The walls of medieval churches were brightly painted with religious imagery and colourful patterns, and although often shadows of their former selves, these paintings are among the most enigmatic art to survive the Middle Ages. This beautifully illustrated book is an ideal introduction to this fascinating subject. It tells the stories behind the paintings and explains their purpose, the subjects they showed, how they were made and by whom, and what happened to these works of art during and after the enormous upheavals of the Reformation. It also compares and contrasts religious and domestic wall paintings and explores modern approaches to their conservation and care. A comprehensive gazetteer provides an invaluable guide to where the best British examples can be seen. Roger Rosewell is a Fellow of the Society of Antiquaries and a leading expert on medieval wall paintings. He is also the Features Editor of Vidimus, the online magazine about medieval stained glass and a professional lecturer and photographer. Educated at St Edmund Hall, Oxford University, he has also written Stained Glass and The Medieval Monastery for Shire.

In the Middle Ages, it was thought that praying at the right shrine could save you from just about anything, from madness and famine to false imprisonment and even shipwreck. Kingdoms, cities, and even individual trades had patron saints that would protect them from misfortune and bring them wealth and prosperity, and their feast days were celebrated with public holidays and pageants. With saints believed to have the ear of God, veneration of figures such as St Thomas Becket, St Cuthbert, and St Margaret brought tens of thousands of pilgrims from all walks of life to sites across the country. Saints, Shrines and Pilgrims takes the reader across Britain, providing a map of the most important religious shrines that pilgrims would travel vast distances to reach, as well as descriptions and images of the shrines themselves. Featuring over 100 stunning photographs and a gazetteer of places to visit, it explains the history of pilgrimage in Britain and the importance that it played in medieval life, and describes the impact of the unbridled assault made on pilgrimage by the Reformation.

For over a thousand years stories of Christian belief and great moments in British history have filled the windows of our cathedrals and parish churches. The glow of painted and stained glass, its radiant colours and vivid pictures, has inspired generations of audiences and artists.
This beautifully illustrated book traces the development of a unique art from its earliest beginnings in Anglo-Saxon England to the present day. It includes fascinating descriptions of medieval and renaissance glass, the religious upheavals of the sixteenth and seventeenth centuries which saw thousands of windows destroyed, the rebirth of the craft in Georgian and Victorian Britain, and the pioneering of exciting new styles and techniques by modern artists.
Explanations of how stained glass windows are made, the secrets of medieval glaziers, the subjects that can be seen and where the best examples from the seventh to twenty-first centuries can be found add to its pleasures.

The first major illustrated study of this unique medieval art form for almost half a century, surveying the images and iconography that made the medieval church a riot of colour. Highly Commended in the Best Archaeological Book category of the 2008 British Archaeological Awards. Wall paintings are a unique art form, complementing, and yet distinctly separate from, other religious imageryin churches. Unlike carvings, or stained glass windows, their support was the structure itself, with the artist's "canvas" the very stone and plaster of the church. They were also monumental, often larger than life-size images forpublic audiences. Notwithstanding their dissimilarity from other religious art, wall paintings were also an integral part of church interiors, enhancing devotional imagery and inspiring faith and commitment in their own right, and providing an artistic setting for the church's sacred rituals and public ceremonies. This book brings together, often for the first time, many of the very best surviving examples of medieval church wall paintings. Using newtechnologies and many previously untried techniques, it allows us to visualize these images as the artists originally intended. The plates are accompanied by an authoritative and scholarly text, bringing the imagery and iconography of the medieval church vividly to life. ROGER ROSEWELL was educated at St Edmund Hall, Oxford University. A former journalist, he is a Director of a private European art foundation and the news editor of the online stained glass magazine, VIDIMUS.

Monasteries are among the most intriguing and enduring symbols of England's medieval heritage. Simultaneously places of prayer and spirituality, power and charity, learning and invention, illusion and superstition, they survive today as haunting ruins, great houses and as some of our most important cathedrals and churches.
This book examines the growth of monasticism and the different orders of monks; the architecture and administration of monasteries, the daily life of monks and nuns, the art of monasteries and their libraries, their role in caring for the poor and sick, their power and wealth, their decline and suppression, their ruin and rescue.
Many of Britain's greatest churches, including Westminster Abbey, Canterbury, Durham and Gloucester cathedrals were once monasteries. So too were some of Britain's most evocative and awe-inspiring ruins such as Fountain's Abbey in Yorkshire and Tintern Abbey in Wales. This book tells the story of devotion, work and prayer behind those magnificent edifices.