Collection of two comedies. In 'No Strings Attached' (2011), when long-time friends Emma (Natalie Portman) and Adam (Ashton Kutcher) decide to add a physical dimension to their relationship and move into 'friends with benefits' territory, they agree to keep things strictly casual and on a 'no strings' basis. But before long both of them find things becoming more complicated than planned as those pesky emotions get in the way. In 'Morning Glory' (2010), a sparky, ambitious young television producer spies an opportunity to claw her way up the career ladder when she is offered a job on 'Daybreak', the worst-performing morning chat show in the ratings. Her decision to hire veteran newscaster Mike Pomeroy (Harrison Ford) to host the show meets with scepticism from network executive Jerry (Jeff Goldblum) and co-host Colleen Peck (Diane Keaton), and with little enthusiasm from Pomeroy himself, who is obliged by his contract to take this less-than-promising gig. Can Becky overcome the poor ratings and in-fighting to bring the team together and transform the show into something to be proud of?

ELECTRE and Decision Support focuses on the areas of engineering and infrastructure investment. It begins with some general comments about the different decision components within the project planning process - the definition of objectives, the identification of alternative courses of action, the establishing of criteria, the evaluation of alternatives and the final recommendation. The authors highlight the ability of Multicriteria Decision Aid to reconcile the economic, technical and environmental dimensions of the projects for its planners. They emphasize the complexity of this process, illustrating the importance of identifying the stakeholders within it, as they greatly influence the definition of the decision criteria. A brief case study illustrates these different aspects. Following a comparison of Cost Benefit Analysis and Multicriteria Decision Aid, the introductory chapter sets out the structure of the book, with four subsequent chapters devoted to the methodology of ELECTRE and three outlining case studies involving different versions of ELECTRE. The chapters concentrating on the ELECTRE methodology first give an overview of the main MCDA methods before presenting the ELECTRE method in detail. Each chapter answers the following questions: (1) In what context should the ELECTRE methods be chosen? (2) Which version of the methods is most appropriate to apply to a given problem? Another chapter deals with a critical and delicate problem within MCDA - how to adequately assess the role played by each criterion in a given decision problem, and how this translates into an appropriate weighting for it. Each one covers a different civil engineering discipline and each uses a different version of ELECTRE. The final chapter on methodology presents some accessories which, when used with ELECTRE, can greatly enhance its usefulness in practice. This book is outstanding in many respects. I am convinced that the simple, clear and concise style of the authors will make this book accessible to very many readers. No important aspect of the subject is neglected, and the concise nature of this book does not hinder its originality. Last but not least, the manner in which the case studies are described allows the authors not only to demonstrate the validity of the approach and procedures presented, but also to help the reader understand how to apply them in an effective manner. Taken from the Foreword by Bernard Roy, University Paris-Dauphine

This special edition contains a foreword by the film's director and screenwriter, Roger Michell Orphaned at an early age, Philip Ashley is raised by his benevolent cousin, Ambrose. Resolutely single, Ambrose delights in making Philip his heir, knowing he will treasure his beautiful Cornish estate. But Philip's world is shattered when Ambrose sets off on a trip to Florence. There he falls in love and marries - and then dies suddenly in suspicious circumstances. Before long, the new widow - Philip's cousin Rachel - arrives in England. Despite himself, Philip is drawn to this beautiful, mysterious woman. But could she have caused Ambrose's death?

Low-budget vampire horror in which two brothers become caught up in a gruesome occult experiment dating back to the Third Reich. When his brother Victor (Dominic Purcell) reappears after two years of being mysteriously missing, paramedic Evan Marshall (Henry Cavill) sets out on a revenge mission that uncovers a devilish experiment set up by evil Nazi historian Richard Wirth (Michael Fassbender) back in the 1930s.

BBC adaptation of the novel by Jane Austen. Anne Elliot (Amanda Root) has spent years regretting her rejection of Captain Wentworth (Ciarán Hinds)'s marriage proposal. When he returns from sea they meet, but instead of finding romance are kept apart through a series of misunderstandings. Anne is being pursued by her cousin, Mr Elliot (Samuel West), while Wentworth is now regarded as a very eligible bachelor. Will their new circumstances continue to prevent them from reuniting?

Educational Neuroscience: The Basics is an engaging introduction to this emerging, interdisciplinary field. It explains how the brain works and its priorities for learning, and shows how educational neuroscience, when combined with existing knowledge of human and social psychology, and with teacher expertise, can improve outcomes for students. Cathy Rogers and Michael S. C. Thomas reveal how neuroscientific evidence is forcing us to question our assumptions about how our brains learn and what this means for education. The chapters in this vital volume step through the brain's priorities: processing senses and moving our bodies, emotional processing, and the difficult job of dealing with other people. It unpacks the tricky tasks of thinking and learning, considering how memory works and the many systems involved in learning. It draws this all together to offer guidance for effective classroom practice, current and future. Chapter features include key issues for special educational needs and neurodiversity, case studies of novel interventions, debunking of common neuromyths, and guidance for teachers on how to evaluate their own practice. This book is a compact, lively introductory text for students of psychology, neuroscience and education and courses where these disciplines interconnect. It will also be essential reading for educational professionals, including teachers, heads, educational advisors and the many industry bodies who govern and train them, as well as anyone interested in the fascinating story of how we learn.

This book is a collection of speculative judgments that, along with accompanying commentaries, pursue a novel enquiry into how judges might respond to the formidable and planetary scaled challenges of the Anthropocene. The book’s contributors – from Australia, Asia, Europe and the United Kingdom – take up a range of issues: including multispecies justice, the challenges of intergenerational justice, dimensions of post-colonial justice, the potential contribution of AI platforms to the judgment process, and the future of judging and law in and beyond the Anthropocene. The project takes its inspiration from existing critical judgments projects. It is, however, thoroughly interdisciplinary. In anticipating future scenarios, and designing or adapting legal principles to respond to them, the book’s contributors have been assisted by climate scientists with expertise in future modelling; they have benefitted from the experience of fiction writers in future world building; and they have incorporated elements of the future worlds depicted in various texts of speculative fiction and artworks. The judgments are, moreover – and of necessity – speculative and hypothetical in their subject matter. Thus, taken together, they constitute a collaborative experiment in creating the inclusive and radical imaginaries of the future common law. The Anthropocene Judgments Project will appeal to critical and sociolegal academics, scholars in the environmental humanities, environmental lawyers, students and others with interests in the pressing issues of ecology, multispecies justice, climate change, the intersection of AI platforms and the law, and the future of law in the Anthropocene.

Thinking German Translation is a comprehensive practical course in translation for advanced undergraduate students of German and postgraduate students embarking on Master's translation programmes. Now in its third edition, this course focuses on translation as a decision-making process, covering all stages of the translation process from research, to the 'rewriting' of the source text in the language of translation, to the final revision process. This third edition brings the course up to date, referencing relevant research sources in Translation Studies and technological developments as appropriate, and balancing the coverage of subject matter with examples and varied exercises in a wide range of genres from both literary and specialised material. All chapters from the second edition have been extensively revised and, in many cases, restructured; new chapters have been added-literary translation; research and resources-as well as suggestions for further reading. Offering around 50 practical exercises, the course features material from a wide range of sources, including: business, economics and politics advertising, marketing and consumer texts tourism science and engineering modern literary texts and popular song the literary canon, including poetry A variety of translation issues are addressed, among them cultural differences, genre conventions, the difficult concept of equivalence, as well as some of the key differences between English and German linguistic and textual features. Thinking German Translation is essential reading for all students seriously interested in improving their translation skills. It is also an excellent foundation for those considering a career in translation. A Tutor's Handbook offers comments and notes on the exercises for each chapter, including not only translations but also a range of other tasks, as well as some specimen answers. It is available to download from www.routledge.com/9781138920989.

This book is a collection of judgments drawn from the innovative Wild Law Judgment Project. In participating in the Wild Law Judgment Project, which was inspired by various feminist judgment projects, contributors have creatively reinterpreted judicial decisions from an Earth-centred point of view by rewriting existing judgments, or creating fictional judgments, as wild law. Authors have confronted the specific challenges of aligning existing Western legal systems with Thomas Berry's philosophy of Earth jurisprudence through judgment writing and rewriting. This book thus opens up judicial decision-making and the common law to critical scrutiny from a wild law or Earth-centred perspective. Based upon ecocentric rather than human-centred or anthropocentric principles, Earth jurisprudence poses a unique critical challenge to the dominant anthropocentric or human-centred focus and orientation of the common law. The authors interrogate the anthropocentric and property rights assumptions embedded in existing common law by placing Earth and the greater community of life at the centre of their rewritten and hypothetical judgments. Covering areas as diverse as tort law, intellectual property law, criminal law, environmental law, administrative law, international law, native title law and constitutional law, this unique collection provides a valuable tool for practitioners and students who are interested in learning more about the emerging ecological jurisprudence movement. It helps us to see more clearly what a new system of law might look like: one in which Earth really matters.

ELECTRE and Decision Support focuses on the areas of engineering and infrastructure investment. It begins with some general comments about the different decision components within the project planning process - the definition of objectives, the identification of alternative courses of action, the establishing of criteria, the evaluation of alternatives and the final recommendation. The authors highlight the ability of Multicriteria Decision Aid to reconcile the economic, technical and environmental dimensions of the projects for its planners. They emphasize the complexity of this process, illustrating the importance of identifying the stakeholders within it, as they greatly influence the definition of the decision criteria. A brief case study illustrates these different aspects. Following a comparison of Cost Benefit Analysis and Multicriteria Decision Aid, the introductory chapter sets out the structure of the book, with four subsequent chapters devoted to the methodology of ELECTRE and three outlining case studies involving different versions of ELECTRE. The chapters concentrating on the ELECTRE methodology first give an overview of the main MCDA methods before presenting the ELECTRE method in detail. Each chapter answers the following questions: (1) In what context should the ELECTRE methods be chosen? (2) Which version of the methods is most appropriate to apply to a given problem? Another chapter deals with a critical and delicate problem within MCDA - how to adequately assess the role played by each criterion in a given decision problem, and how this translates into an appropriate weighting for it. Each one covers a different civil engineering discipline and each uses a different version of ELECTRE. The final chapter on methodology presents some accessories which, when used with ELECTRE, can greatly enhance its usefulness in practice. This book is outstanding in many respects. I am convinced that the simple, clear and concise style of the authors will make this book accessible to very many readers. No important aspect of the subject is neglected, and the concise nature of this book does not hinder its originality. Last but not least, the manner in which the case studies are described allows the authors not only to demonstrate the validity of the approach and procedures presented, but also to help the reader understand how to apply them in an effective manner. Taken from the Foreword by Bernard Roy, University Paris-Dauphine

This book is a collection of judgments drawn from the innovative Wild Law Judgment Project. In participating in the Wild Law Judgment Project, which was inspired by various feminist judgment projects, contributors have creatively reinterpreted judicial decisions from an Earth-centred point of view by rewriting existing judgments, or creating fictional judgments, as wild law. Authors have confronted the specific challenges of aligning existing Western legal systems with Thomas Berry's philosophy of Earth jurisprudence through judgment writing and rewriting. This book thus opens up judicial decision-making and the common law to critical scrutiny from a wild law or Earth-centred perspective. Based upon ecocentric rather than human-centred or anthropocentric principles, Earth jurisprudence poses a unique critical challenge to the dominant anthropocentric or human-centred focus and orientation of the common law. The authors interrogate the anthropocentric and property rights assumptions embedded in existing common law by placing Earth and the greater community of life at the centre of their rewritten and hypothetical judgments. Covering areas as diverse as tort law, intellectual property law, criminal law, environmental law, administrative law, international law, native title law and constitutional law, this unique collection provides a valuable tool for practitioners and students who are interested in learning more about the emerging ecological jurisprudence movement. It helps us to see more clearly what a new system of law might look like: one in which Earth really matters.

Thinking German Translation is a comprehensive practical course in translation for advanced undergraduate students of German and postgraduate students embarking on Master's translation programmes. Now in its third edition, this course focuses on translation as a decision-making process, covering all stages of the translation process from research, to the 'rewriting' of the source text in the language of translation, to the final revision process. This third edition brings the course up to date, referencing relevant research sources in Translation Studies and technological developments as appropriate, and balancing the coverage of subject matter with examples and varied exercises in a wide range of genres from both literary and specialised material. All chapters from the second edition have been extensively revised and, in many cases, restructured; new chapters have been added-literary translation; research and resources-as well as suggestions for further reading. Offering around 50 practical exercises, the course features material from a wide range of sources, including: business, economics and politics advertising, marketing and consumer texts tourism science and engineering modern literary texts and popular song the literary canon, including poetry A variety of translation issues are addressed, among them cultural differences, genre conventions, the difficult concept of equivalence, as well as some of the key differences between English and German linguistic and textual features. Thinking German Translation is essential reading for all students seriously interested in improving their translation skills. It is also an excellent foundation for those considering a career in translation. A Tutor's Handbook offers comments and notes on the exercises for each chapter, including not only translations but also a range of other tasks, as well as some specimen answers. It is available to download from www.routledge.com/9781138920989.

Educational Neuroscience: The Basics is an engaging introduction to this emerging, interdisciplinary field. It explains how the brain works and its priorities for learning, and shows how educational neuroscience, when combined with existing knowledge of human and social psychology, and with teacher expertise, can improve outcomes for students. Cathy Rogers and Michael S. C. Thomas reveal how neuroscientific evidence is forcing us to question our assumptions about how our brains learn and what this means for education. The chapters in this vital volume step through the brain's priorities: processing senses and moving our bodies, emotional processing, and the difficult job of dealing with other people. It unpacks the tricky tasks of thinking and learning, considering how memory works and the many systems involved in learning. It draws this all together to offer guidance for effective classroom practice, current and future. Chapter features include key issues for special educational needs and neurodiversity, case studies of novel interventions, debunking of common neuromyths, and guidance for teachers on how to evaluate their own practice. This book is a compact, lively introductory text for students of psychology, neuroscience and education and courses where these disciplines interconnect. It will also be essential reading for educational professionals, including teachers, heads, educational advisors and the many industry bodies who govern and train them, as well as anyone interested in the fascinating story of how we learn.

Low-budget vampire horror in which two brothers become caught up in a gruesome occult experiment dating back to the Third Reich. When his brother Victor (Dominic Purcell) reappears after two years of being mysteriously missing, paramedic Evan Marshall (Henry Cavill) sets out on a revenge mission that uncovers a devilish experiment set up by evil Nazi historian Richard Wirth (Michael Fassbender) back in the 1930s.

Collection of three British romantic comedies. In 'About Time' (2013), following yet another uneventful New Year's Eve Party, 21-year-old Tim (Domhnall Gleeson) learns a life-changing secret from his father (Bill Nighy). It seems that the men in Tim's family possess the unique ability to travel in time by simply entering a dark space, clenching their fists, and imagining the place they want to be. Armed with this knowledge, Tim decides to leave rural Cornwall behind and move to London to become a lawyer, and in the process, find love. All seems to be going well when he meets and falls for the dazzling Mary (Rachel McAdams), using his newfound abilities to help win the day. But when a mishap in the time travelling manoeuvre threatens his future happiness, Tim soon comes to realise that, above all else, it's how you live your life in the present that really matters. In 'Love Actually' (2003), eight stories involving the love lives of more than a dozen characters are brought together over one Christmas and climax on Christmas Eve; from the recent widower Daniel (Liam Neeson), the failing marriage of Karen (Emma Thompson) and Harry (Alan Rickman), the aging rocker (Nighy) who just wants to get paid (and laid if possible), through to the Prime Minister (Hugh Grant) falling for a member of Number 10's staff (Martine McCutcheon). In 'Notting Hill' (1999), Anna Scott (Julia Roberts) is the world's most famous movie star, whilst divorcee William Thacker (Grant) owns an ailing travel bookstore in his local neighbourhood of Notting Hill. One day Anna buys a book from William's shop and later collides messily with him on a street corner. She accompanies him home to clean herself up, and from there springs an unlikely romance. However, the path of true love is littered with obstacles, not least the media, the adoring fans and the differences in their lifestyles.

All three seasons of the classic sci-fi series that earned an enormous following of devoted fans in the 1960s. Created by legendary film producer Irwin Allen and set in the space age 'future' of 1997, the series followed a typical American family, their trusty robot and a stowaway villain named Dr. Zachary Smith. In the year 1997, Earth is suffering from massive overpopulation. Professor John Robinson (Guy Williams), his wife Maureen (June Lockhart), their children, Judy (Marta Kristen), Penny (Angela Cartwright) and Will (Bill Mumy), and Major Don West (Mark Goddard) are selected to go to the third planet in the Alpha Centauri star system to establish a colony so that other Earth people can settle there. However, Doctor Zachary Smith (Jonathan Harris), an agent for an enemy government, is sent to sabotage the mission. He is successful in reprogramming the ship's robot, but in the process becomes trapped on the ship, and because of his excess weight, the ship and all onboard become hopelessly lost. Season one episodes comprise: 'The Reluctant Stowaway', 'The Derelict', 'Island In The Sky', 'There Were Giants In The Earth', 'The Hungry Sea', 'Welcome Stranger', 'My Friend', 'Mr. Nobody', 'Invaders From The Fifth Dimension', 'The Oasis', 'The Sky Is Falling' 'Wish Upon A Star', 'The Raft', 'One Of Our Dogs Is Missing', 'Attack Of The Monster Plants', 'Return From Outer Space', 'The Keeper (Part 1)', 'The Keeper (Part 2)', 'The Sky Pirate', 'Ghost In Space', 'War Of The Robots', 'The Magic Mirror', 'The Challenge', 'The Space Trader', 'His Majesty Smith',

Terry Winsor directs this American horror starring Lance Henriksen and Emma Catherwood. When backpackers Gina (Catherwood), John (Cian Barry), Stacy (Lisa Livingstone), Geraldine (Jane Perry) and Phil (Michael Smiley) go hiking in the woods of a remote part of India with just their guide Brian (Mike Rogers) to show them the way, their journey is cut short as Geraldine gets bitten by a poisonous spider. As the group seeks a remedy for their friend from an American doctor they are told works in a jungle tribe, they are shocked to find out the true past of Dr. Lecorpus (Henriksen). Will they go ahead with the treatment to save the weary Geraldine?

A collection of six BBC dramatisations of Jane Austen classics. Adapted by Andrew Davies after his success with his work on George Elliot's 'Middlemarch' for television, 'Pride and Prejudice' was the BBC's flagship drama in the schedule for autumn 1995. The story revolves around the arrival of the wealthy Mr Darcy (Colin Firth) and party and the excitement he causes amongst the five daughters of the Bennett family. In 'Persuasion' (1995), Anne Elliott (Amanda Root) has spent years regretting her rejection of Captain Wentworth's (Ciaran Hinds) proposal of marriage. When he returns from sea they meet, but instead of finding romance are kept apart through a series of misunderstandings. Anne is being pursued by her cousin, Mr Elliott (Samuel West), while Captain Wentworth is now regarded as a very eligible bachelor. 'Northanger Abbey' (1986) stars Peter Firth and Robert Hardy. The story follows the adventures of Catherine Moorland (Katharine Schlesinger), who is invited by the romantic Henry Tilney to stay at the Abbey - and finds it to be shrouded in mystery and intrigue. In 'Sense and Sensibility' (1980), sisters Elinor and Marianne Dashwood (Irene Richard and Tracey Childs) lose their family fortune to spiteful relatives, and are forced to seek out suitable husbands in order to survive. While Marianne falls for the heartless John Willoughby (Peter Woodward), Elinor finds herself attracted to Edward Ferrars (Bosco Hogan) - who is himself betrothed to Lucy Steele (Julia Chambers). In 'Mansfield Park' (1983), Fanny Price (Sylvestra Le Touzel) struggles to adjust to her new aristrocratic lifestyle when she is sent by her debt-ridden mother to live with her rich aunt and cousins. Her 'superior' relatives constantly ignore her, and only her cousin Edmund (Nicholas Farrell) shows Fanny any interest. However, Fanny's charm and wit eventually win her many potential suitors, and before long she has to decide whether she wishes to wed for love or for status. Doran Godwin stars in 'Emma' (1972), which tells the stroy of the eponymous heroine whose chief joy in life is organising the lives of the friends with whom she surrounds herself. She is soon the apple of Mr Knightly (John Carson)'s eye, an older family friend who has watched her grow and advised her on many things in life.

Bruce Holland Rogers has been writing fiction full-time since 1991. His works range from literary and experimental to SF, fantasy, and mystery, and many of the stories in "The Keyhole Opera" began as subscription stories and went on to be published in magazines and anthologies.

Taking It to the Streets: Public Theologies of Activism and Resistance is an edited volume that explores the critical intersection of public theology, political theology, and communal practices of activism and political resistance. This volume functions as a sister/companion to the text Religion and Science as Political Theology: Navigating Post-Truth and Alternative Facts and focuses on public, civic, performative action as a response to experiences of injustice and diminishments of humanity. There are periods in a nation's civil history when the tides of social unrest rise into waves upon waves of public activism and resistance of the dominant uses of power. In American history, activism and public action including and extending beyond the Women's Suffrage, the Million Man March, protests against the Vietnam War, the Civil Rights Movement, Boston Tea Party, Black Lives Matter, the Stonewall Rebellion are hallmarks of transitional or liminal moments in our development as a society. Critical periods marked by increases in public activism and political resistance are opportunities for a society to once again decide who we will be as a people. Will we move towards a more perfect union in which all persons gain freedom in fulfilling their potential or will we choose the perceived safety of the status quo and established norms of power? Whose voices will be heard? Whose will be silenced through intimidation or harm? Ultimately, these are theological questions. Like other forms of non-textual research subjects (movement, dance, performance art), public activism requires a set of research lenses that are often neglected in theological and religious studies. Attention to bodies, as a category, performance, or epistemological vehicle, is sorely lacking so it is no wonder that attention to the mass of moving bodies in activism is largely absent. Activism and public political resistance are a hallmark of our current social webbing and deserve scholarly attention.

William Thacker (Hugh Grant), is the owner of a bookshop in the heart of Netting Hill in London. One day, by a one-in-a-million chance, the worlds most famous actress, Anna Scott (Julia Roberts), comes into his shop. He watches in amazement as she leaves and he thinks he'll never see her again. But fate intervenes -and minutes later William collides with Anna on Portobello Road. So begins a tale of romance and adventure in London W1L With a little help from his chaotic flatmate Spike (Rhys Ifans) and his old friends, Max and Bella (Tim   Mclnnerny   and   Gina   McKee), William seeks the face he can't forget...