Disney's sequel to its animated classic 'Peter Pan'. Wendy, the heroine of the first film, is now a grown-up woman with a 12-year-old daughter of her own; but the daughter, Jane, no longer believes her mother's tales about Peter Pan and the Lost Boys, thinking herself too old for stories of fairies and magical lands. So when Captain Hook's pirate ship appears in the sky above London and swoops down to kidnap the cynical young lady, it's fair to say that she has to reconsider her worldview.

Held captive in Never Land, Jane discovers that Hook is still out to get Peter Pan - but can she find a way to help Peter avoid the pirate's trap?

All 12 episodes from the first season of the American sci-fi mystery series in which two secret service agents - Pete Lattimer (Eddie McClintock) and Myka Bering (Joanne Kelly) - are deployed in a top-secret facility where the government has amassed a wealth of mysterious items linked to the supernatural and occult. The duo is assigned the unusual job of investigating rumours of new objects and locating any that have gone missing. Episodes are: 'Pilot', 'Resonance', 'Magnetism', 'Claudia', 'Elements', 'Burnout', 'Implosion', 'Duped', 'Regrets', 'Breakdown', 'Nevermore' and 'MacPherson'.

Disney's sequel to its animated classic 'Peter Pan'. Wendy, the heroine of the first film, is now a grown-up woman with a 12-year-old daughter of her own; but the daughter, Jane, no longer believes her mother's tales about Peter Pan and the Lost Boys, thinking herself too old for stories of fairies and magical lands. So when Captain Hook's pirate ship appears in the sky above London and swoops down to kidnap the cynical young lady, it's fair to say that she has to reconsider her worldview. Held captive in Never Land, Jane discovers that Hook is still out to get Peter Pan - but can she find a way to help Peter avoid the pirate's trap?

Double bill of Disney's 'Peter Pan' adventures. The first film, 'Peter Pan' (1953), tells the story of what happens when Peter Pan, the boy who refuses to grow up, visits the Darling family nursery and takes the children on a magical journey to Never Land. When they arrive they become embroiled in an on-going battle between Peter, his friends the Lost Boys, and the wicked Captain Hook, a pirate who has lost his hand and his watch to a hungry crocodile.

In the sequel, 'Return to Never Land' (2001), Wendy Darling is now a grown-up woman with a 12-year-old daughter of her own; but the daughter, Jane, no longer believes her mother's tales about Peter Pan and the Lost Boys, thinking herself too old for stories of fairies and magical lands. So when Captain Hook's pirate ship appears in the sky above London and swoops down to kidnap the cynical young lady, it's fair to say that she has to reconsider her worldview. Held captive in Never Land, Jane discovers that Hook is still out to get Peter Pan - but can she find a way to help Peter avoid the pirate's trap?

George C. Scott plays the miserly Ebenezer Scrooge in this version of the Dickens Christmas classic. Scrooge is a misanthrope unimpressed by the fuss everyone makes during the festive season. That is, until his sleep is disturbed one Christmas Eve by the ghosts of Christmas past, present and future, each of which takes him on a journey which helps him to open his heart to his fellow man and to thereby learn the joy of Christmas. Filmed entirely on location in the historic town of Shrewsbury.

The renowned Gallic poet Pacatus Drepanius journeyed to Rome in the summer of AD 389 to deliver a speech to the Emperor Theodosius; both men stood for the first time before the Roman Senators. It was a moment of high political charge. The Latin speech survives and is here presented both in the original and with facing English translation; the introduction and commentary capture the groundbreaking character of the work and set it in its historical, rhetorical and literary contexts.

What was Roman political praise for and what could it achieve? Could it have literary merit? What do the surviving examples of Roman political praise-giving reveal about the circumstances and milieu in which they originated?
Latin Panegyric brings together sixteen essays focusing on praise in the Roman Empire and, in particular, on praise of the emperor. Spanning a century of scholarship, and constituting landmark studies on different aspects of the largest collection of classical Latin oratory to survive after Cicero--the Panegyrici Latini--this collection includes speeches addressed to the emperors Trajan, Maximian, Constantine, Julian, and Theodosius, and traces three centuries of oratorical praise-giving in the Roman world. These influential readings consider textual, rhetorical, literary, political, and religious matters, and together represent the evolving landscape of academic attitudes towards praise discourse, with its strengths and problems, and towards some of the best-known Roman emperors. With a full introduction by the editor, and with four essays translated into English for the first time, this valuable volume plots the narratives of Roman praise and gives students of classical literature, history, and rhetoric direct access to key scholarship.

This new collection of essays, commissioned from a range of scholars across the world, takes as its theme the reception of Rome's greatest poet in a time of profound cultural change. Amid the rise of Christianity, the changing status of the city of Rome, and the emergence of new governing classes, Vergil remained a bedrock of Roman education and identity. This volume considers the different ways in which Vergil was read, understood and appropriated; by poets, commentators, Church fathers, orators and historians. The introduction outlines the cultural and historical contexts. Twelve chapters dedicated to individual writers or genres, and the contributors make use of a wide range of approaches from contemporary reception theory. An epilogue concludes the volume. "Romane Memento" will be of interest to literary critics and cultural historians of Late Antiquity, but also to Vergilianists unfamiliar with the literature of the fourth century.

Phillipa James has plucked down and out Duncan McFee from London's Embankment and installed him in a luxury apartment, purely as a business arrangement based on Duncan's uncanny resemblance to her late husband Richard who unfortunately died just prior to his forty fifth birthday when he would inherit a million pounds.1 woman, 1 man

This is the first monograph in English on the Panegyrici Latini, and the first in any language dedicated to the five speeches of praise from 289 - 307. The study considers how the orators justified, accommodated, and projected changes and related them to the local concerns of the people of Northern Gaul. Detailed analyses of the speeches highlight the literary flair and diplomatic acumen their orators required. As various ideologies and attitudes are charted over the five speeches, panegyric is seen to be a genre of great versatility and potential.

What was Roman political praise for and what could it achieve? Could it have literary merit? What do the surviving examples of Roman political praise-giving reveal about the circumstances and milieu in which they originated?
Latin Panegyric brings together sixteen essays focusing on praise in the Roman Empire and, in particular, on praise of the emperor. Spanning a century of scholarship, and constituting landmark studies on different aspects of the largest collection of classical Latin oratory to survive after Cicero--the Panegyrici Latini--this collection includes speeches addressed to the emperors Trajan, Maximian, Constantine, Julian, and Theodosius, and traces three centuries of oratorical praise-giving in the Roman world. These influential readings consider textual, rhetorical, literary, political, and religious matters, and together represent the evolving landscape of academic attitudes towards praise discourse, with its strengths and problems, and towards some of the best-known Roman emperors. With a full introduction by the editor, and with four essays translated into English for the first time, this valuable volume plots the narratives of Roman praise and gives students of classical literature, history, and rhetoric direct access to key scholarship.

This collection of sixteen articles, written by leading specialists in Classical and English literature, is an important contribution to the critical assessment of Ted Hughes, one of the most popular and controversial English poets of the late 20th century. The chapters are arranged broadly chronologically according to Hughes's publications, and deal with different aspects of his engagement with the culture and literature of ancient Greece and Rome, including translations, original works, classical thought, and ideologies in his drama and verse. Hughes is revealed as a leading figure in literary reception of the Classics in 20th century poetry, a sharply intelligent and sensitive reader of some of the world's foundational texts.

This book aims to make accessible the sources and controversies concerning a key period in the history of the Roman Empire -- the reign of Diocletian and its immediate aftermath. Diocletian was an emperor of unusual ambition, and his reign saw considerable military success, an experiment in collegiate government, a move towards provincial capitals away from Rome, a reorganisation of the administrative machinery of empire and its finances, and a committed project to persecute the Christians. In Part I, an introduction to Diocletian and the world of the late third century is followed by six thematic chapters covering a range of aspects of government and society under this emperor, including military, economic, religious and administrative affairs. These chapters discuss the original sources, highlight their strengths and weaknesses, and consider the main scholarly approaches to them. Throughout Part I there are regular cross references to the source material which is presented in Part II -- this includes literary, archaeological, artistic, legal, and documentary evidence, as well as coins and inscriptions. All texts are in English, and there is a guide to further reading, a full bibliography, some questions for consideration, a glossary of technical terms, and a brief list of relevant online resources.

THIS 24 PAGE ARTICLE WAS EXTRACTED FROM THE BOOK: Church Treasury of History, Custom and Folklore, by J. Rogers Rees. To purchase the entire book, please order ISBN 0766136698.