irving, Henry James, M.R. James, Jerome K. Jerome, Perceval Landon, Friedrich Laun, H.P. Lovecraft, Arthur Machen, Charles Maturin, E. Nesbit, Margaret Oliphant, Edgar Allan Poe, Walter Scott, Sarah Elizabeth Utterson, Edith Wharton, along with a retold tale from Ovid's Metamorphoses.

A legendary fusion of science fiction and horror, Alien (1979) is one of the most enduring modern myths of cinema - its famously visceral scenes acting like a traumatic wound we seem compelled to revisit. Tracing the constellation of talents that came together to produce the film, Roger Luckhurst examines its origins as a monster movie script called Star Beast, dismissed by many in Hollywood as B-movie trash, through to its afterlife in numerous sequels, prequels and elaborations. Exploring the ways in which Alien compels us to think about otherness, Luckhurst demonstrates how and why this interstellar slasher movie, this old dark house in space, came to coil itself around our darkest imaginings about the fragility of humanity. This special edition features original cover artwork by Marta Lech.

Stanley Kubrick hailed The Shining as 'the scariest horror film of all time' before its release in 1980. Though the film opened to poor reviews, it has since become one of the most admired horror films in cinema history. Exerting an enormous influence on popular culture, The Shining has spawned a vast array of interpretations and conspiracy theories. Roger Luckhurst's illuminating study explores the film's themes, tropes and resonances through a detailed analysis of sequences and performances. Situating The Shining in a series of fresh contexts, Luckhurst looks at the complex nature of horror cinema at the end of the 1970s and early 80s. Taking the maze of the haunted hotel as a key motif, he offers numerous threads with which to navigate the strange twists and turns of this enigmatic film. This limited edition features original cover artwork by Mark Swan.

In this book, Roger Luckhurst both introduces and advances the fields of cultural memory and trauma studies, tracing the ways in which ideas of trauma have become a major element in contemporary Western conceptions of the self. The Trauma Question outlines the origins of the concept of trauma across psychiatric, legal and cultural-political sources from the 1860s to the coining of Post-Traumatic Stress Disorder in 1980. It further explores the nature and extent of 'trauma culture' from 1980 to the present, drawing upon a range of cultural practices from literature, memoirs and confessional journalism through to photography and film. The study covers a diverse range of cultural works, including writers such as Toni Morrison, Stephen King and W. G. Sebald, artists Tracey Emin, Christian Boltanski and Tracey Moffatt, and film-makers David Lynch and Atom Egoyan. The Trauma Question offers a significant and fascinating step forward for those seeking a greater understanding of the controversial and ever-expanding field of trauma research.

An often overlooked collection in Arthur Conan Doyle's career, these tales actually track the vital moment in his life when he decided to shift careers from provincial medic to celebrated London author Detailed introduction, notes and scholarly apparatus Appendixes that collect extra medical tales, Conan Doyle's early contributions to the medical press and the two one-act plays that he produced from two of the stories, including one of his greatest successes for the stage, Waterloo Introduction provides the medical context to help understand its place in Conan Doyle's career This is a scholarly edition of Arthur Conan Doyle's controversial collection of medical tales, first published in 1894 in the first flush of his fame. Conan Doyle had trained in medicine at Edinburgh University in the 1870s, and then spent eight years as a General Practitioner in Southsea, before deciding to become a professional author in 1890. The stories he collected in Round the Red Lamp are gathered from his medical training and incidents in his life as a provincial GP. Some of the stories are daring dealing explicitly with child birth, sexually transmitted diseases and malpractice. Some are sentimental or comic vignettes. Some are Gothic horrors. On publication the shades of dark and light bewildered some of his readers and the medical realism outraged others. Round the Red Lamp is a vital collection in understanding Conan Doyle's shift of profession from medic to author.

'He was a man of fairly firm fibre, but there was something in this sudden, uncontrollable shriek of horror which chilled his blood and pringled in his skin. Coming in such a place and at such an hour, it brought a thousand fantastic possibilities into his head...' The Victorian fin de siecle: the era of Decadence, The Yellow Book, the New Woman, the scandalous Oscar Wilde, the Empire on which the sun never set. This heady brew was caught nowhere better than in the revival of the Gothic tale in the late Victorian age, where the undead walked and evil curses, foul murder, doomed inheritance and sexual menace played on the stretched nerves of the new mass readerships. This anthology collects together some of the most famous examples of the Gothic tale in the 1890s, with stories by Arthur Conan Doyle, Vernon Lee, Henry James and Arthur Machen, as well as some lesser known yet superbly chilling tales from the era. The introduction explores the many reasons for the Gothic revival, and how it spoke to the anxieties of the moment. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'Don't you see that we are buried alive?' When Allan Quatermain is approached by Sir Henry Curtis and his friend Captain Good to search for Sir Henry's missing brother, deep in the African interior, he agrees to lead their expedition. Quatermain has a map to the fabled King Solomon's Mines, whose treasure the missing man sought to attain. Their journey takes them to Kukuanaland, where they find a warrior tribe in thrall to King Twala. Soon the white men are embroiled in a desperate tribal battle, and Quatermain's expedition can only reach its goal with the aid of Gagool, the ancient 'mother' no one trusts. Haggard's exciting adventure story captivated readers when it was first published in 1885. It helped inaugurate a wave of 'lost world' romances inspired by the exploits of British explorers in colonial Africa. This new edition looks at Haggard's own African experiences and unlikely literary success, and his ambivalent attitude to the native tribes and the ravages of the British Empire. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'So, in the end, above ground you must have the Haves, pursuing pleasure and comfort and beauty, and below ground the Have-nots, the Workers...' At a Victorian dinner party, in Richmond, London, the Time Traveller returns to tell his extraordinary tale of mankind's future in the year 802,701 AD. It is a dystopian vision of Darwinian evolution, with humans split into an above-ground species of Eloi, and their troglodyte brothers. The first book H. G. Wells published, The Time Machine is a scientific romance that helped invent the genre of science fiction and the time travel story. Even before its serialisation had finished in the spring of 1895, Wells had been declared 'a man of genius', and the book heralded a fifty year career of a major cultural and political controversialist. It is a sardonic rejection of Victorian ideals of progress and improvement and a detailed satirical commentary on the Decadent culture of the 1890s. This edition features a contextual introduction, detailed explanatory notes, and two essays Wells wrote just prior to the publication of his first book.